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Posts from the “Crave” Category

Eddie Palmieri: Harlem River Drive

Posted on December 15, 2016

Eddie Palmieri poses for a portrait during the filming of RBMA Presents The Note: Eddie Palmieri, at Red Bull Studios in New York, NY, USA on 22 March, 2016.

“Genius has a way of validating itself with time” observes Felipe Luciano as he reflects on Harlem River Drive, the seminal 1971 Latin-jazz-funk album by Eddie Palmieri in an episode of The Note, a new docuseries now available at Red Bull TV. You can watch the full episode at the end of the article, as well.

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Palmieri, who celebrates his 80th birthday today, is one of the greatest American musicians of our time. Hailing from the South Bronx by way of Spanish Harlem, Palmieri is a first-generation Nuyorican who made his way, along with his brother Charlie, through the New York City public schools where he was exposed to jazz music. He first played Carnegie Hall at the age of 11, which portended well for the boy who would go on to become a pianist, bandleader, musicians, and composer who helped to shape the sound and style of Latin and jazz music over the course of seven decades.

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Categories: 1970s, Bronx, Crave, Latin America, Manhattan, Music

Viviane Sassen Pikin Slee & Elspeth Diederix In These Shadows

Posted on December 15, 2016

Artwork: Viviane Sassen, Rorschach, 2013, Ultrachrome print, 18 x 12 inches, Edition of 5, and Elspeth Diederix, Karawara and Frangipani, 2014 Archival pigment print, 47-¼ x 31-½ inches, Edition of 5.

 

Viviane Sassen (b. 1972 in Amsterdam) and Elspeth Diederix (b. 1971 in Nairrobi, Kenya) first met as teenagers in art class. Individually, they have risen to prominence as photographers: Sassen for her fashion work and Diederix for her still lifes, both infusing their photography with an eloquent balance of mystery elegance, and joy. Though they pursued different paths, they maintained a close a close friendship, both citing their shared childhood experiences of coming of age in Africa as Europeans as formative to their aesthetic sensibilities.

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Individually they craft sonnets and soliloquies, beautiful poems of light, shape, and color that stir the soul like the softest breeze. Each in their own right is a master of the medium, crafting the world anew, showing us a new way of seeing that invokes the infinite spirit of the universe. Brought together, their distinct bodies of work effortlessly merge in a duet of harmony, rhythm, and verve as seen in the new exhibition Viviane Sassen Pikin Slee & Elspeth Diederix In These Shadows, on view at Casemore Kirkeby, San Francisco, now through December 22, 2016.

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Categories: Art, Crave, Exhibitions, Photography

Awol Erizku: I Was Going to Call It Your Name But You Didn’t Let Me

Posted on December 15, 2016

Artwork: Awol Erizku, Come and See Me ft. Drake – PARTYNEXTDOO,R 2016, Acrylic on wooden panel, 72 x 96 i. Courtesy of Nina Johnson, Miami.

Born in Ethiopia and raised in the South Bronx, Los Angeles-based artist Awol Erizku beautifully embodies the zeitgeist with I Was Going to Call It Your Name But You Didn’t Let Me, a new series of 20 paintings and conceptual sound collage currently at Nina Johnson, Miami, now through January 7, 2017.

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The exhibition takes a the image of the beautifully manicured hand of Queen Nefertiti holding a rose, appropriated from nail salon signage where ErIzku keeps his studio, as its central motif for a series of paintings. Throughout the works, elements of the cityscape take shape, be it the patches of buffed-out segments of paint, the ubiquitous cross outs of a graff writer who lives to hate, or the appearance of Rihanna’s adorable “badgirlriri” avi.

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Bearing the titles of songs like “Where Do We Go” by Solange, “Love Can Be” by Yeek”, and “First Take” by Travis Scott, Erizku’s paintings are accompanied by a sound collage that includes work by Drake, Future, and Party Next Door, fusing the visual and sonic realms to create an immersive environment that evokes the here and now, invoking the cultural moment that speaks to people from all walks of life, resonating a deep, harmonious melody backed by a throbbing bass.

