Miss Rosen
  • Home
  • About
  • Imprint
  • Writing
    • Books
    • Magazines
    • Websites
    • Interviews
  • Marketing
    • Publicity
    • Exhibitions & Events
    • Branding
  • Blog

Posts from the “Jacques Marie Mage” Category

Brigitte Bardot and Serge Gainsbourg

Posted on June 21, 2021

French actress Brigitte Bardot and actor, singer, songwriter and author Serge Gainsbourg on the set of “Speciale Bardot”. (Photo by Henri Bureau/Sygma/Corbis/VCG via Getty Images)

As the Summer of Love came to a close, Brigitte Bardot and Serge Gainsbourg embarked on a brief but passionate affair that would transform their lives. In one brief shining moment they became a modern day incarnation of Bonnie and Clyde— devoted wholly to one another, throwing caution to the wind. 

.

Bardot was so famous she was known by her initials alone, and over the course of the late ‘50s and ‘60s, had become the reigning sex kitten of the silver screen. No less than celebrated feminist Simone de Beauvoir was infatuated with B.B.’s smoldering presence, inspiring her to pen the 1959 essay The Lolita Syndrome, declaring this “locomotive of women’s history” the first and most-liberated woman in post-war France. 

.

After a series of marriages to film director Roger Vadim, who turned her into a star with the 1956 films Naughty Girl, Plucking the Daisy, and And God Created Woman, Bardot married actor Jacques Charrier, father of her only child, and then married Gunter Sachs in 1966 — but soon grew weary of the German millionaire playboy. At 33, B.B. was in her prime and hardly one to deny herself the pleasures of an affair.

.

Read the Full Story at Jacques Marie Mage

.

Photo: Patrice Habans. Credit: Paris Match via Getty Images
Categories: 1960s, Art, Jacques Marie Mage, Music

Nico: The Femme Fatale of Bohemian Moderne

Posted on December 17, 2020

Nico in Andy Warhol’s Chelsea Girls.

A statuesque blonde whose otherworldly voice inspired a generation to come, Nico embodied the bohemian spirit of the distant past, a Romantic heroine whose greatest regret, she admitted in 1981, was that, “I was born a woman and not a man.” Hers was a tragedy that haunted her soul, one forged in the horrors of war that ravaged her from within, destroying her redolent beauty while revealing itself through song. 

.

Born Christa Päffgen in Cologne, Germany, in 1938, Nico spent her formative years in shelters while the British dropped bombs overhead, bearing witness to the Soviet conquest of German troops and losing her father to either a concentration camp or shellshock following the war. Bearing a passport stamped “ohne festen Wohnsitz” (no fixed address), Nico traveled between Germany, France, and Italy, picking up seven languages along the way. 

.

German fashion photographer Herbert Tobias discovered Nico, then 16, modeling in a KaDeWe fashion show in Berlin, fell madly in love, and bestowed upon her the legendary one-word name. “Modeling is such a dull job,” Nico later told The New York Times, indicating her deeper desire for something more. After starring in a few television commercials, Nico landed small roles in a couple of films before receiving an invitation to the set of La Dolce Vita in 1959. Invariably, the leggy libertine caught the eye of Federico Fellini who gave her a minor role in the film as herself, recognizing a diva in the making.

.

Read the Full Story at Jacques Marie Mage

.

Nico and the Velvet Underground
Categories: 1960s, 1970s, Art, Jacques Marie Mage, Music, Women

Jake Scharbach: Art at the End of Empire

Posted on October 28, 2020

Jake Scharbach

After empire peaks, it begins its descent, deftly illustrating the principle of Newton’s Third Law: for every action there is an equal and opposite reaction. It is this very reversal that makes it so difficult to grasp when one is witnessing it from the inside looking out rather than they other way around. 

.

It is here in the fog of chaos that artists may act as guides. Their intuitive need to explore and express that which is a blessing and a curse illuminates the darkness that obfuscates our view. Once rendered, their work provides both context and subtext that we may use to chart our path into the unknown by providing us a quiet space to contemplate how the present has come to pass. 

