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Posts from the “Crave” Category

Let Us March On: Lee Friedlander and the Prayer Pilgrimage for Freedom

Posted on April 3, 2017

Photo: Lee Friedlander, Mahalia Jackson (at podium); first row: Mordecai Johnson, Bishop Sherman Lawrence Greene, Reverend Thomas J. Kilgore, Jr., and Reverend Martin Luther King, Jr., from the series Prayer Pilgrimage for Freedom, 1957, printed later. Gelatin silver print. Yale University Art Gallery, Gift of Maria and Lee Friedlander, hon. 2004. © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco. Photo courtesy Eakins Press Foundation.

Brown v. Board of Education, Topeka (1954) was an historic moment in the course of the United States. In a unanimous decision of 9-0, the Supreme Court declared state-sponsored segregation in public education was inherently unequal, and a violation of the Equal Protection Clause of the Fourteenth Amendment.

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The ruling came as the first major step in ending apartheid in the United States, which had been operating under conditions of extreme malevolence since the Court legalized segregation in 1896. It was a major victory for the Civil Rights Movement, which had begun taking shape in its wake. Together, they united as one, their voices lifted and amplified for the first time in American history.

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On May 17, 1957, to honor the third anniversary of the decision, more than 25,000 African-American activists answered the call for a Prayer Pilgrimage for Freedom in front of the Lincoln Memorial, in Washington, D.C. Here, Dr. Martin Luther King, Jr. gave his famous address, “Give Us the Ballot,” in which he exhort the President Eisenhower and members of Congress to ensure voting rights for African Americans.]

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Read the Full Story at Crave Online

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Photo: Lee Friedlander, Untitled, from the series Prayer Pilgrimage for Freedom, 1957, printed later. Gelatin silver print. Yale University Art Gallery, Gift of Maria and Lee Friedlander, hon. 2004. © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco. Photo courtesy Eakins Press Foundation.

Categories: Art, Books, Crave, Exhibitions, Photography

Moshe Brakha: L.A. Babe

Posted on March 31, 2017

Photo: Moshe Brakha, Club Zero One, 1985.

“I’m a very passionate guy. I’ve always been passionate about photography. I started in 1970 and I’m still doing it,” Moshe Brakha reveals. “Day in and day out: you have to be committed and crazy in love with it.

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That love and passion appears on every page of L.A. Babe: The Real Women of Los Angeles 1975-1988 (Rizzoli New York), his phenomenal first book that showcases the sexy, stylish beauty of the era. Brakha’s crisp black and whites and luxurious color photographs transport you back to an era that was equal parts sensual and glamorous—and all the way loose.

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Born in Israel, Brakha enlisted as a sailor in the Navy and arrived on the shores of Los Angeles in 1969 at the height of the countercultural movement. From Easy Rider to Midnight Cowboy, the spirit of radical freedom filled the Southern California air. Sex, drugs, and rock & roll were everywhere. At night, Brakha took his camera and hit the nightclubs and bars just as the punk scene took hold, finding himself in the company of beautiful women who became the perfect subject for his photographs.

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Read the Full Story at Crave Online

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Photo: Moshe Brakha, Downtown Studio / 7th & Rampart, 1978.

Categories: 1970s, 1980s, Art, Books, Crave, Photography

Oh So Pretty: Punk in Print 1976-80

Posted on March 30, 2017

Poster For Blondie’s 12-Inch singles ‘Denis’, ‘Contact in Red Square’ and ‘Kung Fu Girls’, February 1978, 42.5 x 30.4 cm, 16¾ x 12 in. Courtesy of The Mott Collection

Poster for The Slits’ album ‘Cut’, September 1979, 50.8 x 75.5 cm, 20 x 29¾ in. Courtesy of The Mott Collection

Forty years ago, a revolution took shape and stormed the shores of the U.K. Punk had arrived—and it could not, would not, refused to be denied. It took everything the nation held dear and turned it upside down, then dropped it on its head, with the aim to break it open and find freedom. Gone were the polite niceties, the veneer the nation upheld while the empire crumbled. Punks knew there was nothing nice—or civilized—about it all. No pretense could cloak the truth about the subjugation of the world.

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As the U.K. struggled to rebuild, a new generation came forth calling out the fraud, the perpetrators, and the imposters. The took shots at the establishment from the outside, embracing their place as upstarts, rebels, and anarchists. From nothing came something—one of the greatest cultural movements of all time: the ethos of Do-It-Yourself that fueled their drive. From music and fashion to art and design, D.I.Y. became the a force of liberty, equality, and modernity. It produced some of the most iconoclastic images of the time, which are beautifully showcased in the new book Oh So Pretty: Punk in Print 1976-80 by Toby Mott (Phaidon).