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Categories: Art, Crave, Exhibitions, Painting

Damian Elwes: New Paintings 2016

Posted on December 14, 2016

Artwork: Damian Elwes, Keith Harings Studio (New York, 1988), signed and dated 2016, mixed media on canvas, 60 x 74 in.

In dream theory, it is believed that the home is the symbol of the mind, so that when you dream of being at home, you are actively engaging in a metaphorical discussion with your unconscious about your innermost state of existence. For artists, the studio is a second home; it is the place to which they escape to commune directly with their souls in order to create.

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Artist studios have long held fascination in the public eye, as it gives us an entrée to the place where masterpieces are born of blood, sweat, and tears—or any other alchemical mixture. Artists are sometimes among the most intrigued, wanting to see the world from the vantage point of those which they admire for their creations.

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Artwork: Damian Elwes, Picasso’s Studio (Paris, 1915), signed and dated 2016, gouache on board, 19 x 27 in.

Categories: Art, Crave, Exhibitions, Painting

Cut That Out: Collage in Contemporary Design

Posted on December 14, 2016

ATELIER BINGO: BLUE FLORAL ABSTRACT for Wrap magazine. Handmade collage and screen print, 2014

Perhaps there is nothing quite so human as re-imagining the world as we wish it to be, whether to illustrate our hope and dreams or our aggression and fears. The work of art is a bridge between emotion, idea, and action, allowing us to manifest a vision of the innermost workings of the heart, mind, and soul that we may share with the sighted world so that they, too, may behold that which cannot be spoken with words but must be said in every language at the same time.

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The art of collage, a technique assembles different, disparate forms in order to create a new whole, dates back to the invention of paper in China around the second century B.C., reminding us that people have always possessed an innate desire to reshape reality to suit their desires. It found different forms over the years, but it wasn’t until 1912, when Pablo Picasso and Georges Braque introduced it to their oil paintings, that collage gripped the public imagination with limitless possibility.

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YOKOLAND: LEAP INTO THE VOID, personal project. Handmade collage, 2006

Categories: Art, Books, Crave

The Future Is Now: 11 Environmental Charities to Give to In Lieu of Holiday Gifts

Posted on December 14, 2016

Tallgrass Prairie National Preserve near Council Grove, Kansas, is a partnership of the National Parks system, the Nature Conservancy and a private trust. (Photo by Jane Wooldridge/Miami Herald/MCT via Getty Images)

“To see things in the seed, that is genius,” Chinese philosopher Lao Tzu observed, understanding the importance of foresight and the wisdom of acting accordingly. As 2016 draws to a close, we may take a moment to reflect on the lessons of the past so that we can better understand where we are heading.

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Crave introduces a new weekly column, The Future Is Now, spotlighting contemporary issues playing out in real time centered around issues affecting the global environment including climate change, sustainability, endangered species, and conservation so that we can work together to raise awareness and create solutions that will preserve our planet not only for ourselves but for generation to come.

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To begin, we highlight a selection of reputable environmental charities to give to this year in lieu of holiday gifts, whether for friends, family, colleagues, or in memory of those we’ve lost. The ten organizations selected here have been cross-checked with Charity Navigator to ensure their reputation and credibility. Tis the season to give to causes greater than ourselves.

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Categories: Crave

Toyo Tsuchiya: Invisible Underground

Posted on December 12, 2016

Photo: © Toyo Tsuchiya. From the series No Se No 99 Nights, 1983.

Picture It: New York City, summer of 1983. For 99 nights in a row, at a little spot called No Se No (Spanish for “I don’t know nothing”) down on the Lower East Side hosted a cabaret unlike anything that would ever see the light of day. It was strictly underground, for those in the know, a raw artistic explosion of anything goes.

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On any given night, you could have wandered in only to discover Warhol Superstar Jackie Curtis performing Ripping Off Layers to Find Roots, the one-act play James Dean wrote for his audition at The Actors Studio. Another night you stumble upon Yugoslavian artist Dragan Ilic with power tools duct-taped to his biceps and back, furiously hammering pencils into the bar. Still another night could see girls from around the way jump on the bar and dance to Michael Jackson ‘cause Thriller was everything back in the days.

