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Posts from the “i-D” Category

Cammie Toloui: 5 Dollars for 3 Minutes

Posted on June 16, 2021

Cammie Toloui

In 1990, radical feminist musician and artist Cammie Toloui took a job working at the Lusty Lady, San Francisco’s famous women-owned strip club, to pay her way through San Francisco State University, where she was pursuing a degree in photojournalism. Seizing the opportunity to document a world few knew, Cammie turned the camera on her customers inside the ‘Private Pleasures’ booth, creating an extraordinary series of portraits and journal entries collected in the new book 5 Dollars for 3 Minutes (Void, July 2021).

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“Stripping is the patriarchy and capitalism laid bare — the intersection of the two in your face,” Cammie says. “The men felt like they had the power because they’re standing there with a lot of bills, and we’re on the other side of the glass like, ‘How do I get it?’ I think that that’s what makes the pictures so compelling — you’re looking behind the curtain, and the Wizard of Oz is just this dude who looks a little needy.”

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As a member of the punk band, the Yeastie Girlz, Cammie saw sex work as a natural extension of her “pussycentric” persona. “We’d talk about things that seem radical, even in a punk club,” she recalls. “We would get on stage with a speculum and show women how to give themselves a self-examination or talk about our period — all the things that made boys really squirm. It wasn’t that big a jump for me to perform in a strip club. I wanted to be as punk as possible, and at the time, that was where the really wild girls went.”

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Read the Full Story at i-D

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Cammie Toloui
Categories: 1990s, Art, Books, i-D, Photography

Meryl Meisler: New York PARADISE LOST: Bushwick Era Disco

Posted on June 3, 2021

Meryl Meisler. Potassa de la Fayette Poised at COYOTE Hookers Ball The Copacabana, NY, NY 1977.

In 1975, at the tender age of 23, Meryl Meisler arrived in New York City to study with legendary photographer Lisette Model. The Long Island native quickly found herself at home living amid the dazzling display of a city that evoked the refrains of Paradise Lost, John Milton’s 1667 epic poem chronicling the fall of man. Everywhere she turned, scenes of ecstasy, pandemonium and redemption unfolded with cinematic flair, beckoning her to photograph its rapturous days and nights.

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In a new book and exhibition, New York PARADISE LOST: Bushwick Era Disco, Meryl chronicles the hedonistic nightlife scene of the late 1970s and pairs it with images of Bushwick in the 1980s as it struggled to recover from the plague of “benign neglect“, wherein the Federal government systemically denied financial support to Black and Brown communities nationwide.

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andlords hired arsonists to torch their buildings to collect insurance payouts, prompting Howard Cosell to allegedly proclaim, “There it is ladies and gentlemen, the Bronx is burning” during Game 2 of the 1977 World Series. Entire city blocks were reduced to rubble while abandoned buildings were boarded up. The city was cheap, run-down and dangerous — attracting the kind of fearless devotee that defines the heroic spirit of New York. Teetering along the edge of bankruptcy, $453 million in debt, the city became a cauldron of creativity, unleashing hip hop, punk, and disco before the decade ended.

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“Better to reign in Hell than serve in Heaven,” Satan proclaims in Paradise Lost, a sentiment befitting the city’s gritty glory. In the wake of the sexual revolution and the civil rights, women’s and gay liberation movements, a new generation came of age revelling in the libertine pleasures. Clubs like Studio 54, Copacabana, GG’s Barnum Room, and Les Mouches offered the ultimate escape: a night of freedom, fantasy, and decadence.

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Read the Full Story at i-D

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Meryl Meisler. Magnolia Tree, Bushwick, Brooklyn, NY 1983.
Meryl Meisler. Meryl’s Hand Prints on JudiJupiter on Man Wearing White, Studio 54, 1977.
Categories: 1980s, Art, Books, Brooklyn, i-D, Manhattan, Photography

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