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Posts from the “Huck” Category

Janette Beckman: Downtown New York in the 1980s

Posted on May 20, 2021

Janette Beckman. Andre Walker, Robin Newland, and Pierre Francillon for Paper’s premier issue, June 1984.

After covering the first hip hop showcase in the UK for Melody Makermagazine in 1982, British photographer Janette Beckman became hooked to the newly emerging style and sound of New York street culture. That Christmas, she decided to see the scene for herself. 

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“I took the train from JFK airport and got off at West Fourth Street,” Beckman recalls of her first foray into the heart of downtown New York. “It was very exciting. Kids were carrying boomboxes on the train and people were breakdancing on the street. It was like everything I saw in the movies. I was a big Scorsese fan and here I was walking on those Mean Streets.” 

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Once she arrived, Beckman decided to call the city her home, settling down in the East Village and opening a photo studio on Lafayette Street. In 1984, Beckman got word that her good friend Kim Hastreiter and David Hershkovits were launching Paper, a black-and-white fold-out zine. “They asked if I wanted to take photos, and I did.”

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Read the Full Story at Huck

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Janette Beckman. Jose Extravaganza wit Keith Haring designed trophy, Susanne Bartsch’s Love Ball, 1989.
Categories: 1980s, Art, Fashion, Huck, Manhattan, Music, Photography

Common Practice: Basketball & Contemporary Art

Posted on May 19, 2021

Lew Alcindor, basketball player, by Richard Avedon, New York, 1963

“Basketball is a universal language, much like art is. There are other sports that are likely more popular, but none are as influential as basketball from a cultural standpoint,” says artist and filmmaker John Dennis. “It transcends barriers in music, fashion, art, and pop culture, and also draws attention to pressing issues in the social and political arena.”

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Growing up in the suburbs of New York City, Dennis saw an artificial division drawn between athlete and artist, one that failed to reflect the common ground they shared: a dedicated commitment to practice across all disciplines. Whether shooting in the gym, painting in the studio, or printing in the darkroom, athletes and artists must show up every day to transform their talents, skills, and passion into a successful career and lasting legacy.

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As an avid basketball player, Dennis sought new ways to connect with the game and explore the intersections between sport and art. He teamed up with artist Carlos Rolón and Project Backboard founder Dan Peterson to create the new book Common Practice: Basketball & Contemporary Art (Skira). Featuring the work of 250 artists including Richard Avedon, Salvador Dalí, Keith Haring, Barkley Hendricks, JR, KAWS, Alex Prager, Lorna Simpson, Andy Warhol and Ai Weiwei, the book presents an inclusive look at the iconography of basketball through a modern lens.

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Read the Full Story at Huck

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The Basketball Game by Ron Tarver, 1993
Firemen put out blaze while youths play basketball by Paul Hosefros for The New York Times, 1975
Categories: 1960s, 1970s, 1980s, 1990s, Art, Books, Huck

Lionel Derimais: New York 1980 Vol. I & II

Posted on May 12, 2021

Lionel Derimais. African-American young couple, Manhattan, New York City, NY; USA. 1980

Parisian native Lionel Derimais fell into photography by accident. He dreamed of becoming a veterinarian, but his math grades made such aspirations impossible. 

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“In 1977, a school mate showed me his camera. I immediately thought: ‘I’ll do that too’ – even though I had no idea what ‘that’ meant,” he recalls. That summer, Derimais got a job at a photography shop, bought his first camera, built a darkroom, and never looked back. 

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In September 1979, he arrived in New York to study English at Columbia University. “But I just wanted to be ‘out there’ with film in my pocket, taking pictures,” he says. 

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Read the Full Story at Blind

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Lionel Derimais. Kids posing for a photo while another one hides, Manhattan, New York City, NY, USA. 1980
Lionel Derimais. A reflection of the Twin Towers in downtown Manhattan, Manhattan, New York City, NY, USA, 1980
Categories: 1980s, Art, Books, Huck, Manhattan, Photography

Gary Green: Rebels & Dandys

Posted on May 6, 2021

Gary Green. Anya & Roxy, 1976.

American photographer Gary Green first picked up the camera as a youth coming of age in suburban Long Island during the late 1960s. “My parents thought it was another thing I’d give up like the saxophone and other hobbies that languished after a year or two,” he recalls. But, to his parent’s surprise, his interest in photography steadily grew into a career.

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In the summer of 1976, Green moved to New York to work for a commercial photographer in midtown Manhattan. “New York was cheap, dirty, and dangerous in the best way. There was art to be seen, music to be heard, and artists making work everywhere,” he says.