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99 Nights, as the performance art festival was known, was a pure, unbridled New York phenomenon featuring a melange of song and dance, poetry and beyond. It was unlike anything the city had ever seen before—or since—and were it not for the photographs of Japanese artist Toyo Tsuchiya, most of us would have missed it entirely. Tsuchiya was there nearly every night, camera in hand, documenting the scene with casual insouciance. His photographs are simple straightforward affairs that embrace the edge wholeheartedly, never gawking or gaping but rather making the extraordinary and amazing a regular part of life.

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Photo: © Toyo Tsuchiya. From the series No Se No 99 Nights, 1983.

 

Categories: 1980s, Art, Books, Crave, Exhibitions, Manhattan, Photography

Helen Lundeberg: Classic Attitude

Posted on December 11, 2016

Artwork: Helen Lundeberg, Naiad, 1968. acrylic on canvas. 30 x 54 inches (76.2 x 137.2 cm). ©The Feitelson / Lundeberg Art Foundation

American artist Helen Lundeberg (1908-1999) moved from Chicago to Pasadena, at just four years old. Lundeberg became involved in the Southern California arts scene in the early 1930s, when she and her husband, painter Lorser Feitelson, co-founded Subjective Classicism, which later became known as Post Surrealism, the first focused American response to the famed European movement.

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In 1936, Lundeberg became just one of three women artists from the region to make public art for the WPA. She began her painting career as a social realist, creating large-scale murals including a 8 x 241 foot painting titled History of Transportation in Inglewood, before finding herself drawn to geometric abstraction and Hard Edge painting during the 1950s.

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Categories: 1960s, Art, Crave, Exhibitions, Painting

The Best Art & Photography Books & Exhibitions of 2016

Posted on December 10, 2016

SUBWAY NEW YORK, 1977-1984 © by Willy Spiller 2016

The 5 Best Photography Books

The beauty of photography is its ability to stop time, to bare witness from now til eternity so long as someone wishes to see the world through the photographer’s eyes. We are instantly transported into other realms, into private lives and public spheres of influence.

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When collected as a book, the photograph takes on another role: it becomes evidence of the past and a message to the future. It becomes something we invite into our homes and set on our shelves, awaiting the moment we choose to pick it up and nestle it on our laps, absorbing each image page by page, in quiet contemplation of wisdom that speaks beyond words. Crave has selected five of the best photography books of 2016.

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Kerry James Marshall, Better Homes, Better Gardens, 1994. Denver Art Museum Collection: Funds from Polly and Mark Addison, the Alliance for Contemporary Art, Caroline Morgan, and Colorado Contemporary Collectors: Suzanne Farver, Linda and Ken Heller, Jan and Frederick Mayer, Beverly and Bernard Rosen, Annalee and Wagner Schorr, and anonymous donors. © Kerry James Marshall. Photo courtesy of the Denver Art Museum.

The 5 Best Art Exhibitions

In retrospect, it is virtually impossible to think of 2016 without thinking of the impact of media in our lives. Short of living on top of a mountain without Wifi, it is virtually impossible to escape the onslaught of images, text, and video that streams in and out of our daily lives. Invariably, its inescapability renders it significant, worthy of contemplation outside the quotidian spaces where we first consume them.

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Vik Muniz. A Bar at the Folies-Bergere, after Edouard Manet, from Pictures of Magazines 2, 2012. © Vik Muniz/Licensed by VAGA, New York, NY.

The 5 Best Art Books

As the year comes to a close, the one thing we may all agree on is that 2016 has been one of the most pivotal years in recent memory. There is a palpable sense of polarization that underlies so many things in our lives, and as we approach a new year, we find ourselves in a brave new world filled with fake news and propaganda from all sides.

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To that end, we may turn (even return) to books for solace, wisdom, and insight from those who have been here before and had the presence of mind to record their insights. Crave has selected five of the best art books of 2016, with an eye towards hope, justice, and understanding who we are and where we’ve been so that we know where we’re going—for the sake of our own, as well as future generations.

