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Posts from the “British Journal of Photography” Category

In the Gallery with The Center’s Archivist Caitlin McCarthy

Posted on October 20, 2021

Christopher Street Liberation Day March, New York City, 1971. Photo by Leonard Fink. From the Leonard Fink Photographs, LGBT Community Center National History

Until 1962, all 50 states in the US criminalized same-sex sexual activity. In 2003, less than two decades ago, all remaining laws against same-sex sexual activity were invalidated. But before that, LGBTQ people were forced to live in secret, lest they risk the possibility of losing their education, jobs, healthcare, homes, families, freedom, or lives. As a result much of LGBTQ history has been lost or destroyed by people fearing discovery. Understanding this, activist and historian Richard C. Wandel created the LGBT Community Center National History Archive at The Center in New York City in 1990 to, to collect, preserve, and make available to the public at large the material evidence of LGBTQ New Yorkers and their lives. 

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“As a community-based archive, we focus on unpublished records that people create… [connecting] with folks on the ground in big and small ways,” says Director of Archives Caitlin McCarthy. “The Center Archive was created as a space for those impacted by the devastating personal loss during the AIDS crisis. After people died, a family member or landlord might have tossed their belongings because they didn’t see any value in their artwork, journals, or photo albums — but we did.”

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After working at the Metropolitan Museum of Art and the New York Historical Society, McCarthy joined The Center when Wandel retired in 2017, after 27 years of service. “I’m the only staff in the department, which happens sometimes in archives,” says McCarthy, who handles donations, reference services, education, and exhibition aspects of the work. “Working with my community here has given me the ability to break the mold when necessary, with the recognition that the traditional ways of running an archive, collecting, serving researchers and even defining them may not serve The Center Archive.”

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Read the Full Story at British Journal of Photography

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Travis Mark. The Center, New York City, 2014.
Categories: Art, British Journal of Photography, Manhattan, Photography

In the Gallery with Bene Taschen

Posted on July 5, 2021

Arlene Gottfried. Striped Woman at Studio 54, NY, 1979.

“Art was always a part of my life,” says gallerist Bene Taschen, the son of world-renowned German book publisher Benedikt Taschen. “Growing up [in Cologne], I was surrounded by photographers and met great artists working with my father, like Helmut Newton. It was a blessing to have this as a part of my daily life. It was inspiring to be surrounded by art in any form.”

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In 2011, an unexpected twist of fate provided Taschen with the opportunity to strike out on his own. He learned that a German exhibition planned for his friend, American photographer Gregory Bojorquez, had been cancelled. “That made me frustrated, so I decided to organise the exhibition myself,” says Taschen. “I didn’t have much gallery experience, but I had a passion for photography and a desire to create a good show that would excite and inspire people who saw it.”

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Titled Streets of LA, the exhibition, which was first exhibited in Berlin in September 2011, then Cologne in November 2011, celebrated the people of Bojorquez’s hometown through the lens of an insider: a vantage point that Taschen finds profoundly compelling as a gallerist. “Curating is a very personal experience, and I’m always trying to create something that expresses how I feel and makes me happy,” he says. “The selection of images can tell a story of the artist and their work, but it has to look good together on the wall. I may choose works for different reasons but it has to be visually convincing when it is hung. You can’t just throw 35 photographs in the room and call it an exhibition.”

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Read the Full Story at British Journal of Photography

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Miron Zownir. NYC 1982
Categories: 1960s, 1970s, 1980s, 1990s, Art, British Journal of Photography, Exhibitions, Photography

Nicola Vassell: WNBA Family Shot

Posted on June 21, 2021

Jordan Family © Jordan Brand. Photographed by Ming Smith, styled by Carlos Nazario.

Gallerist, curator, and art dealer Nicola Vassell understands the revolutionary power of photography and the ways in which building strong communities can transform cultural paradigms. With the Family Shot, which introduces the Jordan Brand’s largest-ever female roster, Vassell teamed up with photographer Ming Smith and stylist Carlos Nazario to create a series of luminous black and white photographs of emerging WNBA superstars changing the global game.

