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Posts from the “Africa” Category

Aalia Magda Elmahdy: A Rebel’s Diary

Posted on December 26, 2011

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Aliaa, what a nice name, good physical features, I mean young, fresh and blossoming only with a strong and probably negative heart and ego, surely there are many ways of expressing your feelings and motives than by showing your precious body to the whole world, what now remains for you is to start moving around NAKED. I wonder what religion you are practising, bcos NO religion promotes this sort of act neither do our (African) traditions and morals. Please find another decent way of expressing yourself, though I dont know you but I feel I like you to the level of giving you a sensible advise. Thanks and I pray for good things in your life.

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Hassan Aliyu Shehu left this comment today on my post to Aliaa Magda Elmahdy. I’ve been thinking about what it means. To be choose to be nude before the whole world. As a New Yorker, the body is a commodity. Maybe that’s what freedom means. At least, here and now. In the twenty-first century. We as women are free to use our bodies for any purpose we wish, and no longer is it political because that moment in America has passed. From Judy Chicago’s Dinner Party to Kim Kardashian’s sex tape. And we talk about progress like it’s a good thing. But maybe it’s more complex than that.

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But Egypt is not America, and Aliaa’s act is one that is so powerful I feel overwhelmed trying to understand what it must mean. To be a woman in Egypt today, fighting for freedom, subject to virginity tests. That’s the least of what she’s up against. Mind blowing hostility, hatred, social control. Freedoms we take for granted are subject to death threats in another part of this world.

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When will the body—both male and female—be seen as a work of Nature, rather than a product of Society? Can we look with love, with admiration, with respect, or will our hearts always fill with lust, with anger, with disgust? Will we celebrate or condemn, will we wrap our fears in religion and groupthink? Will we support or fight her wish for freedom on her terms?

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To be naked before the whole world is a political act when there is nothing to be sold. But once that ground has broken, something is lost and something is found. I live in a world where women use their bodies for profit, as though objectification at the hands of oneself is an honorable act. Is this the future of Aliaa’s mission? Self determination. Self exploitation. Where is the line?

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I suppose it depends on where you stand.

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From here I see Aliaa, a vanguard of the old school using new media to speak to the world. And by old school, I mean the cult of the goddess, a time when the woman’s body was worshiped and revered. A time when the female energy was honored for its power to bring life into the world. It was not superior, nor was it inferior, to masculine energy. It was complementary. It was yin to the yang. Two Equals One. Never tear us apart.

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But we have been split, torn asunder, and the result is it takes a scream to be heard. It takes a twenty-year-old woman, a twenty-year-old girl. It takes an honest look at the nude form for us to ask What’s Going On? This is the oldest war in the world, the struggle for female self determination. Because she who controls life controls the future, and that’s a frightening prospect to many.

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There is no right or wrong answer because the subject of nudity, sexuality, and the female body is a political game. Ideas are currency, currency is power. Perhaps the answer is not to be found in the examination of her ideology, but in the way she triggers us to answer for our own.

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A Rebel’s Diary

Categories: Africa, Art, Photography, Women

SCAF Crimes

Posted on December 19, 2011

 

SCAF Crimes

Categories: Africa, Photography

Aliaa Magda Elmahdy: Nude Revolutionary

Posted on November 21, 2011

I like being different. I love life, art, photography and expressing my thoughts through writing more than anything. That is why I studied media and hope to take it further to the TV world too so I can expose the truth behind the lies we endure everyday in this world. I don't believe that we must have children only through marriage. It's all about love.

I am a believer of every word I say and I am willing to live in danger under the many threats I receive in order to obtain the real freedom all Egyptian are fighting and dying for daily.

I am not shy of being a woman in a society where women are nothing but sex objects harassed on a daily basis by men who know nothing about sex or the importance of a woman. The photo is an expression of my being and I see the human body as the best artistic representation of that. I took the photo myself using a timer on my personal camera. The powerful colors black and red inspire me.

Put on trial the artists' models who posed nude for art schools until the early 70s, hide the art books and destroy the nude statues of antiquity, then undress and stand before a mirror and burn your bodies that you despise to forever rid yourselves of your sexual hangups before you direct your humiliation and chauvinism and dare to try to deny me my freedom of expression.

"From Non-Existent to Life for Aalia Magda Almahdy" by Cartoonist Kaveh Adel.

