Miss Rosen
  • Home
  • About
  • Imprint
  • Writing
    • Books
    • Magazines
    • Websites
    • Interviews
  • Marketing
    • Publicity
    • Exhibitions & Events
    • Branding
  • Blog

Posts from the “Exhibitions” Category

Kwame Brathwaite: Black is Beautiful

Posted on January 22, 2018

Untitled (Naturally ’68 photo shoot in the Apollo Theater featuring Grandassa models and founding AJASS members Kwame Brathwaite, Frank Adu, Elombe Brath, and Ernest Baxter 1968, printed 2016. Photography by Kwame Brathwaite, Image courtesy the artist and Cherry and Martin, Los Angeles.

Untitled (Sikolo with Carolee Prince Designs) 1968, printed 2017. Photography by Kwame Brathwaite, Image courtesy the artist and Cherry and Martin, Los Angeles.

On the evening of January 28, 1962, a massive crowd gathered outside Harlem’s Purple Manor, eager to gain entrance to Naturally 62 – the landmark event that introduced the ‘Black is Beautiful’ movement to the world.

.

The brainchild of photographer Kwame Brathwaite (born in 1938) and his older brother Elombe Brath (now deceased), Naturally 62 presented Blackness in its natural state through a powerful combination of fashion, music, and politics. The brothers, who were born in Brooklyn to a politically active family, had embraced Marcus Garvey’s Back-to-Africa movement and co-founded the African Jazz-Art Society and Studios (AJASS), a collective of artists, writers, musicians, dancers, and fashion designers. “Our mission was to reach the folks so that they could see their own work,” Brathwaite reveals. “It was a time when people were trying to organize and improve the community, to get themselves in order so that they would not be the low man on the totem pole.”

.

The brothers worked on two fronts, supporting the African independence movement while embracing Black business at home, producing jazz concerts at legendary locales including Club 845 in the Bronx and Small’s Paradise in Harlem. But it was a local beauty contest that gave the brothers the inspiration for Naturally 62. A year earlier, while attending the annual Marcus Garvey Day Celebration, they watched ‘The Miss Natural Standard of Beauty Contest’, wherein models came to the stage without make-up, their hair free from heat press.

.

Read the Full Story at AnOther

.

Untitled (Self Portrait) 1964, printed 2017. Photography by Kwame Brathwaite, Image courtesy the artist and Cherry and Martin, Los Angeles.

Categories: 1960s, Africa, AnOther, Art, Books, Exhibitions, Fashion, Manhattan, Photography

Alex Prager at Lehmann Maupin Hong Kong

Posted on January 18, 2018

Shopping Plaza 1, 2015. Courtesy Alex Prager Studio and Lehmann Maupin, New York and Hong Kong.

Applause, 2016. Courtesy Alex Prager Studio and Lehmann Maupin, New York and Hong Kong.

Everyday life is filled with fleeting moments of grandeur, when the mundane suddenly becomes majestic and you feel the overwhelming glory of being alive. American photographer and filmmaker Alex Prager understands this perfectly. “I can see drama in everything, the comedy and the tragedy, even where there is none,” Prager reveals. “My interest is with the emotional and psychological components in a frame. The technical, the narrative, and the process – all of that is secondary to the mood. This is what makes art timeless for me.”

.

The Los-Angeles based artist got her start after seeing a William Eggleston exhibition at the turn of the millennium. “When I first discovered photography I looked at the great street photographers and tried to make pictures like them,” Prager explains. “I’m still obsessed with street photography and it finds its way into everything I make.”

.

But Prager strayed from the documentary path, preferring to create staged photographs that embrace the cinematic elements of the medium. Imbuing each image with a theatricality that is at once visceral and spiritual, Prager finds the balance between fiction and fact by grounding her practice in truth.

.

This winter, Prager will be showing a selection of her signature photographs and films, along with her first exhibited sculpture at Lehmann Maupin Hong Kong. Here, we speak about the influence of life in Los Angeles, the freedom of the staged photograph, the porous boundary between reality and imagination, and magic of playing with perception.

.

Read the Full Story at AnOther

.

 

Hawkins Street, 2017. Courtesy Alex Prager Studio and Lehmann Maupin, New York and Hong Kong.

Categories: AnOther, Art, Exhibitions, Photography

Peter Hujar: Speed of Life

Posted on January 16, 2018

 

Candy Darling on Her Deathbed, 1973. Collection of Ronay and Richard Menschel. © Peter Hujar Archive, LLC, courtesy of Pace/MacGill Gallery, New York, and Fraenkel Gallery, San Francisco.

