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Posts from the “Huck” Category

Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jaques and Natasha Gelman Collection

Posted on October 24, 2019

Frida Kahlo, Self-Portrait with Monkeys, 1943.

Diego Rivera, Landscape with Cacti, 1931.

In the early 1920s, a teenage Frida Kahlo met Diego Rivera while he was painting the mural ‘La Créación’ at the Escuela National Preparatoria, the oldest high school in Mexico. In his late 30s, Rivera was at the outset of a spectacular career, and was set to become one of the most prominent modern artists in the world.

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“One day they asked me who I wanted to marry, and I said I would not marry,” Kahlo told Olga Campos in 1950. “But I did want to have a child by Diego Rivera.”

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Though they never had any children, the couple married twice. Theirs was not an easy life, as Kahlo famously confirmed: “I have suffered two grave accidents in my life, one in which a streetcar knocked me down… The other accident is Diego.”

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Yet for all their trials and tribulations, their legacy lives on, and is being celebrated in the new exhibition Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jaques and Natasha Gelman Collection. Featuring about 140 works, the exhibition explores their lives and love affair, while placing their contributions within the larger context of revolutionary Mexican art.

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Read the Full Story at Huck

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Diego Rivera, Portrait of Natasha Gelman, 1943.

Frida Kahlo, The Bride Who Becomes Frightened When She Sees Life Opened, 1943

Categories: Art, Exhibitions, Huck, Latin America, Painting

Who Is Michael Jang?

Posted on October 15, 2019

DAVID BOWIE SIGNING AUTOGRAPHS, 1973 © Michael Jang

Hailing from California, Michael Jang came of age during the 1970s. Over that decade, the photographer would amass several series of work, including The Jangs (1973), Beverly Hilton (1973), San Francisco (1973–1987), College (1972–1973), and Punks & Poets (1978–1980).

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However, although he has been working as a portrait photographer ever since, Jang never showed anyone his work from this period until he submitted selections to San Francisco’s Museum of Modern Art in 2001.

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“The museum had a drop off policy and I remember thinking I had nothing to lose,” Jang says. “The work was already three decades old, so I no longer had any emotional attachment or investment in it. But the lesson is you have to keep trying to get your work out there. You never know who will see it and what might happen.”

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Read the Full Story at Huck

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RAMONES FREE CONCERT, CIVIC CENTER PLAZA, 1979 © Michael Jang

Categories: 1970s, Art, Books, Exhibitions, Huck, Photography

Glen E. Friedman: DogTown – The Legend of Z-Boys

Posted on September 12, 2019

Glen E. Friedman. Marty Grimes, Krypto bowl—1978, © Glen E. Friedman

When Glen E. Friedman moved to California in the early ’70s, the first gift he received was a skateboard with clay wheels. “It was a fad at first,” he recalls. “We got into BMX bikes. Then the urethane wheel was invented, and we got back on our skateboards because you could ride without falling down or getting hurt as easily.”

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Growing up in Los Angeles, Friedman was literally at the right time and place to witness the rise of skateboard culture during the ’70s. He attended Kenter Canyon Elementary School, Paul Revere Junior High School, and Bellagio School: three of the most well-known places for skaters because of the embanked playgrounds for rain drainage. “We rode them like they were asphalt waves,” Friedman says.

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Here he met the original members of the Zephyr Skateboard Team (Z-Boys) – including Jay Adams, Tony Alva, Stacy Peralta, and C.R. Stecyk III, among others – in the DogTown area of the city. Friedman carried an Instamatic camera he could fit in his back pocket while he skated, and began taking shots of the scene.

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Read the Full Story at Huck Online

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Glen E. Friedman. Jay Adams, Krypto Bowl, 1978 © Glen E. Friedman

Categories: 1970s, Books, Huck, Photography

James Mwenda: The Man Working to Save Rhinos from Exctinction

Posted on September 3, 2019

© James Mwenda / Ol Pejeta Conservancy

When Sudan, the last male northern white rhinoceros, died last year at the age of 45, the fate of the sub-species inched one step closer towards extinction. Just 100 years ago, half a million roamed freely across Africa and Asia, but their vicious slaughter by poachers – who sell their horns for a reported $110,000 per kilogram on the black market – has nearly erased them from the earth.

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As of today, only two northern white rhinos remain: Sudan’s daughter Najin, 30, and his granddaughter Fatu, 19, both of whom are under the care of James Mwenda, a conservationist at Kenya’s Ol Pejeta Conservancy.

