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Posts from the “Photography” Category

CONTACT at Fahey/Klein Gallery

Posted on January 2, 2017

MONTGOMERY- MARCH 25: Dr. Martin Luther King, Jr. seen close from rear, speaking in front of 25,000 civil rights marchers, at conclusion of the Selma to Montgomery march in front of Alabama state capital building on March 25, 1965. In Montgomery, Alabama. (Photo by Stephen Somerstein/Getty Images)

For a photography aficionado, there is nothing quite so thrilling as looking at contact sheets. It is like reading a diary, delving into private realms that were not meant for public consumption. Like the old drafts of a novel or the prior recordings before the master tape, the contact sheet tells the story of how it happened—how we got to this place. It is a narrative all its own, one that few will ever know, unless the photographer blesses us with a view.

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Then, what we see is magical: that heart-stopping, breathtaking moment like in the theater when an actor breaks the fourth wall. It is an acknowledgement of the very construction of it all: the recognition that everything we see has a history and a reality that we rarely ever know. The contact sheet seduces with what it reveals—all that has been hidden from our sight now appears.

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Contact Sheet featuring MONTGOMERY- MARCH 25: Dr. Martin Luther King, Jr. seen close from rear, speaking in front of 25,000 civil rights marchers, at conclusion of the Selma to Montgomery march in front of Alabama state capital building on March 25, 1965. In Montgomery, Alabama. (Photo by Stephen Somerstein/Getty Images)

Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave, Exhibitions, Photography

Alex Webb & Rebecca Norris Webb: Violet Isle

Posted on December 30, 2016

Photo: Sancti Spiritus, Cuba, 1993. Photo by Alex Webb.

Cuba, the Violet Isle—a name known to few for the rich color of its fertile soil, is an island that has captivated the imagination of the world through a tumultuous history that has played a significant role in the political machinations of the twentieth century. It is a land has emerged in the twenty-first century as a complex nation coming to terms with a fate that is yet unforeseen. As we reflect upon the country’s future, we may look to its recent past, to its people and its landscape.

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Over the course of 15 years, photographers Alex Webb and Rebecca Norris Webb made 11 trips to the Violet Isle, each of them documenting different corners of the country. While Alex Webb focused on the country’s street life, Rebecca Norris Webb turned her attention to the displays of animal life, exploring tiny zoos, pigeon societies, and personal menageries. Together, they published Violet Isle in 2009 with Radius Books and while the book has since sold out and gone out of print, they continue to share the work in exhibitions around the world.

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Photo: Havana, 2008. Photo by Rebecca Norris Webb

Categories: 1990s, Art, Books, Crave, Exhibitions, Photography

Making Africa: A Continent of Contemporary Design

Posted on December 24, 2016

Photo: Omar Victor Diop Aminata, 2013, Photograph from the series The Studio of Vanities © Victor Omar Diop, 2014, Courtesy Magnin-A Gallery, Paris

Since its launch last year at the Guggenheim Bilbao, Making Africa: A Continent of Contemporary Design, has been touring the world, showcasing contemporary African design in an extraordinary new light. Now on view at Kunsthal, Rotterdam, through January 15, 2017, this landmark exhibition features the work of more than 120 artists and designers working today, introducing a new generation of creators to the global stage.

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Featuring object and furniture designs, graphic art, illustration, fashion, architecture, urban design, handicraft, video, film and photography, Making Africa reveals how design relates to and reflect the economic changes across the continent today. Many of the artists featured work in different disciplines and skillfully break with conventions to create an entirely new approach that is equal parts innovative and compelling.

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Vigilism, Idumota Market, Lagos 2081A.D., 2013 from the Our Africa 2081A.D. series, illustration for the Ikiré Jones Heritage Menswear Collection © Courtesy Olalekan [vigilism.com] and Walé Oyéjidé [ikirejones.com

Categories: Africa, Art, Crave, Exhibitions, Painting, Photography

Southern Accent: Seeking the American South in Contemporary Art

Posted on December 22, 2016


Artwork: Amy Sherald, High Yella Masterpiece: We Ain’t No Cotton Pickin’ Negroes, 2011. Oil on canvas; 59 x 69 inches (149.86 x 175.26 cm). Collection of Keith Timmons, ESQ, CPA. Image courtesy of the artist and Monique Meloche Gallery, Chicago, Illinois. © Amy Sherald.

