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Posts from the “Huck” Category

David Hurn: Isle of Wight Festival 1969

Posted on August 11, 2021

David Hurn

Now age 87, Magnum Photos member David Hurn remembers the fateful day in February 1954 that first brought photography into his life. While on break, the young army cadet training at Sandhurst Military Academy was paging a copy of Picture Post magazine and stumbled upon a photograph of a Russian army officer buying his wife a hat in a Moscow department store. 

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“I started to cry – not something one normally did in the officers mess,” says Hurn, who describes how the picture triggered a memory of his father who he hardly saw during World War II. “One of the first acts he did at the war’s end was to take my mother, me in tow, to Howells, a department store in Cardiff, to buy her a hat: my first recollection of their love for each other.”

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Suddenly understanding the power of the photography, Hurn decided in that moment to become a photographer despite knowing nothing about the medium. “Thinking back, I have no recollection of ever having taken any pictures,” he says. “To give up a firm profession for a total abstract one was reckless.”

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Read the Full Story at Huck

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David Hurn
Categories: 1960s, Art, Books, Huck, Music, Photography

Stephan Erfurt: On the Road

Posted on August 6, 2021

Stephan Erfurt. New York Bridges, 1988.

German photographer Stephan Erfurt fell in love with photography in 1978 while exploring the streets of Paris with his father’s camera. Alone in the city and still learning French, the camera gave him courage and confidence, inspiring him to become what he describes as a “visual explorer”.

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Erfurt stayed true to this approach when he moved to New York City’s infamous Alphabet City in 1984. “Our back window faced a burned down house and our front window looked toward Tompkins Square Park where a lot of drug dealing was going on,” says Erfurt, who grew up in a small town in North Rhine-Westphalia. 

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Although it was quite a change of scenery, the photographer found an oasis nestled away in the building’s roof garden. “We spent many evenings there with friends, having barbecues, drinking gin and tonics, and with our heads in the clouds above New York,” Erfurt remembers. 

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Read the Full Story at Huck

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Stephan Erfurt. Wall Street New York, 1985.
Categories: 1980s, Art, Exhibitions, Huck, Manhattan, Photography

Roland L. Freeman: Portfolio

Posted on August 6, 2021

Roland Freeman. Community Elders, Mississippi, 1975

Now age 85, award-winning photographer Roland L. Freeman’s photography career began on August 28, 1963, when he borrowed a camera from a friend to photograph the March on Washington. 

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“I really wanted to say something about what was going on. I chose photography as my vehicle,” he says. The new exhibition, Roland L. Freeman: Portfolio, looks back at the artist’s extraordinary archive of work documenting Black America during the 1960s, ‘70s, and ‘80s.

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Born in Baltimore and raised in rural Maryland, Freeman grew closely involved in the Civil Rights Movement after he unexpectedly joined his first march while taking his grandmother to buy a new dress for Mother’s Day.“There were protests held outside a Baltimore department store because Black women weren’t allowed to try on dresses,” Freeman remembers. “My grandmother said, ‘Give me one of those signs. I’m sick of this crap!’ That started it, and I’ve never looked back.”

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Read the Full Story at Huck

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Roland Freeman. Hallway of Polk Home, Americus, GA, 1971
Categories: 1960s, 1970s, Art, Exhibitions, Huck, Photography

Chris Miles: Notting Hill Carnival 1974

Posted on July 28, 2021

Chris Miles
Chris Miles

By 2019, the last year it was held before the Covid-19 pandemic,Notting Hill Carnival brought an estimated 2.5 million people to the streets of Ladbroke Grove, London, to celebrate Caribbean culture and community. Held over two days in August, the extraordinary event stands as a testament to the vision of Trinidadian journalist and activist Claudia Jones, who brought Carnival to London in 1959, following the Notting Hill race riots the previous year.

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Televised by the BBC, the first edition was held indoors and featured live music, dance, and a beauty contest. In 1966, the Notting Hill Carnival moved outdoors, reclaiming the neighborhood formerly the stronghold of fascist Oswald Mosley’s Union Movement and neo-Nazi Colin Jordan’s White Defence League. In 1973, Carnival director Leslie Palmer introduced costume bands, steel bands, and stationary sound systems to draw the new generation coming up on reggae music.