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Rolling out digitally on 21 June before opening as a pop-up exhibition at Vassell’s New York gallery on 29 June, then continuing through July with new images appearing in various publications and on the Nike site, Family Shot illustrates the Jordan Brand’s dedication to woman athletes and Black creatives alike. 

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“Having the opportunity to collaborate with Michael Jordan, the women of the WNBA, and Ming Smith is an affirmation of this moment,” says Vassell. “There was a mindful congregation of Black creative excellence, leadership, and ideas at the inception of this project. Here you have these women who in their grace, strength, power, and elegance have reached the top of a male-dominated field and have not gotten their due. Then, you have arguably the greatest athlete of all time saying they are more than worthy of attention and support. These are statements that need to be made, giving an example to the world of how things can be.”

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Read the Full Story at British journal of Photography

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Behind the scenes on Jordan Brand’s Family Shot shoot. © Jordan Brand. Photographed by Ming Smith, styled by Carlos Nazario.
Categories: Art, British Journal of Photography, Photography

In the Gallery with: Brian Clamp

Posted on June 4, 2021

© Peter Berlin, “Self Portrait as Urban Cowboy, “ c. 1970s, Hand-painted vintage gelatin silver print.

The year 2000 marked a turning point for New York-based gallerist Brian Clamp. After turning 30 and receiving his MA in Critical Studies in Modern Art from Columbia University, he had reached a crossroads. “I had been working as director of Owen Gallery on the Upper East Side, and wanted to get more involved with contemporary art, photography, and working with living artists,” says Clamp. “I decided to take the plunge and start my own gallery, not fully realising what I was getting into.”

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That fall, he opened ClampArt, and worked as a private dealer from his West 27th Street loft. An avid practitioner of photography, Clamp also spent time at The Camera Club of New York (now known as Baxter St), getting to know a number of photographers whose work he admired. Through these relationships, Clamp developed the foundations for the gallery program. 

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In early 2003, Clamp signed a lease for a commercial space on West 25th Street, just as Chelsea was becoming the center of the downtown art world. “I was able to get a ground floor space in Chelsea for my first gallery without any backing,” he says.

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Read the Full Story at British Journal of Photography

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© The Estate of Peter Hujar, “Scrumbly Koldewyn and Tom Nieze, The Cockettes,” 1971, Vintage gelatin silver print, Courtesy Peter Hujar Archive.
Categories: 1960s, 1970s, 1980s, 1990s, Art, British Journal of Photography, Exhibitions, Manhattan, Photography

Hannah Gottlieb-Graham: ALMA Communications

Posted on May 13, 2021

Luke A Wright. Hannah Gottlieb-Graham, ALMA Communications, 2021.

“I am a collaborative person,” says Hannah Gottlieb-Graham, founder of ALMA Communications, a New York-based firm specialising in publicity, partnership, and publishing. Its client-list includes Air Jordan and Fotografiska New York, critic and curator Antwaun Sargent, and photographers such as Tyler Mitchell, Andre D. Wagner, and Diana Markosian.

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“My business operates at the intersection of contemporary art, fashion, beauty and social justice,” says Gottlieb-Graham. At just 26, she comfortably combines the language of the digital generation with a politically aware understanding of the power of art in centering previously marginalized groups within an institutional framework. 

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Since launching ALMA on 01 January 2020, Gottlieb-Graham has taken on more than 40 projects in the fields of art, photography, book publishing, film, fashion, beauty, and nonprofit. She signs clients for three or six-month contracts, with the aim of building lasting relationships. “When I work with a new client, we’ll sit down and talk about their wish list,” she explains. “I’ll make a strategy, and that will change depending on specific projects or launches. Nothing is cookie-cutter. Everything is personal.”

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Read the Full Story at British Journal of Photography

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Andre D. Wagner. Viola Davis and her 10-year daughter Genesis Tennon, for a feature titled Black Americana: A Photo Essay on Love and Pain, Directed by Regina King for W Magazine: The Directors Issue, April 2021.
Categories: Art, Books, British Journal of Photography, Exhibitions, Photography

  

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