Peter Hujar (1934–1987) is your favourite photographer’s photographer – a man who lived independently, crafting a life in downtown Manhattan that flourished between the Stonewall uprising of 1969 and the AIDS crisis of the 1980s.

.

Inside his East Village loft, Hujar mastered his craft, pursuing the art without the burdens of commerce. Liberated from the strictures of the market, Hujar created a body of work that is as broad in subject matter as it is refined in technique and as original in perspective.

.

A new exhibition, Peter Hujar: Speed of Life, looks at the work the legend left behind, three decades after his death. The show presents 140 photographs drawn from the Morgan Library & Museum, New York, the most comprehensive public collection of the artist’s work. Curated by Joel Smith, the exhibition adopts the traditional retrospective format while staying true to Hujar’s vision.

.

Read the Full Story at Huck Online

.

Ethyl Eichelberger as Minnie the Maid, 1981. © Peter Hujar Archive, LLC, courtesy of Pace/MacGill Gallery, New York, and Fraenkel Gallery, San Francisco.

Christopher Street Pier, 1976. © Peter Hujar Archive, LLC, courtesy of Pace/MacGill Gallery, New York, and Fraenkel Gallery, San Francisco.

 

Categories: 1970s, 1980s, Art, Books, Exhibitions, Huck, Manhattan, Photography

Ladies and Gentlemen, Miss Dianne Brill

Posted on January 12, 2018

Photo: Space Bride on The Mugler runway, 1990. Photography Marc Baptiste.

Photographed by everyone from Robert Mapplethorpe, Steven Klein, and Mario Testino to Annie Leibovitz, Michel Comte, and Bill King, to name just a few, Dianne Brill was at the very heart and soul of the New York scene in the 1980s and 90s as a creative coterie of artists, musicians, and writers forever changed the world of pop culture. As Andy Warhol wisely observed, “If you were at a party and Dianne Brill was there, you knew you were at the right party!”

.

Brill’s star rose in the club world but it didn’t end there. Whether serving as a muse for Warhol and Keith Haring, working with fashion designers Thierry Mugler, Jean Paul Gaultier, and Vivienne Westwood, designing clothes for rock stars and actors, or penning a bestselling self-help book, Brill was at the top of the game.

.

Now the art world pays tribute to the Queen of the Night in the new exhibition, To the Future Through the Past, which will be on view at PHOTO 18 in Zurich, through January 12-16, 2018. Featuring hundreds of images of Brill at her best, the exhibition celebrates her roles as It Girl, model, designer, and the bon vivant of your dreams.

.

Here Brill shares the secrets of her success, revealing how you can spin your social life into stellar opportunities.

.

Read the Full Story at Dazed

.

Photo: Pony girl, The Roxy, NYC, 1988. Photo from the estate of Dianne Brill.

Andy Warhol and Jean-Michel Basquiat at an Outlaw party in NYC 1986 – was set up in an abandoned subway station, which was totally illegal and so fun. The party lasted 20 minutes before it was closed down. Photo from the estate of Dianne Brill.

Categories: 1980s, 1990s, Dazed, Exhibitions, Fashion, Manhattan, Photography, Women

Michael Lavine: Nirvana

Posted on December 26, 2017

New York City, January 11, 1992. © Michael Lavine

During the summer of 1990, an unknown band flew from Seattle to New York to gig in the underground punk scene. While they were in town they dropped by photographer Michael Lavine’s Bleecker Street studio for a session arranged by Sub Pop Records owner Bruce Pavitt. Going by the name Nirvana, the group featured singer and guitarist Kurt Cobain, bassist Krist Novoselic, and drummer Chad Channing. They had been playing together for a few years but hadn’t yet broken through. As Lavine’s photos from that fateful day reveal, they were just a couple of kids living life on their terms.

.

Lavine would shoot the band a total of four times, including for cover of their seminal Nevermind album, which they released the following year. The album blew up, selling over 30 million copies worldwide and bringing grunge to a mainstream audience. But for Nirvana, success had a tumultuous effect, and as their star rose, the band began to plummet into the abyss. By the time Lavine photographed the final studio sessions on a weekend in 1992, the group was reaching breaking point.

.

Lavine’s photographs tell the story of a rise and fall, of paradise and perdition. To celebrate what would have been Cobain’s 50th year on earth, Ono Arte Contemporanea in Bologna, Italy presents Kurt Cobain 50: The Grunge Photographs of Michael Lavine, a selection of iconic and never-before-seen images from his archive, which runs from now through to January 31, 2018. Lavine shares his memories of this historic chapter of music history.