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Read the Full Story at Crave Online

Categories: Art, Books, Crave, Exhibitions, Photography

Art Basel in Miami Beach | Highlights

Posted on December 7, 2016

Artwork: Derrick Adams, Floater No. 2, 2016, Acrylic paint and collage on paper, 55 × 55 in., courtesy of Rhona Hoffman Gallery.

Top 6 Highlights at Art Basel in Miami Beach

So much art, so little time, it seems every time you think you’ve made the rounds, a mystery aisle pops up out of nowhere. Crave went the distance and combed the fair for some of the best work at Art Basel in Miami Beach.

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Make a splash without saying a word with American artist Derrick Adams as he dives into a pool of color, light, and pleasure with his Floater series on view at Rhona Hoffman Gallery, featuring a delightful cast of African-Americans enjoying a dip in the water. The paintings are bright, bold images of a world without care, mesmerizing meditations on the necessity of rest, relaxation, and self-care.

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José Parlá, Roots. Young Arts, Miami, Photo by Kari Herrin.

José Parlá: Roots

“My grandfather, pilot Agustin Parlá once said to my father; ‘Son, find your place in History’ and my father said the same to me. And my old friend Don Busweiler once said, ‘Without roots the tree won’t grow.’ This has always stuck with me and remained present in the process of my work over the years.” reveals Cuban-American artist José Parlá (n. 1973).

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Now based in Brooklyn, the Miami Beach native comes home for José Parlá: Roots, currently on view at the Jewel Box at the National YoungArts Foundation, Miami, through December 15, 2016. Presented by Rolls-Royce Motor Cars in partnership with the Savannah College of Art and Design, Roots finds returning to the city where he spent his formative years in the underground art scene of the 1980s and ‘90s, where he embraced graffiti.

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Artwork: Martin Wong, Untitled (portrait of boxer with roses) c. 1984. Acrylic on canvas, 30 inch diameter. Copyright Martin Wong, Courtesy P.P.O.W.

Martin Wong at P.P.O.W.

 

Martin Wong (1946-1999) moved to New York City in 1978 at the age of 22, settling in on the Lower East Side. The son of Chinese immigrants, Wong was born in Portland and raised in San Francisco, where he first delved into the world of art as set designer for the Angels of Light, an offshoot of The Cockettes. When he arrived in New York, he moved into the Meyer Hotel on Stanton Street, where he lived for three years, doing repair work to the dilapidated hotel and working as a night watchman. In 1981, he moved to a six-story walk-up on Ridge Street populated by heroin dealers and their clients. In total, Wong stayed in New York for 16 years, moving back to San Francisco to live with his mother after being diagnosed with AIDS in 1994.

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Wong’s time in New York was dedicated exclusively to painting, where he captured scenes on the Lower East Side that evoked the beautiful, casual, fleeting temporality of life itself. Set amid the desolate, desperate crumbling tenements that had been abandoned and left to disrepair in a city that had all but been destroyed by the government’s policy of “benign neglect” that denied minority neighborhoods basic services, Wong discovered the spirit and the soul of the people shining through.

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Artwork: Barbara Kruger, Untitled (Cast of Characters), 2016. Digital print on vinyl, 60 × 120 in. Courtesy of Sprüth Magers.

Art in the Age of Anxiety and Rage

Emotion is one of the strongest forces on earth, capable of rendering people paragons of power or utterly vulnerable to external influences outside of their control.  If 2016 has taught us anything, it is the ability to manipulate the masses by preying upon their weaknesses and shoring up support through fear and rage.

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Unfailingly art speaks a thousand words without ever making a sound, reaching the innermost recesses of our being through sight alone. In this way, it can communicate to us—and for us—when words fail to articulate the sense that we’re going to Hell in a handbasket. Crave spotlights a selection of works at Art Basel in Miami Beach that give voice to the shadows that have seemingly come to life.

