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Posts from the “Art” Category

Richard Bernstein: Starmaker

Posted on September 3, 2018

Cher. Courtesy of The Richard Bernstein Estate Archives

When Interview announced that it would cease publication earlier this spring, a flurry of flawless faces that once graced the magazine covers suddenly began to reemerge – each portrait more entrancing than the one that came before. Grace Jones, Diana Ross, Mick Jagger, Michael Jackson, Aretha Franklin, the list goes on. They were all created by the same artist, who rendered them as unforgettable icons of our time – the very same artist who wrote he word “Interview” that appeared over their heads: Richard Bernstein.

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Born in the Bronx but raised on Long Island, Bernstein returned to the city to study art at the Pratt Institute in 1958. He adopted a cultured New England accent with a splash of effete-ery, and headed downtown to cavort with the new generation of gay artists like Billy Name, Gerard Malanga, and Danny Williams making their name in Andy Warhol’s Factory scene.

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Bernstein travelled to London when the Swinging 60s was at its height, then returned to New York in 1968 and joined the scene as it was taking shape at Max’s Kansas City and the Chelsea Hotel. Bernstein got his start in magazines when he began working with Peter Hujar on Newspaper and Picture Newspaper, a short-lived document of the city’s queer scene. The first issue gave us a taste of things to come: Bernstein’s iconic cover and centerfold of Candy Darling that left nothing to the imagination.

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By 1972, Bernstein began what would become a two-decade odyssey as the cover artist for Andy Warhol’s Interview. He joined the magazine just as it was taking shape, transforming from an underground movie magazine to a luscious glossy that brought Hollywood glamour back to life in an effervescent celebration of downtown art, culture, and style. Bernstein’s covers perfectly defined the times, becoming eye-catching emblems of the era.

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In celebration of his work, Roger Padilha and Mauricio Padilha have put together Richard Bernstein Starmaker: Andy Warhol’s Cover Artist (Rizzoli), a sumptuous history of the artist’s life and legacy. In conjunction with the launch of the book, Jeffrey Deitch, New York, will host Richard Bernstein: Fame (September 7-October 27, 2018). Here, the authors take us on a whirlwind tour through a singular career.

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Read the Full Story at AnOther Man

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Joan Rivers. Courtesy of The Richard Bernstein Estate Archives

Categories: 1970s, 1980s, AnOther Man, Art, Books, Exhibitions, Painting

Orlando Suero: The Golden Age of Hollywood

Posted on August 31, 2018

Eartha Kitt, c. 1958. Copyright Orlando Suero,

93-year-old photographer Orlando Suero’s life’s work is finally receiving its due, with the August 30 publication of Orlando: Photography. The native New Yorker first took up photography in 1939 at the age of 14, when his father gave him a used Kodak Jiffy camera and he began to develop film in the bathroom of their Washington Heights apartment.

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In May 1943, a few months before joining the Marines to serve in World War II, Suero published his first story in The New York Times. After being discharged at the end of the war, Suero returned to New York and picked up where he left off. He began working as a printer and by 1954, he had printed photographs for The Family of Man, Edward Steichen’s monumental exhibition at the Museum of Modern Art.

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That same year, Suero began working full time for Three Lions Picture Agency, and secured an assignment to photograph newlyweds Jacqueline and Senator John F. Kennedy at their Georgetown duplex over a period of five days for McCall’s magazine. From here, Suero enjoyed a stellar career as an editorial photographer, shooting a new generation of glittering stars for the glossies just as the Hollywood studio system was entering its twilight years.

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Whether photographing Natalie Wood, Brigitte Bardot, Sharon Tate, Faye Dunaway, Paul Newman, Jack Nicholson or Robert Redford, Suero understood the power of a great portrait. Here, Jim Suero, his son and co-author with Rod Hamilton, shares the story of Orlando.

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Read the Full Story at AnOther Online

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Tony Randall, while filming Fluffy, 1965. Copyright Orlando Suero,

Categories: 1960s, AnOther, Art, Books, Photography

Alex Webb & Rebecca Norris Webb: Violet Isle

Posted on August 31, 2018

© Rebecca Norris Webb

© Alex Webb

For more than a century, Cuba has mesmerized the world, beckoning visitors to its vibrant shores and the rich fertile soil that has earned the island the little-known name of the “Violet Isle.” It is a land of captivating beauty, majestic wonder, and alluring mystique, one whose magic and mysteries are slowly revealed through the work of artists, filmmakers, and musicians.