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Read the Full Story at Crave Online

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Bored Stiff #1, C. Terry et al., Tyneside Free Press, July 1977, [dims unknown]. Courtesy of The Mott Collection

Categories: 1970s, 1980s, Art, Books, Crave

Yesterday Nite aka Alim Smith: Meme Show

Posted on March 28, 2017

The Jordan River. © Yesterday Nite aka Alim Smith.

Michael Jordan was the GOAT on the court—he staked his legacy on this. And when it came time to be inducted into the Basketball Hall of Fame, decades of emotion poured forth, and suddenly the king of the game was as human as the rest of us. It was a moment as heartrending and it was unexpected, his man who had always dominated was suddenly vulnerable.

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A moment like this might have slipped into the annals of history, only to be remembered by those truly dedicated to his legacy. But then, the Internet came along and it unearthed a still image of Jordan at his most red-eyed, as tears covered his face, and transformed it into the greatest meme ever to troll the earth. On the court or on the screen Jordan simply cannot defeated: his power is just that great.

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Read the Full Story at Crave Online

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Keisha Johnson. © Yesterday Nite aka Alim Smith.

Roll Safe. © Yesterday Nite aka Alim Smith.

Categories: Art, Crave, Exhibitions, Painting

Art is Not a Crime: The Most High-Profile Street Art Arrests in the USA

Posted on March 27, 2017

Artwork: Jean-Michel Basquiat. Defacement (The Death of Michael Stewart), 1983.

Art is not a crime—but that doesn’t stop police departments and D.A. offices nationwide from pursuing the capture, arrest, and prosecution of graffiti writers and street artists to make a political point. Crave has compiled a list of some of the most high-profile street art and graffiti arrests in the United States.

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Read the Full story at Crave Online

Categories: 1980s, Art, Crave, Graffiti, Manhattan

Word on the Street: The History of Globe Poster

Posted on March 25, 2017

Artwork: © Globe Poster. Courtesy of Roger Gastman.

For more than eighty years, you could see Globe Poster standing tall, hanging out on street corners, posted up on telephone palls, or chilling ‘round the way inside the union halls. They were bright, bold, fabulous affairs that understood that one must demand attention if you want to be seen and heard in this noisy world.

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Using DayGlo colors and big black letters etched out of wood type and letter press, if Globe Poster a theme song it would be Nas, talking about “Made You Look.” Because they had to—they needed t let you know the 2Pac, Luke, Snoop Doggy Dogg and That Dog Pound were performing at the Miami Arena on Saturday, August 24. Better get your tickets now, before they sell out, because trust and believe and event like this only comes once in a lifetime.

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Globe Poster knew what the people wanted and they delivered the goods. Established in Philadelphia in 1929, Globe Poster promoted everything from carnivals to concerts up and down the East Coast. Like so many in old Hollywood, they started out in vaudeville, moving their way up to burlesque and film, then finally hitting their stride and finding their groove with R&B acts during the 1960s.

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Read the Full Story at Crave Online

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Artwork: © Globe Poster. Courtesy of Roger Gastman.

Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave

#FridayReads: David Bowie’s Favorite Books

Posted on March 24, 2017

In the August 1998 issue of Vanity Fair, David Bowie took the famous Proust Questionnaire. The first question asked was the most telling: “What is your idea of perfect happiness?” to which Bowie answered, “Reading.”

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In celebration of Bowie the bibliophile, Open Culture put together a list of the artist’s top 100 books. The list is as diverse as it is revealing; perhaps there is no better way to get inside the mind of a person than through their library. Crave spotlights ten Bowie faves that make for great Friday Reads.

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Read the Full Story at Crave Online

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Categories: 1960s, 1970s, 1980s, 1990s, Books, Crave

TAKI 183, Elusive NY Graffiti Legend, Comes Out of Retirement

Posted on March 21, 2017

Photo: TAKI 183 gets up in house paint. Wall also features EVA 62, HELLAFIED SISTERS 184 and more. Circa 1971. Photo by Andrea Nelli.

On July 21, 1971, The New York Times ran a story titled “TAKI 183 Spawns Pen Pals,” in which journalist Mark Perigut interviewed a 17-year-old high school graduate who wrote the name TAKI 183 up and down the streets of New York City. With marker in hand, he got up everywhere from lampposts to trains, airports to train stations.

