Jean-Michel Basquiat, 57 Great Jones Street, New York, June 1984 © Richard Corman
In June 1984, Jean-Michel Basquiat was flying high in his downtown studio at 57 Great Jones Street. He had just come off his first solo exhibition at Marry Boone and featured in the MoMA’s inaugural re-opening show, an international survey of the most important painters and sculptors of the moment.
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Enter the then 30-year-old photographer Richard Corman, who had completed a two-year apprenticeship with Richard Avedon. On assignment for L’Uomo Vogue, Corman would spend an hour with Basquiat creating a series of incisive portraits of the artist as a young icon, just published in a new, limited edition book titled BASQUIAT: A PORTRAIT,
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This was Corman’s first encounter with Basquiat, who started leasing the studio from Andy Warhol in 1983. “I hope it works out,” Warhol says in his diaries on August 26. “Jean Michel is trying to get on a regular painting schedule. If he doesn’t and he can‘t pay his rent it’ll be so hard to evict him. It’s always hard to get people out.”
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Spoken like a true Factory owner.
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Jean-Michel Basquiat, 57 Great Jones Street, New York, June 1984 © Richard Corman