The American South: a land shrouded with myth and mystery, wrapped in layers of illusions and untold history. Novelist William Faulkner suggested that the South is not so much a “geographical place” as an “emotional idea,” furthering the disjunction between the reality and illusion that has permeated the South throughout its existence.

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Place is the foundation upon which culture is built and from this culture comes ten thousand things that shape and influence the human experience, from the physical and the spiritual to the intellectual and the emotional realms. To understand the multifaceted nature of the South, it behooves us to take a more nuanced view, taking in the many elements that make the South its own complex and fascinating world.

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Southern Accent: Seeking the American South in Contemporary Art, currently on view at the Nasher Museum of Art at Duke University, Durham, NC, through January 8, 2017, does just this, approaching the subject from the perspective of its aesthetic progeny. The exhibition presents the work of 60 contemporary artists including Romare Bearden, Sanford Biggers, William Christenberry, Thornton Dial, Sam Durant, William Eggleston, Jessica Ingram, Kerry James Marshall, Richard Misrach Gordon Parks, Ebony G. Patterson, Fahmu Pecou, Burk Uzzle, Kara Walker, and Carrie Mae Weems, among others.

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Rachel Boillot, 38765 Panther Burn, MS from the series Post Script, 2014. Archival pigment print, edition 2/12; 20 x 25 inches (50.8 x 63.5 cm). Courtesy of the artist. © Rachel Boillot.

Categories: 1960s, 1970s, 1980s, 1990s, Art, Books, Crave, Exhibitions, Painting, Photography

László Moholy-Nagy: Future Present

Posted on December 19, 2016

Artwork: László Moholy-Nagy, A 19, 1927. Oil and graphite on canvas, 80 x 95.5 cm. Hattula Moholy-Nagy, Ann Arbor, MI.

 

“Designing is not a profession but an attitude’ László Moholy-Nagy asserted in his 1947 book Vision in Motion, which was published a year after his death, with the cool self-assurance that came from a life dedicated to the integration of technology and the arts.

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Born in Hungary in 1895, Moholy-Nagy moved to Vienna in 1919, then Berlin the following year. In 1923 he began teaching at the Bauhaus, a celebrated German art school that became famous for utilizing design as the bridge between crafts and fine art. The schools influence was so strong it became a style in its own right, influencing Modern design, architecture, and art.

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It was here that Moholy-Nagy perfected his approach, allowing him to work in media as diverse as painting, photography, film, sculpture, advertising, product design, and theater sets with the ultimate goal of putting art to use. Believing that “The experience of space is not a privilege of the gifted few, but a biological function,” Moholy-Nagy set forth to create work that served the people.

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Categories: Art, Crave, Exhibitions, Painting, Photography

Viviane Sassen Pikin Slee & Elspeth Diederix In These Shadows

Posted on December 15, 2016

Artwork: Viviane Sassen, Rorschach, 2013, Ultrachrome print, 18 x 12 inches, Edition of 5, and Elspeth Diederix, Karawara and Frangipani, 2014 Archival pigment print, 47-¼ x 31-½ inches, Edition of 5.

 

Viviane Sassen (b. 1972 in Amsterdam) and Elspeth Diederix (b. 1971 in Nairrobi, Kenya) first met as teenagers in art class. Individually, they have risen to prominence as photographers: Sassen for her fashion work and Diederix for her still lifes, both infusing their photography with an eloquent balance of mystery elegance, and joy. Though they pursued different paths, they maintained a close a close friendship, both citing their shared childhood experiences of coming of age in Africa as Europeans as formative to their aesthetic sensibilities.