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Artwork: Titus Kaphar (American, b. 1976), Front Page, 2012. Oil on newspaper on canvas, 85½ x 57½ x 2½ inches. Courtesy of the artist and GMAF. Photography by John Lam. © Titus Kaphar

Titus Kaphar: The Vesper Project

Fact and fiction seamlessly merge in Titus Kaphar: The Vesper Project, currently on view at the Lowe Museum of Art at the University of Miami, now through December 23, 2016—reminding us of the ways in which mythology shapes our sense of the past, present, and future. For this exhibition Kaphar (b. 1967) has draws upon the Vespers, a fictional family living in nineteenth-century New England who “passed” as white despite the fact that their mixed-race heritage designated them black in the eyes of the law.

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The story begins when a man named Benjamin Vesper experienced a psychotic break while looking at a painting by Kaphar on view at the Yale art Gallery and attacked one of the figures in the painting. He was admitted to the Connecticut Valley Hospital, where began to reveal details about himself and his family’s troubled history to both his therapist and, in private correspondence with Kaphar.

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Wynwood Doors, artwork by Tati.

Not for Sale: A Legacy of Graffiti & Street Art in Wynwood

Although art has always been a tool of the ruling class to elevate and reinforce its status and the bourgeois who hope to join the ranks, it is not exclusively this. There is a place where art is for the people, by the people. That place is the Wynwood District. Centered around the construction of Wynwood Walls, an outdoor museum to graffiti and street art that is free and open to the public, the neighborhood is home to block after block of public art.
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Liu Junqi, Bodhisattva Holding a Lotus Bud. (Mogao Cave 220,. Early Tang Dynasty). Mineral pigment on paper. 33 x 22 inches

Huayan Art: A Silk Road Legacy

The oldest surviving Chinese silk in the West was discovered in Egypt, and dated to 1070 BC. However, as silk degrades rapidly, it cannot be known just how far back the trade between ancient kingdoms goes. But it is known that throughout the course of history, the East and West were in regular dialogue with expeditions traveling to and fro across the Silk Road, bringing together the peoples of Europe, the Middle East, East Africa, India, China, and Java. As kingdoms rose and fell, control changed hands but what always remained was the desire to do business.

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The Dunhuang Mogao Grottoes, also known as the Thousand Buddha Grottoes, is an oasis strategically located at the crossroads of the Silk Road in the Gansu province of Northwest China. First dug out in 336 AD as a place for Buddhist meditation and worship, the caves contain some of the finest examples of Buddhist art made over a period of 1,000 years, 45,000 square meters of wall paintings, rock cut sculpture, paintings, printed images, textiles, and manuscripts

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Photo: Glenn Kaino, Invisible Man, 2016, aluminum and concrete, 381 x 178 x 178 cm, courtesy of Kavi Gupta. Photo by Miss Rosen.

This is “Ground Control” to Collins Park

 

“It was the height of the space race in 1969, when David Bowie’s legendary Major Tom took his protein pills and put his helmet on. But even the world’s most advanced technology could not protect him from our human vulnerability,” Nicholas Baume, Director and Chief Curator of Public Art Fund, New York, writes in the curator’s statements for Ground Control, the Public sector of Art Basel in Miami Beach.

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He continues, “The idea of ‘Ground Control’ struck me as apt this year, the year that Bowie himself departed our physical orbit for good, leaving his myth and music to ensure. The relationship between technological progress and human subjectivity continues to be an animating concern for artists, but our fascination with outer space has largely been replaced by an exploration on virtual space.”

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Categories: Art, Crave, Exhibitions, Graffiti, Painting

Art Basel in Miami Beach | Previews

Posted on November 29, 2016

© Art Basel

© Art Basel

Art Basel in Miami Beach | Everything You Need to Know
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Art Basel in Miami Beach is the global destination for the worlds of art, glamour, and wealth, drawing more than 77,000 visitors to Magic City every winter. Featuring four days and nights of unrivaled luxury, Art Basel in Miami Beach attracts jet-setting artists, collectors, and celebrities from around the world. Since its inception in 2002, the fair has become the crown jewel of the American art scene.
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The 15th edition returns this year with 269 international Modern and contemporary galleries from 29 countries, featuring work by some 4,000 artists. The VIP previews begin Wednesday, November 30, and the fair is open to the public Thursday, December 1 through Sunday, December 4. For all attendees taking flight this year, Crave Online has prepared a guide to everything you need to know about Art Basel in Miami Beach.
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Image: Sunrise carpet, by Nanda Vigo, 1987- Courtesy of Erastudio Apartment-Gallery