BRAVA

Read Her Exclusive Interview with CNN Here

Watch the Video of Aliaa Magda Elmahdy
Being Removed from Tahrir Square

Categories: Africa, Art, Photography, Women

Ed Kashi: Curse of the Black Gold

Posted on May 24, 2010

The community of Finima on Bonny Island in the Niger Delta. This village was relocated to make way for the the Nigerian Liquified Natural Gas plant. Photograph © Ed Kashi

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Curse of the Black Gold: 50 Years of Oil in the Niger Delta documents the profound cost of oil exploitation in West Africa. Photographer Ed Kashi and professor Michael Watts trace the environmental, economic, political, and social degradation of Nigeria following its independence from colonial rule. This is a new kind of humanitarian disaster, one to which the world turns a blind eye as they fill their pockets with profits.

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Ed Kashi graciously agreed to speak about just some of the problems plaguing the nation, which is number 4 (following Canada, Mexico, and Venezuela) for U.S. Foreign crude oil imports with 948,000 barrels per day imported in 2010—which is nearly double the 473,000 barrels per day imported in 2009.

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In the Ogoniland village of Kpean, an oil well head that had been leaking for weeks has turned into a raging inferno. The local youths keep watch, waiting for Shell to come and put the fire out. This is an environmental disaster for the local people, as it effects their crops, their water and air. Near the village of Kpean in Ogoniland, a Shell oil wellhead leaks oil into the surrounding farm lands. Even though Shell has not been allowed to pump oil from its 125 wells in Ogoniland since 1993, they sill have wells that are leaking and often unattended or maintained. This lack of action, which pollutes the lands and forces farmers and fishermen out of work, makes relations between the local communities and Shell very fractious. This Shell oil well is more than 30 years old and this scenerio is typical of the kinds of ongoing problems with the oil works of the Niger Delta. Photograph © Ed Kashi

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It’s funny (actually, not so funny) that when we were initially working on this book, the media response was fairly quiet, despite the importance of examining the practices of this industry. Now that the BP disaster has brought home just how dangerous this industry is, maybe there’s the opportunity for us to reexamine the way in which oil production destroys the environment in very really ways. What do you think has been the most dangerous aspect about oil production in Nigeria?

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Ed Kashi: The most dangerous aspect of oil production in Nigeria is probably flaring of gas. The Niger Delta produces the largest amount of pollution in the world associated with gas flaring. Besides it being a waste of energy resource, it also creates acid rain for the local environment, air pollution and heat pollution. I would venture to say that the environmental problems don’t stop there and the local people might consider the pollution of their lands and waters, which as traditional fishermen, they were dependent on, carries the greatest burden.

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At a Total gas drilling installation in Rivers State, a Chinese contracter, ZPED, works with Nigerians and the French company to drill for gas. This field is part of the only onshore oil exploitation that Total has in the Niger Delta. Total started here in 1968 and this is the 125th well they have drilled. The Chinese have started to make inroads in the delta and this is an indication of that. Photograph © Ed Kashi

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I remember when you were giving a talk about this subject, you explained how difficult, if not impossible, it is for changes to be made, given the political and economic powers that support oil production. Please talk about the situation in Nigeria; how do U.S. interests support—if not exploit—Nigeria’s natural resources?

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EK: American and British interests in the oil and gas resources of Nigeria have a tremendous impact on the ground in the Niger Delta. There is this unholy alliance between the international oil companies, the Nigerian government and military and in essence and practice the US and British governments. As long as the oil and gas flows outbound to American markets, which incidentally take 50% of Nigeria’s oil, then there is a nasty tendency to look beyond the troubling issues of the Delta. This is an insidious trend in most places in the world that produce sizable quantities of oil and gas.

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For me it more profoundly prods one to want a change of how we do business. A change away from fossil fuels and towards renewables. Let’s face it, the profits are too huge and our dependency too great to stop this ugly alliance, but it’s certainly not sustainable for the long haul.

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Militants with MEND (Movement for the Emancipation of the Niger Delta) brandish their weapons in the creeks of the Niger Delta. Here they check a former Nigerian Army floating barracks that they had destroyed in March of 2006. 14 soldiers died in that attack and due to acts like this by MEND, 20% of Nigeria’s oil output has been cut. Photograph © Ed Kashi

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How has the struggle on the part of the Nigerians to fight against the oil industry played out over the years? Is it possible for an internal rebellion to drive out the oil companies?