.

Growing up in a small town in Washington, American artist Jake Scharbach developed an early connection to nature that informed his ongoing suspicions of civilization, one that has served him well in his quest to wrestle with the ineffable and give it voice. Coupled with an intimate experience of community and unconditional relationships, Scharbach cultivates a language of symbols and signs rooted in Western ideals to analyze contemporary cultural values. 

.

Read the Full Story at Jacques Marie Mage

.

Jake Scharbach
Categories: Art, Jacques Marie Mage

Excess is a Work of Art

Posted on September 14, 2020

Downtown 81

New York is a phoenix: in death it is reborn. During the 1970s, after years of white flight, landlord-sponsored arson, and systemic government disinvestment cozily termed “benign neglect,” the city teetered along the edge of bankruptcy and nearly collapsed. Though naysayers cried, “New York is dead,” they were wrong. The city arose from the ashes in the 1980s, stronger than ever before. 

.

In Ronald Reagan’s America, greed was good and gauche was chic as the lifestyles of the nouveau riche and famous set the art world ablaze. Art became the ultimate commodity, the status symbol that telegraphed not only a sense of worldly sophistication but business savvy among the emerging neoliberal elite. Investors flocked to the world’s only unregulated industry, transforming the art market into a luxury exchange. 

.

All things considered it was the logical extension of Andy Warhol’s veneration of “the object” that fueled the creation of his distinctive brand of Pop Art. In creating an instantly recognizable iconography centering the mundane matters of everyday life, Warhol not only elevated the commonplace into the sacred realm of art but also transformed the artist into a brand. Like any heritage brand, Warhol understood the way to keep current was to mix it up with the youth — a mission that put him on the path to socialize and collaborate with Jean-Michel Basquiat, an artist fueled by an ambition and a savvy all his own—to infiltrate New York’s highly exclusionary art world. 

.

Read the Full Story at Jacques Marie Mage

Categories: 1980s, Art, Critical Essays, Jacques Marie Mage

Born to Be Wild: Dennis Hopper’s Radical Transformation of Hollywood

Posted on August 14, 2020

Blandford. US Film Director Dennis Hopper seen here in London following the 1969 Cannes Film Festival to promote his film Easy Rider. 19th June 1969.

At the tender age of 19, Dennis Hopper made his film debut in Nicholas Ray’s teen classic, Rebel Without a Cause. The 1955 film introduced the world to James Dean, the renegade with a heart of gold whose demeanor and style helped plant seeds of the American counterculture. But Dean would not live to see his influence; he died one month before the film was released.

.

Hopper was devastated by the death of his friend. Wracked by grief, the young actor became unmanageable. After a confrontation with director Henry Hathaway on the set of From Hell to Texas in 1958, Hopper made Hollywood’s dreaded blacklist. But the young maverick could not be stopped and soon found other means to channel his creative impulses.

.

In the 1960s, Hopper began spending time with artists like Andy Warhol, William Claxton, Joseph Albers, and Ed Ruscha. Inspired to get behind the camera, he made a series of photographs of his everyday life, photographing the changing landscape of America as it unfolded before his eyes during the 1960s. Adopting an unconventional approach, Hopper took a wide array of vantage points and quickly became a participant in his work.

.

It was a sensibility that he would bring to Easy Rider, Hopper’s 1969 return to the silver screen, which he co-wrote with Peter Fonda and Terry Southern. Conceived as a modern take on the Western, Easy Rider tells the story of two bikers named for Wyatt Earp and Billy the Kid, and allegedly modeled on Roger McGuinn and David Crosby of the Byrds, who decide to bike from Los Angeles to New Orleans to celebrate at Mardi Gras after scoring big on a drug deal. 

.

Read the Full Story at Jacques Marie Mage

.

