By the 1990s, the music industry had changed irrevocably. Vinyl was becoming a thing of the past as CDs came to the fore, and music videos skyrocketed in popularity, requiring artists to develop an aesthetic to embody their sound.
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Guzman – the husband and wife photography duo of Constance Hansen and Russell Peacock – helped to define the look of the times with a series of iconic album and magazine covers for everyone from Fishbone to En Vogue.
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The couple got their start in music photography with the cover of Debbie Harry’s 1986 album, Rockbird, collaborating with the likes of Stephen Sprouse and Andy Warhol. Three years later, they hit the big time, when they photographed the cover of Janet Jackson’s Rhythm Nation 1814 – a groundbreaking album that transformed the course of Hansen and Peacock’s careers.
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Throughout the ’90s, Guzman would go on to photograph some of the era’s biggest acts, among them Lenny Kravitz, Luther Vandross, SWV, and Salt-N-Pepa. Long before industry personnel began crowding photo shoots, photographers and artists collaborated in intimate settings.
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