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Over a period of 15 years, American photographers Alex Webb and Rebecca Norris Webb made 11 trips to Cuba, each drawn to difference elements of this multi-faceted gem. Alex Webb explored the country’s street life, capturing scenes of everyday life set in a prism of vivid colors that glow under the Caribbean sun, while Rebecca Norris Webb was drawn to the resounding presence of animal life, photographing tiny zoos, pigeon societies, and personal menageries.

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The result is Violet Isle (Radius Books), their first collaboration. First published in 2009, the book is a photographic duet that pairs two distinct but complementary visions of Cuba at the turn of the millennium. The book, long unavailable, has just been re-released. We speak with the authors here about their fresh take on a much-photographed land, giving us new perspectives of life on the Violet Isle.

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Read the Full Story at Feature Shoot

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© Rebecca Norris Webb

© Alex Webb

Categories: 1990s, Art, Books, Feature Shoot, Latin America, Photography

Pieter Henket: Congo Tales

Posted on August 31, 2018

The Impossible Task, from “The Mole and the Sun” © Pieter Henket.

The Twins, from “The Two Nkééngé Sisters” © Pieter Henket.

Malian writer Amadou Hampâté Bâ once observed, “When an old person dies, it is as if a library of knowledge burns.” In this one statement, he perfectly captured the inherent vulnerability of oral history and literature.

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Recognizing this, Eva Vonk – an executive producer at Tales of Us – approached Dutch photographer Pieter Henket to collaborate in the creation of a photography book that would share the childhood stories collected and told by the people living in Mbomo, a small town situated in the Republic of Congo.

With Congo Tales: Told by the People of Mbomo, Henket has created a library of iconic tales, with the photos starring the storytellers themselves. “Gathering them was a challenge, to say the least,” he explains. “Eva visited the forest seven times over the course of three years and met with many people that were able to help.”

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“She arranged with a local couple to start a radio station where people could come and tell their families stories. She arranged for people to sit around fires and share their stories there. And she asked a man to go around the villages on his motorcycle to collect stories. It became a huge passion project to collect this piece of undocumented oral history.”

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Read the Full Story at Huck Online

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Tough Love, from “The Woman Who Traded Her Baby for Honey” © Pieter Henket.

Categories: Africa, Art, Books, Huck, Photography

Brave, Beautiful Outlaws: The Photographs of Donna Gottschalk

Posted on August 30, 2018

Self-portrait in Maine, 1976 © Donna Gottschalk, courtesy of the artist

Growing up in the city’s Lower East Side, Donna Gottschalk came out just as early activist groups such as the Gay Liberation Front were forming. While an art student at Cooper Union, Gottschalk used the school’s silkscreen shop to print ‘Lesbians Unite’ posters and stencil ‘Lavender Menace’ on T-shirts.

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After seeing the exhibition of Diane Arbus’ work held by the Museum of Modern Art just after that artist’s death during the early 1970s, Gottschalk recognized the power of photography to preserve the people she held closest to her heart. She began to take intimate photographs of her friends, family, and roommates with an intuitive understanding that one day, this would be all that would remain of them.

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Tragically, many of those featured in her work met with early deaths, including two of her siblings. To cope with the loss and protect the memories of those she loved, Gottschalk packed up the photographs and put them in storage for 40 years. It is only now, as she approaches 70, that she has delved back into her archive to reflect on the incredible people at the forefront of the Gay Liberation Movement from the late 1960s throughout the 70s.

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In Brave, Beautiful Outlaws: The Photographs of Donna Gottschalk at the Leslie-Lohman Museum of Gay and Lesbian Art in New York, we meet those Gottschalk knew and loved, including Alfie, her childhood brother who transitions into Myla, her adult sister, just prior to her death from an AIDS-related illness. Here, Gottschalk takes us back to a pivotal time in history, as a new generation of activists transformed the conversation around sexuality, gender, identity, visibility, and representation, giving us an intimate glimpse into their private lives.

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Read the Full Story at AnOther Online

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Alfie in Mary’s Dress Age 16, 1974 © Donna Gottschalk, Collection of the Leslie-Lohman Museum

Categories: 1960s, 1970s, AnOther, Art, Photography

Jamel Shabazz: Icons of Style

Posted on August 28, 2018

Jamel Shabazz (American, born 1960); Digital chromogenic print; 25.4 x 20.3 cm (10 x 8 in.); EX.2018.7.163

Hailing from Brooklyn, Jamel Shabazz began taking photographs of his friends during the late 1970s. After returning from the Army in 1980, he began to dedicate himself to documenting life on the streets of New York, taking portraits of street legends and regular folks alike, taking an entirely new approach to the art of the fashion photograph.