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Camera in hand, Green quickly hit the burgeoning punk scene at Max’s Kansas City and CBGB, photographing bands like the New York Dolls, Blondie, and the Ramones, as well as the people on the scene like Andy Warhol. In the new exhibition, Rebels & Dandys, which features a selection of work from his recent book When Midnight Comes Around (Stanley/Barker), Green looks back at this pivotal era in music history.  

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Read the Full Story at Huck

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Gary Green. Girls with fake guns, Peppermint Lounge, c.1980.
Categories: 1970s, Art, Books, Exhibitions, Huck, Manhattan, Music, Photography

Judi Hampton: Eyes on the Prize

Posted on April 21, 2021

Pictured in front of the Omaha, Neb. Central Police Station June 27, 1969, just after their release from questioning, are Black Panthers, left to right: Robert Cecil, Robert Griffo, Frank Peate, Gary House, and William Peak. (AP Photo)

“The past is never dead. It’s not even past,” William Faulkner famously wrote in the 1951 novel Requiem for a Nun, about the vicious cycle of trauma that lies deep in the heart of America. It is a truth that plays out more frequently than we may know. 

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Following the April 11 police shooting of 20-year-old Daunte Wright at a traffic stop, George Floyd’s girlfriend Courteney Ross revealed to the pressthat she had taught Wright while he was a student at Edison High School. The horrific convergence echoes that of Iberia Hampton, mother of slain Black Panther leader Fred Hampton, who babysat for Emmett Till before the 14-year-old boy was brutally murdered in 1955.

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The stories of Emmett Till and Fred Hampton are just two of the stories featured in Eyes on the Prize, a landmark 1987 documentary TV series chronicling about Civil Rights Movement, which is now streaming free for a limited time.

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Read the Full Story at Huck

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27 Mar 1969, Dallas, Texas, USA — Original caption: Heavyweight champion Cassius Clay playfully spars with an unidentified Negro boy after Clay learned that he has won a delay in his 4/11 draft call. Clay’s Louisville draft board announced that his records are being transferred to Houston, Clay’s new home, and then Houston will set a new date for his draft call. Clay is in Dallas visiting local Black Muslim leaders. — Image by © Bettmann/CORBIS
Eve Arnold. Malcolm X at a Black Muslim rally, USA. District of Columbia. Town of Washington D.C. 1961.
Categories: 1960s, 1970s, 1980s, Exhibitions, Huck

Owen Harvey: Skinheads and Suedes

Posted on April 18, 2021

Owen Harvey

In 1969, skinhead culture emerged on the streets of London’s East End slums and within the newly constructed brutalist housing estates. Alienated from the bourgeois hippie scene that flourished during the ‘swinging ‘60s’, a new generation of working-class youth came of age searching for their roots. 

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They found inspiration in a uniform look that paired shaved heads and Ben Sherman polo shirts with bleached jeans, Ma-1 flight jackets, and Doc Marten boots. The skinheads – and their ladies known as suedes – revelled in classic English fare: football games, pubs, and concerts. But they also embrace the style and sound of the Windrush Generation of the time, enjoying dub, reggae, rocksteady, and ska music.

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But in the 1970s and ‘80s, as a second wave of skins and suedes came of age, the far right-wing organisation the National Front attempted to infiltrate the scene, appropriating their powerful aesthetics while embarking on a series of anti-immigration initiatives. Corporate media, ever ready to vilify the working class, turned skinheads into the boogeyman.

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Read the Full Story at Huck

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Owen Harvey
Categories: Art, Fashion, Huck, Photography

Matt Stuart: Think Like a Street Photographer

Posted on April 8, 2021

Matt Stuart. Trafalgar Square, London, 2018.

enjoy the wonderful and bizarre things that reveal themselves in public places, what I learn from them, and how I adapt to different situations. Street photography is a constant life education and that’s why I keep coming back to it,” says British photographer Matt Stuart, author of the new book Think Like a Street Photographer (Laurence King).

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After giving up skateboarding in his early 20s, Stuart found a new love in street photography, which offered some of the same thrills. “Both are about trying to make a ‘trick,’ but with street photography, you can make the tricks tangible in the form of a print and they can last forever,” Stuart says.

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Inspired by Joel Meyerowitz’s groundbreaking colour work, Stuart embraced the photographer’s approach to decentering the illustrious “decisive moment” in the act of picture-making. He also admires Trent Parke’s anarchic approach and Alex Webb’s work ethic, describing the latter as a “photographic athlete.”

