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Posts from the “Magnum Photos” Category

Jim Goldberg: Fingerprint

Posted on March 11, 2021

Jim Goldberg. Wea, Near Hollywood Boulevard. Los Angeles, California. USA. 1988-1994. © Jim Goldberg | Magnum Photos

From 1985-1995, Jim Goldberg worked on the streets of Los Angeles and San Francisco getting to know a number of homeless teens, building the relationships that would come to form the basis of Raised by Wolves, the groundbreaking monograph that redefined commonly held notions of documentary work. Weaving together photographs, handwritten notes, drawings, snapshots, found objects, and ephemera into a majestic tapestry, Goldberg crafted a brutally compelling portrait of troubled youth struggling to survive.

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Through the stories of protagonists Tweeky Dave and Echo, Goldberg provided visibility, and a voice, to at-risk teens at a time when they were alternatively vilified and marginalized, or erased from most peoples’ awareness, allowing the subjects to control the narrative.

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The dazzling sunshine of Southern California and noirish shadows it cast made the perfect visual backdrop for a tale of adolescent antiheroes driven from their homes, fending for themselves on the streets. “The stories that they created about themselves were based on Hollywood, rock and roll, and love stories. Their family on the street was a movie in itself. They were in Hollywood and San Francisco, too. They would flow back and forth and be the new James Deans or Johnny Rottens.”

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Read the Full Story at Magnum Photos

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Jim Goldberg. Schemer and Cupcake, Near Hollywood Boulevard. Los Angeles, California. USA. 1988-1994. © Jim Goldberg | Magnum Photos
Categories: 1980s, 1990s, Art, Books, Magnum Photos, Photography

Alex Majoli: Magnum Artists – Great Photographers Meet Great Artists,

Posted on October 27, 2020

Alex Majoli Wall in the studio of artist Ellsworth Kelly.(Photo by Alex Majoli and Daria Birang.) Spencertown, NY. USA. 2012. © Alex Majoli | Magnum Photos

At 15, Alex Majoli joined the F45 bottega in Ravenna, Italy, working as an apprentice under Daniele Casadio. “I grew up in the studio, which specialized in art reproduction,” Majoli recalls. “Many times my master asked me to go to the studios of the artists while they were working to complete the catalogues. I learned that the place where one should take a picture of an artist is in their studio.”

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The wisdom that an artist might best be understood situated within the environs in which they create has served Majoli extraordinarily well over the years. Although not primarily a portrait photographer, Majoli’s sensitivity to the complex interplay between his subjects’ inner worlds and outer lives has made him a gifted portraitist of leading contemporary artists.

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In the new book Magnum Artists: Great Photographers Meet Great Artists, the title’s author and editor Simon Bainbridge brings together portraits by Magnum members of more than 100 of the most innovative artists of the past century. From Edward Steichen, Man Ray, and Marcel Duchamp to William Eggleston, Nan Goldin, and Naim June Paik,Magnum Artists offers an intimate look at a diverse array of men and women who have transformed the course of Western art.

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Read the Full Story at Magnum Photos

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Alex Majoli Shirin Neshat, an Iranian visual artist, she is known primarily for her work in film, video and photography. In her house in NYC. NYC. USA. 2009. © Alex Majoli | Magnum Photos
Categories: Art, Magnum Photos, Photography

Mastering the Medium and Sustaining Your Practice

Posted on May 9, 2019

USA. Los Angeles and vicinity. 2008-2015. From the project “ZZYZX”.

Photography is a calling and a need to communicate through images. It is a language all its own, one which benefits from a diverse array of applications in the world of art — be it museums and galleries, book publishing, commercial or editorial work.

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Upcoming photographers find themselves charged with the dual tasks of mastering the medium while also developing a sustainable business practice. Those fluent in the language of photography excel when they learn how to translate their vision across these platforms , very often by winning over an audience of one: those gatekeepers who can help the photographer build a mutually beneficial partnership.

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In early April, Magnum hosted an educational two-day professional practice workshop at Jersey City’s Mana Contemporary, in the United States, which featured presentations by leading figures in the field, who offered insights on their inspirations, stories about significant projects, and hard-won wisdom after collective decades working across the industry.