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That same year, British photographer Chris Miles moved to London to study at the London School of Economics. “The social and physical challenges of the inner cities were major issues of concern at the time and I helped run a youth project in a deprived area near Waterloo,” he says.

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By the mid ‘70s, the UK was struggling with widespread unrest in the face of inflation, lost wages, frequent power outages, and increasingly overt racism with the growth of the National Front. Groups began to organize against fascism and for equal rights.

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Read the Full Story at Huck

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Chris Miles
Chris Miles
Categories: 1970s, Art, Books, Huck, Music, Photography

Queercore: How to Punk a Revolution: An Oral History

Posted on July 20, 2021

Vaginal Davis and Joan Jett Blakk at SPEW 2. Photo by Mark Freitas

From the very start, queer identity has been a central proponent of punk culture, starting with the name itself being jailhouse slang to describe the man on the receiving end of anal sex. By the time punk culture was named in the mid to late 1970s, it was an amorphous space of freedom, where gender and sexuality were fluid. 

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“In the beginning, punk rock was exceptionally gender diverse,” says Walter Crasshole, who edited the recent book, Queercore: How to Punk a Revolution: An Oral History (PM Press) along with Liam Warfield and Yony Leyser. “There were a number of LGBTQ+ protagonists in the punk scene, some who made that very clear and it was part of their identities, like Jayne County.”

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But it wasn’t until the mid-1980s that queercore emerged as a potent force, rising from the horrors of the AIDS epidemic, the neoliberal policies of Ronald Reagan and Margaret Thatcher, and the reactionary, hyper-masculine orthodoxy of the hardcore scene. 

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Recognizing the community no longer provided the support they needed to survive, a group of disaffected queer punks, artists, and musicians, including G.B. Jones and Bruce LaBruce, began to develop their own scene, laying the groundwork for what would become first known as ‘homocore’, then take on the more inclusive name ‘queercore’ in the early ‘90s. 

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Read the Full Story at Huck

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Deke Nihilson at Homocore Chicago. Photo by Mark Freitas
Categories: 1980s, 1990s, Art, Books, Huck, Music, Photography

Alan Moss: East St. Louis, 1968–1971

Posted on July 20, 2021

Alan Moss

The year was 1968, a time of massive political and cultural change. After completing his second year of grad school in biochemistry, Alan Moss, then 24, attended the Democratic National Convention in Chicago as an alternate delegate for Eugene McCarthy. 

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After witnessing the conflict between Vietnam War protestors and the National Guard, Moss had a change of heart. “I lost all interest in spending my time in a lab, shielded from the real world,” he recalls.

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Classified 1A (eminently draftable), Moss had one last chance to defer: teach in a distressed school system. He moved to St. Louis, Missouri, to accompany his girlfriend entering a Masters program there. Although Missouri required a teaching certificate, Illinois did not, so Moss secured a position in East St. Louis, located just on the other side of the Mississippi River. 

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Read the Full Story at Huck

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Alan Moss
Alan Moss
Categories: 1960s, 1970s, Art, Huck, Photography

Paul McDonough: Headed West

Posted on July 8, 2021

Paul McDonough. Lake Elsinore, California, 1982.

From an early age, American photographer Paul A. McDonough displayed a natural gift for making art, a talent he shared with childhood friend, noted photographer Tod Papageorge. Although trained as painter, McDonough became restless in the studio and wanted to get out in the world. “Photography not only let him do that, it encouraged his need to roam,” says Yona McDonough, the photographer’s wife.

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After dreaming of moving to New York City, McDonough finally arrived in 1967. “It was every bit as wonderful and exhilarating as he’d imagined,” says Yona. “Paul said that the constant activity, flowing, ebbing, bubbling over, was like a kind of endlessly unfolding theatre and all he had to do was walk and wait – it would all come to him.” 

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A true flâneur, McDonough would walk the streets of New York for six hours or more, meeting up with Garry Winogrand and Papageorge before continuing his journey. Inspired by the work of Walker Evans, Robert Frank, Henri-Cartier Bresson, Eugène Atget and Bill Brandt, McDonough understood that he could create art anywhere he ventured. 