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Read the Full Story at Huck

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Matt Stuart. Brussels, 2016.
Matt Stuart. Regent Street, London, 2014.
Categories: Art, Books, Huck, Photography

Jordan Gale: A Change in Weather

Posted on April 1, 2021

Jordan Gale

Hailing from Iowa, America’s Heartland, Jordan Gale remembers coming to a turning point. “Once I had the thought, ‘Okay, I’m a photographer,’ moving to New York seemed like the next step. For a few years, I toyed with that move, but was always too scared to pull the trigger.”

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After spending 2019 on the U.S. Presidential campaign trail, Gale decided it was time. “I put everything I owned into my car and drove 16 hours east to my friend’s apartment in Brooklyn,” he says. “I had an ear-to-ear grin as I was stuck in traffic going through the Holland Tunnel. It was exhilarating and I was proud of myself. It was one of the few life decisions I’ve felt confident about making.”

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Gale arrived in February 2020 – just weeks before New York became the global epicentre of the Covid-19 pandemic. “At the beginning, there weren’t many visible signs of the crisis yet,” he remembers. “I would drive through midtown and be in awe of the empty streets. You wouldn’t see a single person.”

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Read the Full Story at Huck

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Jordan Gale
Jordan Gale
Categories: Books, Huck, Photography

Alex Webb: For the Record

Posted on March 29, 2021

Alex Webb. Gouyave, Grenada, 1979. © Alex Webb/Magnum Photos

The documentary photograph, both art and artifact, occupies a singular place in the historical record. It acts as testimony, bearing witness to those whose voices might otherwise go unheard, and it can be used as a form of activism to change the world. 

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A new exhibition, For the Record, brings together the work of some 35 photographers whose innovative approaches have redefined not just the genre but also the medium writ large. From Berenice Abbott’s Changing New York to Danny Lyon’s Bikeriders, to Larry Clark’s Tulsa, and Bruce Davidson’s Brooklyn Gang, the exhibition chronicles the role of documentary photography in shaping the way we see and think about the times in which we live.

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By combining classical and contemporary approaches, the exhibition explores the ever-evolving language of photography and the ways in which it simultaneous straddles the realms of reportage and fine art. As 17th-century clergyman Thomas Fuller famously said, “Seeing is believing, but feeling is the truth” — a sentiment that captures documentary photography’s extraordinary ability to communicate the emotional impact of people, places, and events. 

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Read the Full Story at Huck

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Alex Webb. Port au Prince, Haiti, 1979. © Alex Webb/Magnum Photos
Categories: 1960s, 1970s, 1980s, Art, Exhibitions, Huck, Photography

Frankie Perez: See Me Up? It’s ‘Cause I’ve been down

Posted on March 22, 2021

Frankie Perez

From Bronx jams in the 1970s to the 2024 Paris Olympic Games, the art of breaking has come along way over the past 50 years. One of the four elements of hip hop, breaking took its name from the dancers who took to the floor to show out when the DJ would cut the breaks. 

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With the release of seminal hip-hop films like Wild Style and Style Wars in the early 1980s, followed by Hollywood fare like Breakin’ and Beat Street, breaking became a global phenomenon, with aspiring B-boys and B-girls doing windmills, headspins, and backspins in their freshest fits. 

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With the commercial success of rap music, the culture moved away from hip hop’s roots, but breaking continued to grow, becoming an underground phenomenon around the globe. New York native Frank “B-boy Frankie” Perez discovered breaking while he was living in East Elmhurst, Queens, with extended family.

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Read the Full Story at Huck

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Frankie Perez
Categories: Art, Huck, Music, Photography

David Goldblatt: Strange Instrument

Posted on March 16, 2021

David Goldblatt, Richard and Marina Maponya, Dube, Soweto, 1972.

As a Jewish man born in South Africa, David Goldblatt (1930-2018) was an insider and an outsider at the same time. Born to parents who fled Lithuania to escape persecution, Goldblatt was possessed with a profound sensitivity to the exploited and oppressed. He took up photography as a teenager and began working full time in 1963 after selling the family store following the death of his father to document South Africa at the height of apartheid. 

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“David Goldblatt was a very political person and believed strongly in documenting the injustices that he saw around him. But he didn’t think of what he was doing as activism and he certainly didn’t want it to be propaganda,” says Pace Gallery curator Oliver Schultz.

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Reflecting on what he describes as Goldblatt’s “compassion and dispassion”, Schultz discussed how the photographer’s matter of fact approach maintains its own profound emotional force. Although straightforward in its presentation, Goldblatt’s images can be unpacked like Russian nesting dolls, offering layers of meaning aligned with the viewer’s proximity to the subject of his work. 

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Read the Full Story at Huck

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David Goldblatt, Couple at The Wilds. Johannesburg., 1975.

Categories: 1960s, 1970s, 1980s, 1990s, Africa, Art, Exhibitions, Huck, Photography

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