Image: Sunrise carpet, by Nanda Vigo, 1987- Courtesy of Erastudio Apartment-Gallery

Design Miami | Everything You Need to Know
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Now in its twelfth edition, Design Miami (November 30-December 4) returns to its premier spot, located just across the street from Art Basel. Design Miami is the meeting point for the design world’s elite, bringing together the most influential collectors, galleries, designers, curators, critics, and celebrities from around the globe. It all begins with the grand unveiling of a specially commissioned entrance by New York-based SHoP Architects, recipients of the 2016 Panerai Design Miami/Visionary Award.
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Artwork © Awol Erizku, courtesy of Nina Johnson

Artwork © Awol Erizku, courtesy of Nina Johnson

Art Basel in Miami Beach | Local Gallery Guide

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As tens of thousands of art collectors, socialites, and celebrities descend on Miami Beach to take in the vast scope of Art Basel and two dozen satellite fairs, local galleries show out with the best. Crave spotlights some of this year’s best, including Awol Erizku: I Was Going to Call It Your Name but You Didn’t Let Me at Nina Johnson (November 28, 2016-January 14, 2017);Graciela Sacco: A donde va la Furia? at Diana Lowenstein Gallery (November 18-January 28, 2017); Lillian Bassman: Elegance at Dina Mitrani Gallery (now through December 30, 2016); Jorge Enrique: Borders at Waltman Ortega Fine Art (now through December 27, 2016); and Alexis Gideon: The Comet and the Glacier at Locust Projects (November 19, 2016-January 21, 2017).

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Gjon MIli. Picasso Space Drawing, France (vase of flowers), 1949. Gelatin silver print; printed c. 1949. 9 1/2 X 12 1/4 inches. Mounted. Annotated with credit, title and date in an unknown hand in ink and pencil, with credit and ‘LIFE Magazine ‘ stamps on mount verso.

Gjon MIli. Picasso Space Drawing, France (vase of flowers), 1949. Gelatin silver print; printed c. 1949. 9 1/2 X 12 1/4 inches. Mounted. Annotated with credit, title and date in an unknown hand in ink and pencil, with credit and ‘LIFE Magazine ‘ stamps on mount verso.

Art Basel in Miami Beach | Must-See Exhibitions
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With 269 galleries exhibiting at Art Basel in Miami Beach this year, the Miami Beach Convention Center will be transformed into intergalactic experience of art. With so many shows under just one roof, Crave spotlights must-see exhibitions in this year’s edition, including Gjon Mili at Howard Greenberg Gallery, Outer Space at Dominique Lévy, The Future is Our Only Goal at Galerie Gmurzynska, David Hammons at Mnuchin Gallery, Lynette Yiadom-Boakye at Jack Shainman Gallery,  and Fabienne Verdier: Rhythms and Reflections at Waddington Custot.
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Malick Sidibé Nuit de Noël (Happy Club), 1963, Gelatin silver print Paper: 19,7 x 23,5 in © Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Malick Sidibé Nuit de Noël (Happy Club), 1963, Gelatin silver print Paper: 19,7 x 23,5 in © Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris (will be on view at UNTITLED, Miami Beach, November 30-December 4, 2016 at Ocean Drive and 12th Street)

Art Basel in Miami Beach | Top 5 Places to Check Out

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With two-dozen satellite fairs, a host of museums, galleries, and pop-ups across the city, Art Basel in Miami Beach will keep you on your toes all week. Crave spotlights some of our favorite places to check out while you are in town, including Christie van der Haak: MORE IS MORE at The Wolfsonian-FIU, PULSE Miami Beach, December 1-4, 2016 at Indian Beach Park,  UNTITLED, Miami Beach, November 30-December 4, 2016 at Ocean Drive and 12th Street, Regeneration Series: Anselm Kiefer from the Hall Collection at NSU Art Museum, and  Alex Webb and Rebecca Norris-Webb: Violet Isles at HistoryMiami Museum.

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Categories: Art, Crave, Exhibitions, Painting, Photography

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