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Read the Full Story at Huck

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Paul McDonough. California, no date.
Categories: 1970s, 1980s, 1990s, Art, Books, Huck, Photography

Sandra S. Phillips: American Geography – Photographs of Land Use from 1840 to the Present

Posted on June 23, 2021

George Chasing Wildfires, Eureka, Nevada, 2012 by Lucas Foglia

Though the phrase “Manifest Destiny” smacks of influencer-speak, it’s more accurately a warning of what will befall opportunists whose ambitions and entitlement are grounded in delusion rather than reality. In Biblical terms, we reap what we sow – a principle all too clear when examining the destruction of the American landscape, the nation’s unchecked greed, and the worsening climate crisis. 

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For the new book, American Geography: Photographs of Land Use from 1840 to the Present (Radius Books), Sandra S. Phillips, Curator Emerita at the San Francisco Museum of Art, embarked on a 10-year journey to examine the history of land use in the United States. Featuring the work of Dawoud Bey,William Eggleston, Mitch Epstein, LaToya Ruby Frazier, Dorothea Lange, and Stephen Shore, among others, the book explores the role photography has played in shaping our ideas about conservation, expansion, and exploitation of the environment.

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Read the Full Story at Huck

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Indian Summer, from the series Four Seasons, 2006 by Wendy Red Star
“Hiding Place,” Cambridge, MA, from the series The Underground Railroad, 2010 by Amani Willet
Categories: 1960s, 1970s, 1980s, 1990s, Art, Books, Huck, Photography

Chester Higgins: The Indelible Spirit

Posted on June 17, 2021

Chester Higgins. Early morning coffee, Harlem, 1974.

While working at The Campus Digest, the Tuskegee Institute student newspaper, in the late 1960s, Chester Higgins visited the studio of photographer P.H. Polk and was struck by his powerful portraits of Black Americans made in the 1930s. 

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“The countenance of the people in Polk’s pictures made me pause,” says Huggins, who hails from the small farming community of New Brockton, Alabama and recognized the archetypes immortalized in these works.  “These pictures existed because Polk understood and appreciated the dignity and character of people.”

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Knowing he couldn’t afford to commission Polk to do the same for the people of New Brockton, Higgins seized upon an idea and asked if he might borrow Polk’s camera to learn how to make photographs. “He studied me, then finally said, ‘If you’re fool enough to ask me that request, I’m going to be fool enough to help you.’”

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Read the Full Story at Huck

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Chester Higgins. Looking for Justice, Civil Rights Rally, Montgomery, Alabama, 1968.
Categories: 1960s, 1970s, 1980s, 1990s, Art, Exhibitions, Huck, Photography

Thomas Holton: The Lams of Ludlow Street

Posted on June 3, 2021

Thomas Holton. Bath time, 2004.

As the son of travel photographer George Holton, who studied under Ansel Adams, Thomas Holton grew up surrounded by images of distant lands capturing people from New Guinea to Guatemala.  

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“I began to realise the magic photography has to transport the viewer elsewhere and tell new stories and share experiences,” Holton says. George Holton passed away in 1979 during his time working in the town of Lushan on the Yangtze River, while making a book about China, his wife’s native land.

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Two decades later, Thomas Holton embarked on a journey of his own: an 18-year odyssey into the life of a Chinese-American family, the Lams. He first encountered the family in 2003 while pursuing his MFA at The School of Visual Arts in his hometown of New York. 

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Read the Full Story at Huck

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Thomas Holton. After swimming, 2013
Thomas Holton. Drying Laundry, 2004
Categories: Art, Exhibitions, Huck, Manhattan, Photography

Megan Doherty: Stoned in Melanchol

Posted on May 24, 2021

Megan Doherty

Growing up in Derry, Ireland, artist Megan Doherty first picked up the camera as a teen to make reference photos for paintings. Soon after, she became enthralled with the possibility of using photography to bring to life images that fueled her imagination. 

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Young and ambitious, Doherty felt confined by small-town life. “I was feeling trapped, unfulfilled, and seeking escape from reality by any means necessary,” she says.  “I got lost in films that gave me a glimpse into the possibilities outside of what I knew and also allowed me to observe how captivating mundanity could be if viewed through a new perspective.”

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Gradually, Doherty realised that she could turn the camera onto her world to transcend the limits of her environment. She began photographing intimate moments with friends, both staged and unfolding in real-time. The result is a collection of photographs titled Stoned in Melanchol (Setanta Books), a Rizla style box of 50 prints.

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Read the Full Story at Huck

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Megan Doherty
Megan Doherty
Categories: Art, Huck, Photography, Women

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