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“It takes an emotional toll and it’s a very heavy responsibility,” says Mwenda, who has been caring for the family of three since 2013. “I feel so passionately because these animals cannot talk for themselves. I developed a special bond with them over time. I appreciate the majestic, loving animals they are. They are the last of their kind. I need to be their voice and speak for them.”

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Read the Full Story at Huck

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© James Mwenda / Ol Pejeta Conservancy

Categories: Africa, Huck

Vivian Maier: The Color Photographs

Posted on August 22, 2019

Chicago, April 1977 © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York © Vivian Maier

Self-Portrait, Chicagoland, October 1975 © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York © Vivian Maier

When legendary American photographer Vivian Maier died in 2009 at the age of 83, she left behind some 40,000 Ektachrome colour slides that had gone unseen and unpublished. Thankfully, a new exhibition and monograph – titled Vivian Maier: Colour Photographs  – showcase the stunning works made by the artist, who worked in total seclusion throughout her life.

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For more than 40 years, Maier work as a nanny on Chicago’s wealthy North Side. Her job gave her the ability to hit the streets with her camera and take portraits of modern life during the second half of the 20th century.

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“Look closely art the many self-portraits Vivian Maier made, and you will see her disguises, her cloak of invisibility,” photographer Joel Meyerowitz writes in the book’s foreword. “She’s as plain as an old-fashioned school marm. She’s the wallflower, the spinster aunt, the ungainly tourist in the big city… except… she isn’t!”

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Read the Full Story at Huck Online

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Untitled, c. 1977 © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York © Vivian Maier

Categories: 1960s, 1970s, Art, Books, Exhibitions, Huck, Photography

Wynn Miller: A Portrait of East LA in the 1970s

Posted on August 16, 2019

© Wynn Miller

Born and raised in Los Angeles, Wynn Miller first visited the city’s Eastside in the 1970s, after an invitation from his brother-in-law to meet members of the Arizona Maravilla gang. “It was a foreign world to me; I was a surfer,” Miller remembers. “I didn’t know anything about the gangs.”

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“I took a few pictures and when I got home I made a few prints in my own darkroom. I thought they were really cool so I decided to take a chance. I took pictures of their kids and that was my way into the gang life.”

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Over the next year, Miller would spend his weekends in the area, creating a series of black and white environmental portraits. Recently on view in the exhibition On the Edge of Society, his photographs are an intimate look at the brotherhood in a disenfranchised community living on the margins of society.

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Read the Full Story at Huck

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© Wynn Miller

© Wynn Miller

© Wynn Miller

Categories: 1970s, Exhibitions, Huck, Photography

Karey Maurice Counts: Remembering Keith Haring

Posted on July 31, 2019

Joseph Szkodzinski Keith Haring Drawing Series January 1982 © Joseph Szkodzinski 2018

As a teen growing up in New Jersey during the 1980s, artist Karey Maurice Counts set his sights on the downtown New York art scene. “I was looking for Andy Warhol, just like everyone else,” he remembers.

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Counts began travelling into Manhattan, following the nightclub and art gallery scene through publications like The Village Voice. While taking the subway around town, Keith Haring’s chalk drawings works soon caught his eye. In conjunction with the exhibition Keith Haring at the Tate Liverpool, Counts shares his memories of their first encounter, which would forever change his life.

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After learning about Haring’s Pop Shop, Counts headed into the Village to search him out. Bipo, the store manager, tipped Counts off to a photo shoot for a song titled “Crack is Wack”, which was going to be shot in front of the famed Harlem mural on April 22, 1987. He told him to bring some photographs of his paintings to show Haring.

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Read the Fill Story at Huck Online

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Tseng Kwong Chi Keith Haring in subway car, (New York), circa 1983. Photo © Muna Tseng Dance Projects, Inc. Art © Keith Haring Foundation

Karey Maurice Counts, Self-Portrait

Categories: 1980s, 1990s, Art, Exhibitions, Huck

David Shields: Lynch – A History

Posted on July 17, 2019

Marshawn Lynch. From Lynch: A History. Written, produced, and directed by David Shields.

“I’m just here so I won’t get fined,” repeated NFL star Marshawn Lynch in response to 25 different questions asked during Super Bowl Media Day in January 2015. It was a masterful play from the Seattle Seahawks running back after having been fined twice the previous year for refusing to engage with reporters.