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Individually they craft sonnets and soliloquies, beautiful poems of light, shape, and color that stir the soul like the softest breeze. Each in their own right is a master of the medium, crafting the world anew, showing us a new way of seeing that invokes the infinite spirit of the universe. Brought together, their distinct bodies of work effortlessly merge in a duet of harmony, rhythm, and verve as seen in the new exhibition Viviane Sassen Pikin Slee & Elspeth Diederix In These Shadows, on view at Casemore Kirkeby, San Francisco, now through December 22, 2016.

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Categories: Art, Crave, Exhibitions, Photography

Toyo Tsuchiya: Invisible Underground

Posted on December 12, 2016

Photo: © Toyo Tsuchiya. From the series No Se No 99 Nights, 1983.

Picture It: New York City, summer of 1983. For 99 nights in a row, at a little spot called No Se No (Spanish for “I don’t know nothing”) down on the Lower East Side hosted a cabaret unlike anything that would ever see the light of day. It was strictly underground, for those in the know, a raw artistic explosion of anything goes.

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On any given night, you could have wandered in only to discover Warhol Superstar Jackie Curtis performing Ripping Off Layers to Find Roots, the one-act play James Dean wrote for his audition at The Actors Studio. Another night you stumble upon Yugoslavian artist Dragan Ilic with power tools duct-taped to his biceps and back, furiously hammering pencils into the bar. Still another night could see girls from around the way jump on the bar and dance to Michael Jackson ‘cause Thriller was everything back in the days.

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99 Nights, as the performance art festival was known, was a pure, unbridled New York phenomenon featuring a melange of song and dance, poetry and beyond. It was unlike anything the city had ever seen before—or since—and were it not for the photographs of Japanese artist Toyo Tsuchiya, most of us would have missed it entirely. Tsuchiya was there nearly every night, camera in hand, documenting the scene with casual insouciance. His photographs are simple straightforward affairs that embrace the edge wholeheartedly, never gawking or gaping but rather making the extraordinary and amazing a regular part of life.

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Photo: © Toyo Tsuchiya. From the series No Se No 99 Nights, 1983.

 

Categories: 1980s, Art, Books, Crave, Exhibitions, Manhattan, Photography

The Best Art & Photography Books & Exhibitions of 2016

Posted on December 10, 2016

SUBWAY NEW YORK, 1977-1984 © by Willy Spiller 2016

The 5 Best Photography Books

The beauty of photography is its ability to stop time, to bare witness from now til eternity so long as someone wishes to see the world through the photographer’s eyes. We are instantly transported into other realms, into private lives and public spheres of influence.

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When collected as a book, the photograph takes on another role: it becomes evidence of the past and a message to the future. It becomes something we invite into our homes and set on our shelves, awaiting the moment we choose to pick it up and nestle it on our laps, absorbing each image page by page, in quiet contemplation of wisdom that speaks beyond words. Crave has selected five of the best photography books of 2016.

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Kerry James Marshall, Better Homes, Better Gardens, 1994. Denver Art Museum Collection: Funds from Polly and Mark Addison, the Alliance for Contemporary Art, Caroline Morgan, and Colorado Contemporary Collectors: Suzanne Farver, Linda and Ken Heller, Jan and Frederick Mayer, Beverly and Bernard Rosen, Annalee and Wagner Schorr, and anonymous donors. © Kerry James Marshall. Photo courtesy of the Denver Art Museum.

The 5 Best Art Exhibitions

In retrospect, it is virtually impossible to think of 2016 without thinking of the impact of media in our lives. Short of living on top of a mountain without Wifi, it is virtually impossible to escape the onslaught of images, text, and video that streams in and out of our daily lives. Invariably, its inescapability renders it significant, worthy of contemplation outside the quotidian spaces where we first consume them.

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Vik Muniz. A Bar at the Folies-Bergere, after Edouard Manet, from Pictures of Magazines 2, 2012. © Vik Muniz/Licensed by VAGA, New York, NY.

The 5 Best Art Books

As the year comes to a close, the one thing we may all agree on is that 2016 has been one of the most pivotal years in recent memory. There is a palpable sense of polarization that underlies so many things in our lives, and as we approach a new year, we find ourselves in a brave new world filled with fake news and propaganda from all sides.

