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Posts from the “Bust” Category

Hilma af Klint: Mundos Possiveis

Posted on May 21, 2018

Ain’t nothinn like getting the 25th anniversary issue of BUST Magazine in the mail and thinking on all the amazing work Laurie Henzel & Emily Rems have done throughout the years.

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In one of those episodes of Psychic Friends Network, a little over a year ago I started saying, “I really want to write for BUST!” Then, a couple of weeks later Laurie hit me up with a plum assignment and we kept it moving from there.

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Needless to say, I was thrilled to write a piece for the new issue on Hilma af Klint, the European painter whose abstract work predates that of Kandinsky et al. But she kept it under wraps throughout her life – and following her death as The High Masters advised.

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The spirits understood the world as not ready for a woman to bring this to the world, and it is only now that historians are beginning to page through some 26,000 pages of notes and 1,200 works of art from this secret series.

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What most touches me is the message that she brings to us: the resolution of contradiction and conflict through the understanding that life is an ever shifting balance of complements.

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Categories: Art, Bust, Painting

Janette Beckman: The Cool Clique

Posted on May 16, 2018

Salt N’ Pepa, New York. Copyright Janette Beckman

For over 40 years, British photographer Janette Beckman has been a fixture on the underground scene, creating a body of work that is stored deep in the memory banks of music fans everywhere. You may have seen her shots on the covers of seminal albums like the Police’s Outlandos D’Amour and EPMD’s Unfinished Business, or on singles like New Edition’s “Candy Girl,” the B-52s’ “Love Shack,” Tracy Chapman’s “Fast Car,” and Run-DMC’s “Mary, Mary.” One thing is for sure: Janette Beckman is everywhere.

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Whether shooting music, fashion, portraiture, or documentary work, Beckman’s commitment to celebrating cutting-edge culture has made her one of the most important photographers of our time. But Beckman never rests on the success of her past achievements. Now 57 and living in New York, you can find her most recent work in the pages of Interview magazine, capturing up and coming female rappers. Or in the new Levi’s campaign—creating block party vibes for the new millennium. Whatever the case, Beckman is always in the mix, celebrating the spirit of rebellion, freedom, and self-determination that exemplifies the DIY culture that she has long helped shape.

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Read the Full Story at Bust Magazine

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The Islington Twins, London, 1979. Copyright Janette Beckman

Categories: 1970s, 1980s, Art, Bust, Music, Photography

  

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