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The story makes note of a call-and-response effect, where the appearance of TAKI 183 created a chain effect. Suddenly names like BARBARA 62, EEL 159, and LEO 136 could be seen sharing the walls, as well as find their own spots. Perigut immediately takes note of the cost required to remove graffiti, estimating $300,000 worth of damages ($1.8M today). He confronts TAKI about the cost, TAKI is nonplussed, observing, “I work, I pay taxes too and it doesn’t harm anybody.”

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Read the Full Story at Crave Online

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TAKI 183 tag on canvas board, 20″ x 24″, spray paint on canvas board. 2016. ©TAKI 183

Categories: 1970s, Art, Crave, Graffiti, Manhattan

Raymond Pettibon: A Pen of All Work

Posted on March 20, 2017

No title (This feeling is), 2011. Pen and ink on paper, 37 1/4 x 49 1/2 in (94.6 x 125.7 cm). Aishti Foundation, Beirut, Lebanon. Photography courtesy the artist and Regen Projects, Los Angeles.

No Title (Fight for freedom!), 1981. Pen and ink on paper, 11 x 8 ½ in (27.9 x 21.6 cm). Private collection. Courtesy Regen Projects, Los Angeles.

“I don’t make art with grandiose delusions. I do know there are limits to what art is capable of. That makes it all the more appealing to me. And I can do as I will whenever I choose,” American artist Raymond Pettibon has said, revealing the essence of the continuous appeal of his work. A populist without pretense who came up in the West Coast punk scene, Pettibon honed the D.I.Y. ethos of the era into a fine art career.

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Now, in celebration of his phenomenal body of work, the New Museum, New York, presents Raymond Pettibon: A Pen of  All Work, the first major museum retrospective of his work, currently on view through April 9, 2017. The exhibition takes America to task for its truths, providing a perspective that is equal parts poignant, witty, and subversive.

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Read the Full Story at Crave Online

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No Title (Lieutenant! There’s our), 2008. Pen, ink, and gouache on paper, 22 1/4 x 30 in (57.2 x 76.2 cm). Aishti Foundation, Beirut, Lebanon. Photography courtesy the artist and Regen Projects, Los Angeles.

Categories: 1980s, 1990s, Art, Crave, Exhibitions

Honoring the Legacy of Chinese Artist Ren Hang (1987-2017)

Posted on March 17, 2017

Photo: ©Ren Hang, courtesy of Taschen.

On February 24, Chinese photographer and poet Ren Hang (1987-2017) killed himself in Beijing, jumping from one of the terrifyingly vertiginous buildings that appears in so many of his photographs. His sudden death shocked the world, as Hang had reached a new level of success with the simultaneous release of his first major monograph, Ren Hang (Taschen), along with exhibitions of work at Fotografiska, Stockholm, and Foam, Amsterdam.

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Dian Hanson, who wrote the introduction to the book, described Hang as, “an unlikely rebel. Shy, lanky, prone to fits of depression, the 29-year-old Beijing-based photographer [was] nonetheless at the forefront Chinese artists’ battle for creative freedom. Controversial in his homeland, but wildly popular in the rest of the world he says, ‘I don’t really view my work as taboo, because I don’t think so much in cultural context, or political context. I don’t intentionally push boundaries, I just do what I do.’”

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Read the Full Story at Crave Online

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Photo: ©Ren Hang, courtesy of Taschen.

Categories: Art, Books, Crave, Photography

Black in America: Louis Draper and Leonard Freed

Posted on March 16, 2017

Photo: Portrait, New York, c 1965. Louis Draper (American, 1935–2002). Gelatin silver print; 20.3 x 25.4 cm. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2016.271. © Louis H. Draper Preservation Trust.

The photograph is more than a work of art: it is a piece of evidence, a document of fact, and an artifact of the past. It offers proof of what has transpired in time and space, for seeing is believing—and belief is faith. To shoot or not to shoot, that is the question, for what we focus our attention on grows in power and strength. To frame a story through just one perspective, or to never frame it at all, these acts have the power of changing the way people see the world.

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Photographers Louis Draper (1935-2002) and Leonard Freed (1929-2006) understood this, each in their own way using the camera as a way to write history. Together they created fresh perspectives that were heretofore largely ignored in favor of the spreading of malicious lies, telling the truth about what it means to be Black in America.

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Read the Full Story at Crave Online

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Children in the Mirror, Johns Island, South Carolina, 1964. Leonard Freed (American, 1929–2006). Gelatin silver print; 23.8 x 29.8 cm. The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2016.282. Image courtesy of Leonard Freed / Magnum Photos.

Categories: 1960s, Art, Crave, Exhibitions, Photography

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