.

Read the Full Story at Dazed

.

Photo: Nevermind session, Los Angeles, May 23, 1991. © Michael Lavine

 

Categories: 1990s, Art, Dazed, Exhibitions, Music, Photography

The 10 Best Art Exhibitions of 2017

Posted on December 22, 2017

Artwork Emma Amos (America, born 1938). Sandy and Her Husband, 1973. Oil on canvas. Courtesy of Emma Amos. © Emma Amos; courtesy of the artist and RYAN LEE, New York. Licensed by VAGA, New York.

The beauty of an exhibition is that you must go to it. You must be in its presence for a personal encounter in real time and space. You cannot scroll, swipe, or post your way through it: you must be there, in the moment, to experience it in the flesh and receive its understanding, knowledge, and wisdom though perhaps never a word will be said.

.

In celebration, Crave has compiled a list of the 10 best art exhibitions of 2017 that take us from the turn of the twentieth century right up to the present moment, with historic exhibitions of African American art on both sides of the pond, as well as long-awaited retrospectives from the likes of Rene Magritte and Raymond Pettibon.

.

Read the Full Story at Crave Online

.

Artwork: Betye Saar, Rainbow Mojo, 1972. Paul Michael diMeglio, New York.From Soul of a Nation: Art in the Age of Black Power at Tate, London.

 

Categories: Art, Crave, Exhibitions, Painting, Photography

Constantine Manos: American Color/Florida Pictures

Posted on December 8, 2017

Photo: Miami Beach © Costa Manos/Magnum Photos

A member of Magnum Photos since 1963, Constantine Manos was a serious black and white photojournalist until 1992, when he decided to begin shooting a project called American Colorr. In search of a new kind of photograph – one that was as extraordinary as it was surreal – Manos headed down to Florida, where the light, the colour, and the people are out of this world.

.

“The people are a new breed,” Manos observes. “It’s a dynamic cross-section of America, from the very right to the very poor. Because of the climate, a lot of people who can’t afford a home live and sleep wherever they can. They are mixed in with the big condos and high-rise towers, the waterfront homes and yachts.”

.

Manos likes to visit fairs, beaches, and outdoor events in search of a new kind of photograph. “I look for specific kinds of images,” he reveals. “I’m not just satisfied with what things look like; I choose to shoot a combination of people and place that doesn’t try to explain anything but asks questions and presents problems to the viewer.”

.

Read the Full Story at Huck Online

.

Photo: Miami Beach © Costa Manos/Magnum Photos

Categories: 1990s, Art, Books, Exhibitions, Huck, Photography

Club 57: Film, Performance, and Art in the East Village, 1978–1983

Posted on December 6, 2017

Artwork: Kenny Scharf (American, born 1958). Having Fun. 1979. Acrylic on canvas. Collection Bruno Testore Schmidt, courtesy the artist and Honor Fraser Gallery, Los Angeles

By 1978, the East Village art scene was coming into its own, and a new movement began to take hold in the basement of New York’s Holy Cross Polish National Church at 57 St. Marks Place. Club 57, as it was known, was home to a group of young artists including Keith Haring, Kenny Scharf, Fred Brathwaite aka Fab 5 Freddy, Klaus Nomi, Tseng Kwong Chi, Joey Arias, John Sex, and Marcus Leatherdale – all of whom were redefining art and photography, fashion and design, film and video, performance and theatre.

.

The no-budget venue and social club broke all the rules, transforming the ways in which we experience art to the present day. In celebration, the Museum of Modern Art, New York, presents Club 57: Film, Performance, and Art in the East Village, 1978–1983, a major exhibition and catalogue organised by Ron Magliozzi, Curator and Sophie Cavoulacos, Assistant Curator, Department of Film, with guest curator Ann Magnuson.

.

Read the Full Story at Huck Online

.

Artwork: John Sex (American, 1956–1990). Amazon Temptation, 1980. Silkscreen. The Museum of Modern Art, New York. Department of Film Special Collections

Categories: 1970s, 1980s, Art, Books, Exhibitions, Huck, Manhattan, Painting, Photography

Rania Matar: In Her Image

Posted on November 29, 2017

Wafa’a and Samira, Bourj El Barajneh Refugee Camp, Beirut Lebanon, 2016. Copyright Rania Matar.

Born in Lebanon, Rania Matar left her homeland during the Civil War to study architecture at Cornell University in upstate New York. But it was September 11 that would be the turning point in her life, as she decided to pursue a career in photography as a means to create an empowering and inclusive narrative.