Dennis Hopper, Easy Rider, 1969.
Categories: 1960s, Art, Jacques Marie Mage

Debbie Harry: Punk’s Platinum Blonde Bombshell

Posted on August 12, 2020

Richard McCaffrey. Debbie Harry of Blondie performs live at The Winterland Ballroom in 1977 in San Francisco, California.

After learning she had been adopted, Debbie Harry would often dream her real mother was Marilyn Monroe, herself a foster child who became the quintessential Hollywood bombshell, radiating an intoxicating blend of vulnerability, seduction, and charm every time she looked at the camera.

.

“I felt that Marilyn was also playing a character, the proverbial dumb blonde with the little-girl voice and big-girl body, and that there was a lot of smarts behind the act,” Harry wrote in Face It: A Memoir. “My character in Blondie was partly a visual homage to Marilyn, and partly a statement about the good old double standard.”

.

At 14, Harry began dying her hair, going through a dozen colors but always returning to timeless glamour of platinum blonde. In 1965, Harry, then 20, moved to New York City and rented an apartment on St. Marks Place for a mere $67 a month. She worked as a go-go dancer, Playboy Bunny, and waitress at Max’s Kansas City before she found her true calling: rock star.

.

Read the Full Story at Jacques Marie Mage

.

Gie Knaeps. Debbie Harry, Blondie, Paradiso, Amsterdam, Netherlands, September 21, 1977.
Categories: 1970s, 1980s, Fashion, Jacques Marie Mage, Music

Hunter S. Thompson: Hell’s Angels – The Strange and Terrible Saga of the Outlaw Motorcycle Gangs

Posted on October 18, 2019

This is the tale of two gangs and their literary henchmen who pen history to sway the hearts and minds of the public, building their careers along the way. When a budding journalist named Hunter S, Thompson discovered the Hell’s Angels had been falsely accused of criminal activity in 1964, he decided to use the press just as the government had done, this time flipping the script and championing the notorious outlaws in a 1965 essay titled “The Motorcycle Gangs: Losers and Outsiders” for The Nation.

.

Thompson went full throttle, embracing the spirit of New Journalism filling the air, painting a vivid scene of the reviled scourge as iconoclastic American anti-heroes for a modern world. “Like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter’s leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they’ll never know…Ah, these righteous dudes, they love to screw it on,” Thompson wrote with aplomb.

.

The story took the world by storm. Within a month, book offers were rolling in and Thompson seized the day, spending the following year embedded in the San Francisco and Oakland chapters. Birney Jarvis, a former member, made the introduction, giving Thompson credibility no other reporter ever had — and the Angels opened up to him, sincere in their desire to be understood and known.

.

Read the Full Story at Jacques Marie Mage

.

Categories: 1960s, Books, Jacques Marie Mage

Sex, Frocks and Rock & Roll

Posted on June 18, 2019

“Sometimes reality is the strangest fantasy of all,” a deep voice slowly says before the pitch-black screen explodes with a heavy guitar riff and a montage of scenes beautiful and bizarre in the original trailer for the 1966 film Blow-Up — the ultimate art house tale of sex, frocks, and rock & roll.

.

We enter into a day in the life of Thomas (David Hemmings), a fashion photographer modeled on 1960s bad boys David Bailey, Terence Donovan and Brian Duffy. Produced by Carlo Ponti for MGM, Michelangelo Antonini’s first English language film deftly combines aestheticism and existentialism to flawless effect, giving us everything and nothing — much like the troop of mimes that bookend the film.

.

We first encounter Thomas dipping out of a doss house at the break of dawn and hopping into his Rolls Royce Silver Cloud III Drop Head Coupé, offering the first of many stark contrasts between the artist and his subject. Though set in Swinging London, the city is eerily empty, quiet, and perfectly manicured — an unnerving sense of alienation at every turn.

.