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To that end, we may turn (even return) to books for solace, wisdom, and insight from those who have been here before and had the presence of mind to record their insights. Crave has selected five of the best art books of 2016, with an eye towards hope, justice, and understanding who we are and where we’ve been so that we know where we’re going—for the sake of our own, as well as future generations.

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Categories: Art, Books, Crave, Exhibitions, Photography

Art Basel in Miami Beach | Previews

Posted on November 29, 2016

© Art Basel

© Art Basel

Art Basel in Miami Beach | Everything You Need to Know
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Art Basel in Miami Beach is the global destination for the worlds of art, glamour, and wealth, drawing more than 77,000 visitors to Magic City every winter. Featuring four days and nights of unrivaled luxury, Art Basel in Miami Beach attracts jet-setting artists, collectors, and celebrities from around the world. Since its inception in 2002, the fair has become the crown jewel of the American art scene.
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The 15th edition returns this year with 269 international Modern and contemporary galleries from 29 countries, featuring work by some 4,000 artists. The VIP previews begin Wednesday, November 30, and the fair is open to the public Thursday, December 1 through Sunday, December 4. For all attendees taking flight this year, Crave Online has prepared a guide to everything you need to know about Art Basel in Miami Beach.
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Image: Sunrise carpet, by Nanda Vigo, 1987- Courtesy of Erastudio Apartment-Gallery

Image: Sunrise carpet, by Nanda Vigo, 1987- Courtesy of Erastudio Apartment-Gallery

Design Miami | Everything You Need to Know
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Now in its twelfth edition, Design Miami (November 30-December 4) returns to its premier spot, located just across the street from Art Basel. Design Miami is the meeting point for the design world’s elite, bringing together the most influential collectors, galleries, designers, curators, critics, and celebrities from around the globe. It all begins with the grand unveiling of a specially commissioned entrance by New York-based SHoP Architects, recipients of the 2016 Panerai Design Miami/Visionary Award.
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Artwork © Awol Erizku, courtesy of Nina Johnson

Artwork © Awol Erizku, courtesy of Nina Johnson

Art Basel in Miami Beach | Local Gallery Guide

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As tens of thousands of art collectors, socialites, and celebrities descend on Miami Beach to take in the vast scope of Art Basel and two dozen satellite fairs, local galleries show out with the best. Crave spotlights some of this year’s best, including Awol Erizku: I Was Going to Call It Your Name but You Didn’t Let Me at Nina Johnson (November 28, 2016-January 14, 2017);Graciela Sacco: A donde va la Furia? at Diana Lowenstein Gallery (November 18-January 28, 2017); Lillian Bassman: Elegance at Dina Mitrani Gallery (now through December 30, 2016); Jorge Enrique: Borders at Waltman Ortega Fine Art (now through December 27, 2016); and Alexis Gideon: The Comet and the Glacier at Locust Projects (November 19, 2016-January 21, 2017).

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Gjon MIli. Picasso Space Drawing, France (vase of flowers), 1949. Gelatin silver print; printed c. 1949. 9 1/2 X 12 1/4 inches. Mounted. Annotated with credit, title and date in an unknown hand in ink and pencil, with credit and ‘LIFE Magazine ‘ stamps on mount verso.

Gjon MIli. Picasso Space Drawing, France (vase of flowers), 1949. Gelatin silver print; printed c. 1949. 9 1/2 X 12 1/4 inches. Mounted. Annotated with credit, title and date in an unknown hand in ink and pencil, with credit and ‘LIFE Magazine ‘ stamps on mount verso.