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With an eye for style, Shabazz used the camera as a vehicle for conversations with his subjects, who are predominantly African American and Latinx teens. Focused on helping them to develop a knowledge of self and how to survive in America, Shabazz easily spent hours with his subject before photographing them. The result is a series of portraits that convey a sense of power, pride, and dignity. As an independent artist working outside the fashion and publishing industry for decades, Shabazz has established himself as the rare artist who has been able to crossover long after this body of work was made.

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Now a selection of Shabazz’s work can be seen alongside the likes of Irving Penn, Richard Avedon, Cecil Beaton, Guy Bourdin, William Klein, Antonio Lopez, and Herb Ritts in the new exhibition Icons of Style: A Century of Fashion Photography, 1911-2011 at the J. Paul Getty Museum, Los Angeles, now on view through October 21, and accompanying catalogue of the same name. Shabazz shares his thoughts on the power of fashion photography, the importance of visibility and representation, and the power of staying true to one’s vision.

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Read the Full Story at Feature Shoot

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Jamel Shabazz (American, born 1960); Digital chromogenic print; 25.4 x 20.3 cm (10 x 8 in.); EX.2018.7.164

 

Categories: Art, Books, Exhibitions, Fashion, Feature Shoot, Photography

Marcia Resnick: Bad Boys

Posted on August 28, 2018

Fab 5 Freddy, copyright Marcia Resnick

While living in a loft in Tribeca during the 1970s, American photographer Marcia Resnick began creating a series of portraits of the enfants terribles living in her neighbourhood, capturing an era of anti-heroes whose influence continues to be felt across the worlds of art, music, film, and literature today.

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Whether photographing artists like Jean-Michel Basquiat, writers such as William S. Burroughs and Allen Ginsberg, musicians like Iggy Pop, Johnny Thunders, and Mick Jagger, or the baron of bad taste himself John Waters, Resnick had an eye – as the title of her new book suggests – for bad boys; punks, poets and provocateurs.

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Every night, Resnick would infiltrate New York’s downtown art scene, hitting up CBGB, Max’s Kansas City, and the Mudd Club to catch the latest happenings. Here, she discovered subjects that she could photograph there and then, and also at her studio. Here, Resnick reflects on her Bad Boys photo series, which can be found in full in Punks, Poets & Provocateurs New York City Bad Boys, 1977–1982 (Insight Editions).

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Read the Full Story at AnOther Man

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Klaus Nomi, copyright Marcia Resnick

Categories: 1970s, 1980s, AnOther Man, Art, Books, Manhattan, Photography

Saul Leiter: Early Color

Posted on August 21, 2018

Harlem 1960. © 2018 Saul Leiter. Book published by Steidl 2018 (8. Edition)

Color is the provenance of the painter, who must select the palette before setting brush to canvas. Color is sensation that shapes mood, as the light waves in color stimulate different emotional centers in the brain. Color is an affect that evokes a response, most alluringly an innate attraction and insatiable curiosity, an ability to be still, even spellbound, held in a gaze, enraptured by the sheer pleasure of hue and shade.

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American photographer Saul Leiter was a master of color, a debt owed in great part to his training as a painter. Born in Pittsburgh in 1923 to Wolf Leiter, the internationally renowned Talmudic scholar, young Saul was intended for the Rabbinate – until his father opposed it. In 1946, he left Cleveland Theological College in 1946 and moved to New York to work as an artist.

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Soon after his arrival, Leiter began to exhibit his paintings in Lower East Side galleries like Tanager Gallery, where they hung alongside those of Philip Guston, Philip Pearlstein and Willem de Kooning. Despite appealing to influential critics, Leiter was not a commercial success, and turned to photography after being introduced to it by abstract expressionist artist Richard Pousette-Dart.

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Read the Full Story at Feature Shoot

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Phone Call 1957. © 2018 Saul Leiter. Book published by Steidl 2018 (8. Edition)

Categories: Art, Bronx, Photography

Alex Prager: Silver Lake Drive

Posted on August 16, 2018

The Big Valley: Eve, 2008. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong.