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EK: While an internal rebellion could have grave consequences on the oil industry and hence, on the stability of the Nigerian government, I don’t think it’s possible to completely shut down the oil and gas industry in the Delta. Before that would be allowed to happen I suspect that American military force would be brought in. And even before that, the Nigerian military would go to even further lengths to snuff out any insurgency. This scenario would create an ugly and destructive situation that would destabilize Nigeria. To consider that Nigeria is the most populace country in Africa with over 140 million people, it’s unthinkable for this to occur. Before the oil companies would be forced to leave, there would be much worse consequences for all of West Africa.

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The home of Papa Isamu lays sunken in sand since 2004, when the encroaching waters of the Niger Delta creeks eroded the unprotected shoreline. In this town of 20,000 located in the middle of the Delta, hundreds of homes have been lost to this same fate. The local residents are bitter about the lack of protection that the oil companies and government have provided for them, while the oil industry has been allowed to protect their facilities and been allowed to dredge the nearby waters, which has only exacerbated the problems of the local communities. Erosion is one of the main environmental impacts of the oil industry. Photograph © Ed Kashi

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Please talk about the standard of living in Nigeria, and how this compares to the value of the product that is exported. Why do you think the Nigerian government does not support its infrastructure and its people with the possible earnings of its major product?

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EK: The Niger Delta is a very poor and underdeveloped place. In fact, since the discovery of oil in the late 1950s the standard of living for the people there has gone down. It’s unimaginable to consider that in the past 51 years more than 700 billion dollars of wealth has been generated from oil and gas in Nigeria and the fate of the people and environment in the region where that rich resource comes from has been hurt economically.

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The reasons are many but mainly stem from a lack of consideration for the people of Nigeria. Let’s face it, the Niger Delta is not any poorer than the poorest parts of Africa. What makes the lack of development and economic gain for the people of this region so profound is this “poverty amidst plenty.” Successive governments in Nigeria has plundered the region, disregarding the needs of the people. Certainly corruption plays a central role in this sad fate. Both systemic and personal corruption on a scale that is hard to imagine.

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Further is the ethnic racism that informs this dynamic. The people who control Nigeria tend to be from the Muslim north, or at the very least from different ethnic groups in this diverse and divisive nation. This further fuels the lack of desire to create parity, let alone share the wealth to a degree that would enable the locals to develop their region. To consider that in 50 years not one technical institute has been created in the Niger Delta to train the locals says it all.

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Ogbaland is a tribal area of the Egi people and is comprised of 20 communities nearby each other. They all consider King Egi their leader. He has been king for 25 years. This clan is in the Ogba/Egbemoa/Ndoni local government area. Celebration of the Egi New Year, which is tied to the harvest season and lunar calendar, takes place in August. It is also the New Yam Festival, which augers in one month of relaxing before farming and fishing begin again. The King and Queen of Ogbaland are the centerpiece of the event, which involves families from all 20 communities of the clan. They bring burning shoots and offerings to the King and the scene is one of mayhem, drunken fun and mock violence with guns, knives, axes and machetes brandished. The crowned prince, Chika Elenwa, is in the black longcoat and brandishes a sawed off pump action shotgun. Photograph © Ed Kashi

Scenes of daily life in the oil city of Warri, in the Niger Delta. Warri is a troubled town, with rampant poverty, unemployment, angry and violent youth and a crumbling infrastructure. Yet oil wealth is created in and around this area. In the tiny village of Ubeji, which is an ethnic Shakiri community near an NNPC (Nigerian National Petroleum Company) refinery, collect sand from the creeks for sale. Photograph © Ed Kashi

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G. Ugo Nwokeji’s essay, “Slave Ships to Oil Tankers” draws a parallel between the two major industries of Nigerian history that were designed to service Western interests, and asserts “A time may come when oil will be viewed in a manner not unlike eighteenth-century slavery, the greenhouse gases emitted from hydrocarbons perhaps akin to slave-produced sugar, and free labor as a parable for renewable energy.” Do you believe it is possible for our global economy to function without oil, or would it take something like the Civil War for change to happen here?

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EK: I dream of a day where we have moved past oil and gas. I know that dream will not be realized during my time on this earth but it is possible to witness the first steps of this dream to be realized. What it will take is the vision, strength of leadership and coordinated efforts of many nations to realize the need for this to happen. A civil war would not bring this change, nor will a collapse of our economic system. Unfortunately nor will the catastrophe in the Gulf of Mexico we are helplessly watching develop.

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I fear we are destined to be cursed by our addiction to a drug that is destructive at every point of it’s process. We don’t seem to learn from our mistakes and the greed of humans continues to hold sway over reason. But isn’t this how addicts behave? Furthermore, who is willing to give up the lifestyle we have become accustomed to in large parts of the world? The hydrocarbon myth has been beautifully perpetrated on us all, especially in America were the cost of this addiction is relatively cheap.