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The Oakland native’s act of resistance intrigued David Shields. The filmmaker had previously been trying to make a documentary based on his 1999 book Black Planet: Facing Race During an NBA Season – but after seeing his Media Day appearance, he realised that the NFL star himself was the perfect subject.

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The resulting film, Lynch: A History, is a breathtaking look at race, masculinity, media, and protest at the turn of the millennium. It charts Lynch’s rise as a high school football star in Oakland, his first drafting with the Buffalo Bills, and his time with the Seattle Seahawks and the Oakland Raiders.

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Read the Full Story at Huck Online

Categories: Huck

Christine Osinski: Summer Days Staten Island

Posted on July 15, 2019

Two Girls with Matching Outfits © Christine Osinski

In 1982, photographer Christine Osinski and her husband experienced the first wave of gentrification that would come to destroy New York. A real estate developer bought the downtown Manhattan building that they called home and priced them out, forcing them to move to Staten Island – a place which has long been considered the city’s “forgotten borough.”

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“When you take the ferry, it’s like you are leaving the city behind,” Osinski says. “Staten Island was a place you weren’t noticed and people left you alone. There was a sense of being surrounded by water and being far away from things.”

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To acclimate to her new environment, Osinski set out to take photographs of locals on the streets during the summers of 1983 and ’84. The photographs, now on view in Summer Days Staten Island, capture a chapter in New York history that has all but disappeared.

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Read the Full Story at Huck Online

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Young Man Pulling a Go-Kart © Christine Osinski

Two Girls with Big Wheels © Christine Osinski

Categories: 1980s, Art, Exhibitions, Huck, Photography

Victor Cobo: Remember When You Loved Me?

Posted on July 8, 2019

© Victor Cobo, “Take a Break from the Madness of the World and Enter This Altered Reality, Self-Portrait,” San Francisco, CA, 2014 Courtesy of ClampArt, New York City

Over the past two decades, Victor Cobo has used photography to explore the dark corners of the human psyche. His work uses a compelling mix of documentary and staged scenes, addressing the primal mysteries of life and death, damnation and salvation, trauma and sex.

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“I’m an emotional person that has had my bout with addiction, depression and anxiety,” Cobo says. “My biological father is mentally ill, was addicted to heroin and an acute alcoholic. I think the aspect of isolation and drama comes out in my work. I utilise to my advantage his psychosis that I most likely inherited. I try to turn these aspects of darkness into beautiful and sometimes even playful images.”

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In the new exhibition Remember When You Loved Me?, Cobo uses photography to spellbinding effect. Drawing inspiration from surrealism, film noir, and German expressionism, the photographer has transformed the camera into a therapeutic medium.

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Read the Full Story at Huck Online

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© Victor Cobo, “The Stud,” San Francisco, CA, 2011 Courtesy of ClampArt, New York City

© Victor Cobo, “Tiny Tears Make Up an Ocean, Baby Dale’s Last Dance, Policeman Who Found an Abandoned Baby Tosses Her a Flower,” San Jose, CA, 2003 Courtesy of ClampArt, New York City

Categories: Art, Huck, Photography

Zak Ové: Get Up, Stand Up Now

Posted on June 27, 2019

Armet Francis, ‘Fashion Shoot Brixton Market’, 1973.

Jenn Nkiru, ‘Still from Neneh Cherry, Kong’, 2018.

“I was raised by a village,” says artist Zak Ové of his upbringing in West London. “It was a very outspoken black and West Indian community, [and I was] understanding how assertive one had to be to be seen.”

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As the son of an Irish Socialist mum and acclaimed black filmmaker Horace Ové, the artist was raised with strong ideals that have guided him throughout his career: “Politics within the arts has always been very integral from my father’s generation onwards. [It helps us] attain equality, honesty, and perspective towards our own history.”

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Now, Ové is honouring those who laid these foundations in Get Up, Stand Up Now, a new landmark exhibition which celebrates 50 years of Black creativity in the UK. The exhibition features historic artworks, new commissions, and never-before-seen work by 100 artists working in art, film, photography, music, literature, design and fashion. This includes the Black Audio Film Collective, Chris Ofili, David Hammons, Ebony G. Patterson, Linton Kwesi Johnson, Lubaina Himid, Althea McNish, Steve McQueen, and Yinka Shonibare.

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Read the Full Story at Huck Online

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Ajamu, from ‘Circus Master Series’, 1997

Categories: 1960s, 1970s, 1980s, 1990s, Art, Exhibitions, Huck, Music, Painting, Photography

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