The Big Valley: Susie and Friends, 2008. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong.

Hailing from Los Angeles, Alex Prager is a true photograph-auteur. Her cinematic sensibilities are perfectly at home in the single image, expertly making use of the imagination’s inimitable ability to construct fantastical narratives when provoked. With the eye of a director allowing a tale to unfold, Prager stages each photograph with the precision of a blockbuster Hollywood film.

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Silver Lake Drive, Prager’s mid-career retrospective currently on view at The Photographer’s Gallery, London, through October 14, 2018, traces the artist’s career over the past decade, exploring the ways that her work crosses the worlds of art, fashion, photography to explore and expose fascinating scenes of human melodrama concealed within some of the most mundane moments of life. The exhibition is accompanied by a book of the same name, published by Chronicle in the United States (on sale October 9) and Thames & Hudson in Europe.

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Prager takes us on a masterful romp through scenes that evoke Hollywood luminaries like Alfred Hitchcock and Douglas Sirk. The exquisite grandeur of Prager’s images belies a haunting anxiety: here beneath the luscious trappings of artifice something sinister lurks. An intangible presence can be felt throughout her work, the all-seeing eye that invites the viewer in as an accomplice.

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Read the Full Story at Feature Shoot

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Categories: Art, Books, Exhibitions, Feature Shoot, Photography

Rough Trade: Art and Sex Work in the Late 20th Century

Posted on August 16, 2018

Untitled (Hustler’s Handshake) from the portfolio Teenage Lust, c. 1981, Vintage gelatin silver print, Courtesy of ClampArt, New York City© Larry Clark

In the years between the sexual revolution, Stonewall, and the advent of AIDS, the repressive respectability politics of the 1950s fell away, allowing a generation of men and women to come of age expressing their sexuality with more freedom than ever before. As social attitudes relaxed, many artists explored massage parlours, go-go bars, pornographic theaters, and strip clubs – the spaces where sex work flourished.

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Greg Ellis of Ward 5B, has curated Rough Trade: Art and Sex Work in the Late 20th Century, a new group exhibition currently on view at ClampArt, New York, until September 22, 2018. Organised to coincide with David Wojnarowicz: History Keeps Me Awake at Night, this exhibition takes a look at the relationship between artists and sex workers.

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Some, like Wojnarowicz and Mark Morrisroe, drew upon their traumatic early histories as hustlers, while others like Larry Clark and Tomata du Plenty documented their friends, lovers, and acquaintances involved in the sex industry. Rough Trade also includes works by John Barrington, Kenny Burgess, Philip-Lorca diCorcia, Fred Halsted, John Sex, Jane Sherry, Pedro Slim, Samuel Steward, and Tommy Vallette, as well as related ephemera. Speaking to Another Man, Ellis shares his insights on this fascinating side of art history.

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Read the Full Story for AnOther Man

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Tattooed Man, 1957, Ink and watercolor on artist board, Courtesy of ClampArt, New York City © Sam Steward [Phil Sparrow]

Categories: 1970s, 1980s, AnOther Man, Art

Sean Foley & Lukas Birk: Photo Peshawar

Posted on August 15, 2018

Hand-coloured montages based on Indian movie posters; male customers have their faces inset to pose alongside actresses. Kamran Studio, 1990s.

Sean Foley and Lukas Birk first travelled to the Pakistani frontier city of Peshawar back in 2005, when they visited the fabled town to interview tourists en route from Afghanistan. Fascinated by the culture of local photography in this historic centre of trade and commerce, they compiled Photo Peshawar (Mapin/Pix), capturing the magical mythos that lives within this corner of the world.

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As Foley and Birk began their research, they delved into the photographic history of the city, dating back to the ’40s, when the convergence of British rule, the Partition of India, local tribal law, and the historic prohibition against image-making in Islam began to shape the culture.

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“There are many personal as well creative connections between Peshawar and Afghanistan,” the authors explain. “Historically and culturally there has always been an exchange – and, of course, the Pashtun peoples dominate both sides of the border.”

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Read the Full Story at Huck Online

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Hand-coloured photograph of classic Indian actress and native Pashtu speaker, Madhubala (1933–1969), by Daoud of Cinema Road. Madhubala’s father was a painter of cinema billboards from Peshawar.

Hand-coloured self-portraits by Tahir Usman from the 1980s to 1990s.

Categories: Art, Books, Huck, Photography

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