Art Basel in Miami Beach | Must-See Exhibitions
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With 269 galleries exhibiting at Art Basel in Miami Beach this year, the Miami Beach Convention Center will be transformed into intergalactic experience of art. With so many shows under just one roof, Crave spotlights must-see exhibitions in this year’s edition, including Gjon Mili at Howard Greenberg Gallery, Outer Space at Dominique Lévy, The Future is Our Only Goal at Galerie Gmurzynska, David Hammons at Mnuchin Gallery, Lynette Yiadom-Boakye at Jack Shainman Gallery,  and Fabienne Verdier: Rhythms and Reflections at Waddington Custot.
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Malick Sidibé Nuit de Noël (Happy Club), 1963, Gelatin silver print Paper: 19,7 x 23,5 in © Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Malick Sidibé Nuit de Noël (Happy Club), 1963, Gelatin silver print Paper: 19,7 x 23,5 in © Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris (will be on view at UNTITLED, Miami Beach, November 30-December 4, 2016 at Ocean Drive and 12th Street)

Art Basel in Miami Beach | Top 5 Places to Check Out

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With two-dozen satellite fairs, a host of museums, galleries, and pop-ups across the city, Art Basel in Miami Beach will keep you on your toes all week. Crave spotlights some of our favorite places to check out while you are in town, including Christie van der Haak: MORE IS MORE at The Wolfsonian-FIU, PULSE Miami Beach, December 1-4, 2016 at Indian Beach Park,  UNTITLED, Miami Beach, November 30-December 4, 2016 at Ocean Drive and 12th Street, Regeneration Series: Anselm Kiefer from the Hall Collection at NSU Art Museum, and  Alex Webb and Rebecca Norris-Webb: Violet Isles at HistoryMiami Museum.

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Categories: Art, Crave, Exhibitions, Painting, Photography

Tastemakers & Earthshakers: Notes from Los Angeles Youth Culture, 1943-2016

Posted on November 22, 2016

Photo: Humberto Sandoval, Still from Sr. Tereshkova, 1975, sepia tone photograph on paper. Courtesy of the artist.

Photo: Humberto Sandoval, Still from Sr. Tereshkova, 1975, sepia tone photograph on paper. Courtesy of the artist.

“One thing is certain: the arts keep you alive. They stimulate, encourage, challenge, and, most of all, guarantee a future free from boredom,” American actor Vincent Price (1911-1993). Best known for his distinctive voice, a somber and thrilling timber, and his performances in horror films, Price was also an aficionado of the arts, a collector and historian who donated 90 pieces from his personal collection to establish the first “art teaching collection” housed at a community college—East Los Angeles College, to be exact—in 1957. In recognition of his gift, the college renamed the art gallery the Vincent Price Museum.

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Over the past 50 years, the collection has grown to include 9,000 objects and showcased more than 100 exhibitions designed to serve the community of some 35,000 students who enroll each year. Five months ago, Pilar Tompkins Rivas took up the mantle as Director of the Museum, and decided to create an exhibition that would speak to the history of the community over the past eight decades.

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Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave, Exhibitions, Photography

Jamel Shabazz: Pieces of a Man

Posted on November 8, 2016

Photo: Untitled, East Flatbush, 1990. © Jamel Shabazz

Photo: Untitled, East Flatbush, 1990. © Jamel Shabazz

Pieces of a Man (Art Voices Art Books), the newest monograph by legendary photographer Jamel Shabazz, is a tremendous undertaking, bringing us around the world and across time, yet always able to center on what we all share as human beings. The title speaks to the way in which each of us are so many things in this life and on this earth, with each photograph capturing a facet of our infinite complexity. The book, like the individual, proves that the sum of the parts is greater than the whole, and yet sometimes we feel fragmented, or must only reveal one part of ourselves, and still remain authentic to our souls.

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Pieces of a Man is a story of love and loss, of joy and pain, of life and death and rebirth with each page. It’s like listening to a classic album like What’s Going On—absolutely overwhelming and yet, you want to listen to it over and over. Shabazz talks with Crave, providing us with a treasure trove of insight and inspiration.

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Photo: Waiting, Brownsville, Brooklyn, 2012. © Jamel Shabazz

Photo: Waiting, Brownsville, Brooklyn, 2012. © Jamel Shabazz

Categories: 1970s, 1980s, 1990s, Art, Books, Brooklyn, Crave, Photography

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