Read the Full Story at Jacques Marie Mage

Categories: 1960s, Art, Fashion, Jacques Marie Mage, Music, Photography

Niki de Saint Phalle: The Female Gaze in a World of Men

Posted on May 30, 2019

Vogue 1971. Portrait of artist Niki de Saint-Phalle painting one of her large Nanas sculptures in her studio outside Paris. (Photo by Jack Nisberg/Condé Nast via Getty Images)

“Very early on I decided to become a heroine,” said artist, filmmaker, and feminist Niki de Saint Phalle (1930–2002). “What did it matter who I would be? The main thing was that it had to be difficult, grandiose, exciting.

.

De Saint Phalle shaped her destiny from a young age after realizing those closest to her would destroy her if they could. Physically abused by her mother and sexually abused by her father as a child, de Saint Phalle refused to become a victim of the petty bourgeois who raised her to be a housewife and mother.

.

“I could not identify with Mother, our grandmothers, our aunts, or Mother’s friends. Their territory seemed too restrictive for my taste,” de Saint Phalle said. “I want the world that belonged to men… Very early I got the message that men had the power and I wanted it. Yes, I would steal their fire from them.”

.

Read the Full Story at Jacques Marie Mage

.

Niki de Saint Phalle (kneeling) by Dennis Hopper, 1963

Categories: 1970s, 1980s, Jacques Marie Mage, Painting, Women

The Extraordinary Adventure of Becoming Different

Posted on April 9, 2019

In January 1947, French novelist, feminist, existential philosopher Simone de Beauvoir boarded an airplane in Paris bound for New York ready to take the greatest adventure of her life: a road trip across America, visiting 56 cities in 19 states over 116 days.

.

Carrying a letter of introduction from her soulmate Jean-Paul Sartre, de Beauvoir, then 39, toured the nation giving talks at women’s colleges while detailing her experiences and observations in the masterful travel diary, America Day by Day, first published in France in 1948.

.

Written two years before de Beauvoir published her landmark work, The Second Sex, America Day by Day reveals a woman coming into her true self. “Usually, traveling is an attempt to annex a new object to my universe; this in itself is an undertaking: but today it’s different,” she writes.

.

Read the Full Story at Jacques Marie Mage

Categories: Art, Books, Jacques Marie Mage

The Last Dance Before the Lights Come On

Posted on February 14, 2019

A young Michael Jackson takes to the dance floor. Credit: Courtesy Hasse Persson

In a city filled with history and legend, 1977 might just be New York’s most notorious year, as decadence reached dazzling new heights typified by the flight of the Concorde soaring at the speed of sound overhead. While 100 of the world’s most glamorous jet setters shuttled back and forth above the pond, New York was collapsing into anarchy.

.

After years of white flight and “benign neglect,” the city was broke. The federal government refused a bailout. Criminal became bold. Arsonists torched the Bronx while landlords collected insurance checks. A serial killer dubbed “Son of Sam” was terrorizing the city and writing letters to the press. Pornography was legalized and prostitution flourished openly on the streets. Then, on one hot night in July, a blackout struck and the city descended into pure chaos.

.

Amid the madness, a spark had emerged, soaring through the sky like a comet until it burned to dust — Studio 54, the most legendary nightclub ever known. College buddies Steve Rubell and Ian Schrager transformed a former midtown TV studio into a pleasure palace for the senses that took the Warholian ideal of celebrity to new heights, where everyone was a star in their own right.

.

Read the Full Story at Jacques Marie Mage

.

Hasse Persson / Courtesy Embassy of Sweden

Categories: 1970s, Art, Fashion, Jacques Marie Mage, Manhattan, Music

  

Categories

Archives

Top Posts

  • Home
  • About
  • Marketing
  • Blog
  • Azucar! The Life of Celia Cruz Comes to Netflix in an Epic Series
  • Eli Reed: The Formative Years
  • Bill Ray: Watts 1966
  • Jonas Mekas: I Seem to Live: The New York Diaries 1950-1969, Volume 1
  • Mark Rothko: The Color Field Paintings
  • Imprint

Return to top

© Copyright 2004–2025

Duet Theme by The Theme Foundry