.

While her work is not overtly political, it bears witness to the nature of girl and womanhood in both the East and the West. Photographing in New York, Boston, Beirut, and Palestinian refugee camps, Matar discovered that no matter what the circumstances, women all have more in common than not.

.

“The focus on our differences is so artificial,” Matar observes. “I am from Lebanon and the United States, and I am the same person whether I am there or here. Nothing changes in the way I live and act. The label of having to be one thing is very limiting in the sense of identity.”

.

Read the Full Story at Huck Online

.

Destiny, Dorcester, Massachusetts, 2010. Copyright Rania Matar.

Categories: Art, Exhibitions, Huck, Photography, Women

Gordon Parks: The Making of an Argument

Posted on November 22, 2017

Photo:Gordon Parks: Red Jackson, Harlem, New York, 1948; gelatin silver print; 19 ½ x 15 ¾ in. Courtesy of and copyright The Gordon Parks Foundation.

Photo: Gordon Parks: Untitled, Harlem, New York, 1948; gelatin silver print with applied pigment; 4 ½ x 4 ½ in. Courtesy of and copyright The Gordon Parks Foundation.

1948 was a watershed year in the career of American photographer Gordon Parks. An established fashion photographer who had been working on assignment for LIFE magazine, Parks was also an accomplished author, publishing his second book, Camera Portraits, a collection of his work accompanied by professional observations about posing, lighting, and printing. At the same, time, Parks longed for something deeper and more essential to his soul.

.

“Photographing fashion was rewarding but for me somewhat rarefied,” he revealed in his memoir, Half Past Autumn. “Documentary urgings were still gnawing at me, still waiting for fulfillment.”

.

He met with his editors to make his very first pitch: the story of Leonard “Red” Jackson, the 17-year-old leader of the Midtowners, a Harlem gang that had been caught up in the turf warfare that had been plaguing the neighborhood throughout the decade. He showed them 21 pictured edited from a body of hundreds photographs made over a period of four weeks made shadowing Red as he went about his business. The work tells the story of survival in its most poignant form, caught in the space where poverty, oppression, and violence foment and froth.

.

Read the Full Story at Feature Shoot

.

Photo: Gordon Parks: Red Jackson with His Mother and Brother, Harlem, New York, 1948; gelatin silver print; 10 5/8 x 13 in. Courtesy of and copyright The Gordon Parks Foundation.

Categories: Art, Exhibitions, Feature Shoot, Photography

Jill Freedman: Resurrection City, 1968

Posted on November 22, 2017

Copyright Jill Freedman. Resurrection City, 1968. Courtesy of Steven Kasher Gallery, New York.

Copyright Jill Freedman. Resurrection City, 1968. Courtesy of Steven Kasher Gallery, New York.

In April 4, 1967, Dr. Martin Luther King Jr. delivered a speech titled “Beyond Vietnam” at Riverside Church in New York City. Turning the focus from civil rights to human rights, he called for an end to the war, and renewed focus on fighting the enemies within the United States borders: poverty, injustice, and insecurity. One year later, to the day, he was assassinated – a crime for which the US government was finally found guilty in a court of law in 1999.

.

In the final month of his life, Dr. King called for a national demonstration that would “confront the power structure massively.” Following his death, “The Last Crusade” went forward, and 3,000 people came from across the land to set up a camp called “Resurrection City” on the Washington Mall. They lived in wooden shanties that stood for six weeks in 1968.

.

The Poor People’s Campaign, as it was officially known, was organised to draw attention to the poverty affecting people of all ethnicities in the United States. “They murdered Dr. King and I was furious,” photographer Jill Freedman remembers. “I had to go.”

.

Read the Full Story at Huck Online

.

Copyright Jill Freedman. Resurrection City, 1968. Courtesy of Steven Kasher Gallery, New York.

Categories: 1960s, Art, Books, Exhibitions, Huck, Photography, Women

« Older entries    Newer entries »

Categories

Archives

Top Posts

  • Home
  • About
  • Marketing
  • Blog
  • Azucar! The Life of Celia Cruz Comes to Netflix in an Epic Series
  • Eli Reed: The Formative Years
  • Bill Ray: Watts 1966
  • Jonas Mekas: I Seem to Live: The New York Diaries 1950-1969, Volume 1
  • Mark Rothko: The Color Field Paintings
  • Imprint

Return to top

© Copyright 2004–2025

Duet Theme by The Theme Foundry