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Posts from the “Artsy” Category

Styling: Black Expression, Rebellion, and Joy Through Fashion

Posted on September 22, 2020

Margaret Rose Vendryes, Kwele Betty – Betty Davis, 2010

Style is an expression of self that weaves together our aesthetic sensibilities with the time, place, and culture in which we live. But for Black Americans, style has long been more than a means of self-expression: It’s also been an essential way to survive systemic racism.

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As Lewis Long, founder and owner of Long Gallery Harlem, told Artsy in a conversation, “Style, for Black people in America, began as a point of survival and liberty.”

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Many Black Americans who escaped slavery created garments that typified the appearance of free men and women, giving them the ability to hide in plain sight as they built new lives from scratch. After the Civil War, style became a means to chart a new path in society at a time when segregation limited access and mobility. The Black church offered a safe space for the devout to show out every Sunday. “In spite of oppression in the broader society, Black people were leaders and were completely free to express themselves in a grand way,” Long said.

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By 1920, Black American art, culture, and style reached new heights as the Harlem Renaissance brought a generation of artists and intellectuals to the world stage. In celebration of the Harlem Renaissance’s 100th anniversary, Long Gallery Harlem and Harlem-based curator Souleo have partnered with Nordstrom to create “Styling: Black Expression, Rebellion, and Joy Through Fashion,” a multi-venue exhibition that includes an installation at Nordstrom’s flagship New York store and an online viewing room with Artsy.

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Read the Full Story at Artsy

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Yelaine Rodriguez, Afro-Sagrada Familia (Mawan Zahir Ajam), 2020.
Categories: Art, Artsy, Painting, Photography

How the Spiral Group Amplified the Diversity of Black Artists in 1960s America

Posted on August 21, 2020

Romare Bearden. Mysteries from Prevalence of Ritual, 1964. Etching, aquatint and photo engraving.

Who is the Black artist in America—and how does race inform one’s relationship and responsibilities to society? As the civil rights movement surged through the United States during the summer of 1963, a group of New York–based African American artists brought these questions to the fore as the Spiral Group. Dedicated to critical inquiry, the collective centered the concerns of Black artists at a time when they were largely excluded by white-owned art institutions.

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“I suggest that Western society, and particularly that of America, is gravely ill and a major symptom is the American treatment of the Negro,” Spiral Group co-founder Romare Bearden told ARTnews in a 1966 feature. “The artistic expression of this culture concentrates on themes of ‘absurdity’ and ‘anti-art’ which provide further evidence of its ill health,” Bearden continued, outlining the art world’s complicity in maintaining a racist status quo. “It is the right of everyone now to re-examine history to see if Western culture offers the only solutions to man’s purpose on this earth.”

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Together with Charles Alston, Norman Lewis, and Hale Woodruff, Bearden established the Spiral Group in order to incorporate elements of philosophy, sociopolitical activism, and creative integrity into conversations around artmaking. In total, the group would include 15 members, aged 28 to 65, including Emma Amos, Calvin Douglass, Perry Ferguson, Reginald Gammon, Felrath Hines, Alvin Hollingsworth, William Majors, Richard Mayhew, Earl Miller, Merton D. Simpson, and James Yeargans.

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The group’s logo, chosen by Woodruff, symbolized the group’s noble aims: an Archimedean spiral moving upward and outward in all directions from a fixed starting point, with segments numbered 0 to 15 to represent each artist. In theory, the group’s starting point seemed straightforward enough—their focus was Black artists in America. But as the group’s journey would soon illustrate, that nexus would eventually prove to be rather elusive.

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Read the Full Story at Artsy

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Emma Amos. Untitled (painting made for Spiral Exhibition, 1965), ca. 1964 Oil on canvas.
Norman Lewis. Untitled (Alabama), 1967. Oil on canvas. © Estate of Norman Lewis; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Categories: 1960s, Art, Artsy

Lola Flash: syzygy, the vision

Posted on July 29, 2020

Lola Flash, Black Lives Matter, 2020. Courtesy of the artist.

In 2008, artist Lola Flash was wrongfully arrested—in her words, “for walking while Black.” After that, her life spun out of control. Her teaching license was suspended, leaving Flash unemployed for six months. Forced to deplete her financial reserves, she went into debt for the first time in her life. Twelve years later, Flash is still paying for groceries purchased on her credit card.

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“I saw the slippery slope happen personally,” said Flash. As a Black, genderfluid, lesbian artist, she understands the necessity of code switching for survival. Fortunately, a friend’s father represented her pro bono, and the judge dismissed the case and expunged it from her record as though the nightmare never took place.

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“African Americans have been wrongly arrested for as long as I can remember,” Flash said. Now 61, Flash has been on the front lines of activism since the 1980s, when she came to prominence as a member of ACT UP, appearing in the 1989 “Kissing Doesn’t Kill” poster campaign. Around that time, she also developed her signature cross-color photography style to challenge stereotypes about race, gender, and sexuality in a life-or-death fight against the U.S. government during the AIDS epidemic.

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Thirty years later, Flash is ready for battle once again with “syzygy, the vision,” an ongoing self-portrait series where the artist transforms herself into a representation of every Black person subjected to the horrors of racism, sexism, and homophobia. The series takes its name from an astronomical term for where the sun, earth, moon, and/or planets align to create an eclipse. Flash adopts this straight-line configuration to contemplate the pasts, presents, and futures of Black people across time and space.

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Read the Full Story at Artsy

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Lola Flash, I Pray, 2020. Courtesy of the artist.
Categories: Art, Artsy, Photography

  

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