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www.curseoftheblackgold.com
Check Out the Film!

Categories: Africa, Art, Books, Photography

Pedro Paricio: The Canary Paradise

Posted on October 8, 2009

Attachment (Preview document).

“I don’t usually speak about things that are true and important to me very often,” reveals Pedro Paricio. “When I was younger, I talked about myself all the time until I discovered that people prefer to speak about themselves. It was then that I stopped speaking and started listening. It is much better this way. ”
Born January 16, 1982 in the Canary Islands, an archipelago of seven islands of volcanic origin in the Atlantic Ocean off the northwest coast of Africa, Paricio was raised in La Orotava, a little village in the valley on the island of Tenerife (home to El Teide, the highest mountain in Spain). Though its 35,000 inhabitants may seem small by metropolitan standards, it is one of the largest villages on the island. While technology has provided a means for advancement, daily life is deeply rooted in the local traditions of the past, particularly those from the Venezuelan C culture. “I always say we are closer to Venezuelathan we are to the rest of Spain,” Paricio observes. “I don’t think of myself as Spanish. I always think of myself as a Canarian.”

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For Paricio, life in the Canary Islands is without stress. A tropical paradise, La Orotava offered mountains, beaches, surfing, good food, beautiful people, and relaxation. Less expensive than Barcelona, one does not need to earn a lot of money to live well. On the flipside, La Orotava offers little contemporary culture. “There are always a group of people trying to make new music and art, but there is little or no support from the public,” Paricio explains. “Those in my generation who want to experiment must leave the island and travel to Spain or Europe in order to do so.” After beginning his art studies at the College of Fine Arts in Tenerife, Paricio left the island to study art in Salamanca, an ancient city built during the Roman Empire in the center of Spain. He finished his studies at the University of Barcelona with a degree in Fine Arts in 2006.

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To support himself as an artist, Paricio has done countless jobs which include delivering pizza, working in a restaurant kitchen, waiting tables at a luxury restaurant, dressing up as a clown for children’s birthday parties, entertaining for Havana Club (the Cuban rum), working in a bookstore, working as a gamekeeper, unloading trucks, assisting photographers, being a curator, journalist, art editor, and advertising salesman… amongst many other things.

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As an artist, Paricio has worked in sculpture, video, and performance but, as he notes, “With painting I am totally free. I only need a white surface, paint, and a brush. I don’t need big tools or much money, only my mind and my time. Painting is our oldest art (you may remember out ancestors painting in caves). It is part of our DNA code.” Describing his work as “ Abstract Street/Pop Art,” Paricio appropriates cultural references to title his paintings, linking his paintings directly to our shared cultural history. For example, he takes Tian Zhuangzhuang’s film, “Dao Ma Zei” and translates it into “El Ladron de Caballos” for one work. “I love this film,” Paricio explains, “so I put this title to my painting. You can say that I am a thief of names. I create paintings, not names.”

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An admirer of 20th century masters Joseph Beuys, Andy Warhol, Mark Rothko, and Jean-Michel Basquiat, Paricio also studies the works of Spanish legends Velazquez and Goya. “I want to mix street art with traditional art to show the power of abstract art. I want to combine the ideas of Clement Greenberg with the style of Keith Haring. I love critical theory and art theory so much I had considered becoming a curator rather than a painter. But I need to create, to explain something, and my paintings are the vehicle for that. I love the freedom of abstraction and I love the power of materials and color. But I do not believe abstract art is a new world; it is a world inside the world in which it was born and provides a new vision of the world in which we are all living. It is freedom from the structure of the mind and of the computerized world. We are caught in a system and live together in a comfortable world where we want easy culture. We want only to make beautiful and funny things. But I want to think and develop my mind, to free it from its confines. I want to open the secret door. ”

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Paricio describes his painting as the search for a hidden truth beneath the obvious reality we share, a truth to which conventional means will not provide us access. Consider his metaphor of an acid trip: “If you have tested it, you know that the world can change, not just in your eyes but in your mind. When you are on a trip, a car is a car, but you know that it means more than the superficial definition. You realize its symbolism, it’s meaning to both the individual and the masses. You know that it means more than you will ever understand and you accept that. And when the trip is finished, the world is not the same place it was when you left.”

Categories: Africa, Art, Exhibitions, Painting

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