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Here we share five key insights from speakers Magnum nominee Gregory Halpern, Azu Nwagbogu the director of the Zeitz Museum of Contemporary Art Africa, photobook publisher Michael Mack – of Mack Books, TIME’s Paul Moakley, and MoMA’s Sarah Meister.

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Read the Full Story at Magnum Photos

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USA. Los Angeles and vicinity. 2008-2015. From the project “ZZYZX”.

Categories: Magnum Photos, Photography

Diana Markosian: Quince – Coming of Age in Cuba

Posted on October 23, 2018

Diana Markosian Girls stand outside their friend’s quinceañera venue as they wait for their big entrance © Diana Markosian | Magnum Photos

Diana Markosian Teens gather in the courtyard of a church as they prepare for their friend’s quinceañera festivities © Diana Markosian | Magnum Photos

After being awarded the 2018 Elliot Erwitt Fellowship Grant to travel to Cuba for one month, Diana Markosian set forth to explore the exquisite moment of transformation, as a girl becomes a woman in society, and the way this experience informs the feminine identity. The ensuing project, Quince, which is made up of portraits and imagery from locally made magazines, will be shown at Paris Photo, in the Grand Palais, from November 8-11.

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“A lot of my work is about the past and memory. It is less about going somewhere and more about finding my way into that country and my understanding of what that country represents for me,” the Armenian-American artist explains.

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Born in Moscow in 1989, Markosian’s early years were shaped by living through the total collapse of the Soviet Union. She discovered an immediate and intimate parallel between her childhood experiences and the lives of those she encountered during her visit, “The 90s in Cuba was a time that is referred to as the ‘special period’ — a moment when the country, which was dependent on the Soviet Union, was in total economic collapse. It’s something I experienced first hand living in Moscow and Yerevan as a child.”

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In sharing these stories, Markosian felt a connection to the lives of those she met in Cuba, and realized the story she was searching for could be found deeper in the countryside. She began traveling outside of Havana, going from town to town, until she arrived in Matanzas, famed as the birthplace of the Afro-Cuban music and dance traditions of danzón and rumba.

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Here, she met a few girls and their parents, who struck up a conversation by showing Markosian a photobook that was made for their daughter’s quinceañera, a Latin American tradition celebrating a girl’s 15th birthday. As Markosian leafed through the book, she became intrigued.

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Read the Full Story at Magnum Photos

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Diana Markosian A girl rides around her neighbourhood in a pink 1950s convertible as her community gathers to celebrate her 15th birthday © Diana Markosian | Magnum Photos

Categories: Art, Latin America, Magnum Photos, Photography, Women

Cristina de Middel: Gentlemen’s Club Bangkok

Posted on September 10, 2018

Cristina de Middel Lune, 56 years old. Married. Tailor. Lune was 16 years old when he first paid for prostitutes in his hometown. He went to the brothel by himself but following the advice of a friend who told him he had to try it. That night he payed 3 USD. He then started going at least 10 times a month but stopped when he got married. The last time he payed 9 USD and said he didn’t stop going because of his wife but rather because of his fear of contracting an STD. Bangkok. Thailand. 2018. © Cristina de Middel | Magnum Photos

Cristina de Middel’s intimate portraits of men in low-lit rooms slowly draw us into a desire that drives them into the arms of prostitutes. It is here, in these dark corners hidden away from it all that men of all walks of life find themselves inextricably drawn to a fleeting encounter with a local sex worker.

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For de Middel, the photographic reportage of prostitution had been reduced to a series of visual clichés revolving around women, sex, and capitalism. For all of the stories told time and again, the identity and lives of the clients was all but invisible. The Spanish-Belgian photographer, who now lives between Brazil and Mexico, has always enjoyed subverting the paradigms of the status quo to provide new sources of insight and understanding.

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The ongoing project, Gentlemen’s Club, began in Rio de Janeiro with a simple advert placed two in free newspapers, Extra and O Dia. de Middel offered to pay clients for an hour of their time, during which she would photograph and interview them in a local hotel room. The response was overwhelming. With more than 100 people responding willing to participate, de Middel recognized a much larger story unfolding before her eyes.

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Read the Full Story at Magnum Photos

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Cristina de Middel Bangkok. Thailand. 2018. © Cristina de Middel | Magnum Photos

Categories: Art, Magnum Photos, Photography

  

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