Posts from the “1970s” Category

Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky

Posted on October 21, 2016

Aleksandr Zhitomirsky. On the Military Wavelength, 1968. Ne boltai! Collection. © Vladimir Zhitomirsky.

If only we could see ourselves the way others see us. Would we be able to tolerate it? The gap between self image and public perception can be quite a divide that becomes insurmountable when the ego feels threatened by anything less than flattering may come to the light. We may do everything in our power to deny what others see, including gaslight, discredit, and ad hominem attacks.

Nevertheless, self image is destined to reach an end; nothing lasts forever, including our most desperate dreams. It is here, in the passage of time, that a new vision emerges composed all those who have been paying attention all along. In the case of individuals, this usually has limited scope: most people fly under the radar and traces of their life vanish in death. But for nations, this is an entirely different affair. Despite best efforts to the contrary, dirty laundry continues to be aired.

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Categories: 1960s, 1970s, 1980s, Art, Crave, Exhibitions

Azucar! The Life of Celia Cruz Comes to Netflix in an Epic Series

Posted on October 20, 2016

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The Queen of Salsa, the incomparable Celia Cruz (1925-2003) is now the subject of Celia, an epic television series now airing on Netflix showcasing the Cuban singer’s incredible life. Featuring 80 episodes, each 45 minutes in length, the series, which originally aired in 2015 in Colombia on RCN Television and in the United States on Telemundo, tells the story of Cruz’s rise to fame in Spanish, with English subtitles.

Celia stars Puerto Rican actress and Miami Beach resident Jeimy Osorio as the legendary entertainer with fellow Boricua actor Modesto Lacén cast as her husband, Pedro Knight. Directed by Victor Mallarino and Liliana Bocanegra, and scripted by Andrés Salgado, Celia tells the story of the singer’s rise to fame, beginning in pre-revolution Havana, when Salsa music was a white man’s game.

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celia-album

Categories: 1960s, 1970s, 1980s, 1990s, Crave, Latin America, Music

Liz Deschenes / Sol LeWitt

Posted on October 17, 2016

LIZ DESCHENES, Untitled (LeWitt) #6–14, 2016, Photogram, 122 1/2 x 122 7/8 x 1 3/4 inches

“Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach,” Sol LeWitt (1928-2007) famously wrote as the first of 35 “Sentences on Conceptual Art,” published in 1969. It’s the perfect way to introduce his understanding of the work that artists create that manifests the Idea in physical space.

By forgoing the impulse towards linear thought, we lean more heavily on our sensory, perceptual, and emotional reactions. In doing so, we can be liberated from the tyranny of linear thought, its presumption of supreme validity, and its insistence on a singular way of comprehending the world. By abandoning the rational, we open ourselves to new experiences that can take us beyond the limitations of the “known.” It is in this fresh, uninhibited space we may come to discover new, uncharted depths of the soul.

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SOL LEWITT, On the Walls of the Lower East Side, 1979 [detail], Color photographs mounted on board, 18 1/8 x 15 inches (46 x 38.1 cm) 73 pages; 1 page at 15 7/8 x 15 inches

Categories: 1970s, Art, Crave, Manhattan, Photography

All Power to the People: Black Panthers at 50

Posted on October 15, 2016

Emory Douglas, untitled (On the Bones of the Oppressors), 1969. Poster, 20 x 13.5 in. Collection of the Oakland Museum of California. All Of Us Or None Archive. Gift of the Rossman Family.

Fifty years ago today, Bobby Seale and Huey P. Newton founded the Black Panther Party for Self-Defense to protect the citizens of Oakland, CA, from abuses of the state. Under the protection of the Second Amendment, the created armed citizens’ patrols to monitor police officers and challenge police brutality. “Our position was: If you don’t attack us, there won’t be any violence; if you bring violence to us, we will defend ourselves,” explained Seale, who was inspired by the Black Nationalist philosophy of Malcolm X.

Following the Great Migration, the demographics Oakland had been transformed by a new generation of African Americans living in a community ruled by de facto segregation. This was a new type of apartheid that hid its hand covertly instituting policies likes redlining that denied services like banking, insurance, healthcare, mortgages, credit cards, and retail to the black community. Combined with high unemployment, underfunded public schools, and substandard housing, a new form of poverty emerged, and the state, under then-Governor Ronald Reagan, sanctioned violence against.

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Emory Douglas, Afro-American Solidarity with the Oppressed People of the World, 1969. Poster, 22.75 x 14.875 in. Collection of the Oakland Museum of California. All Of Us Or None Archive. Gift of the Rossman Family.

Categories: 1960s, 1970s, Art, Crave, Exhibitions

Ava DuVernay: 13TH

Posted on October 10, 2016

Image: Courtesy of Netflix

“The bottom line is, if you’re white in America, you have no idea what it’s like to be black,” Newt Gingrich declares in 13TH, the new documentary by Ava DuVernay now screening on Netflix. Titled after the Thirteenth Amendment, which legalizes slavery in the case of incarceration, the film exposes the way in which African Americans have been systematically criminalized in order to create and feed the prison industrial complex.

The film’s release comes at a pivotal time in U.S. history, as we are witnessing the rebirth of a new Civil Rights Movement to counter the abuses of power by the police, courts, prisons, and corporations under the 13th Amendment. While the media besieges the nation with images of lynchings sanctioned by the state, which simultaneously activate PTSD in their intended victims and thrill the bloodlust of the predators, we are inundated with the media’s fixation on Donald Trump’s calls to return to a time in our history before Civil Rights existed at all.

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Categories: 1960s, 1970s, 1980s, 1990s, Crave

Lucian Perkins: Hard Art, DC 1979

Posted on October 4, 2016

Photo: HR, Hard Art Gallery, 9/15/79, from Hard Art, DC 1979, copyright 2013 by Lucian Perkins, used with permission of Akashic Books.

No less than Plato first wrote the words, “A true creator is necessity, which is the mother of our invention,” acknowledging the fundamental human drive to solve problems. As recent history attests, conditions of lack have provided the most fertile grounds for originality, ingenuity, and innovation.

Consider Washington, D.C. circa 1979. The nation’s capital had not yet recovered from the riots of 1968, which broke out following the assassination of Dr. Martin Luther King, Jr. For six days, the riots raged in response to the horrific living conditions for the predominantly African American population, with Dr. King’s murder acting as the tipping point.

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Categories: 1970s, 1980s, Art, Books, Music, Photography

The Making of a Fugitive

Posted on October 3, 2016

Artwork: Dennis Adams, Patricia Hearst – A thru Z, 1979/90. Collection Museum of Contemporary Art Chicago, gift of Howard and Donna Stone. Photo: Nathan Keay, © MCA Chicago.

On August 7, 1970, Jonathan Jackson, a 17-year-old African-American high school student brought three guns into the Marin County Hall of Justice during the trial of San Quentin inmate James McClain. Jackson, McClain, and Black Panther party inmates Ruchell Magee and William A. Christmas took Superior Court Harold Haley, Deputy D.A. Garry Thomas, and thee female jurors hostage. The group exited the courthouse and attempted to flee in a van. The police opened fire, starting a shootout that left Jackson, Haley, McClain, and Christmas dead.

It soon came to light that that Jackson’s guns had been purchased two days prior to the incident by Angela Davis, then an assistant professor In the philosophy department at UCLA. The state of California considers “all persons concerned in the commission of a crime, whether they directly commit the act constituting the offense…principals in any crime committed,” and charged Davis with “aggravated kidnapping and first degree murder in the death of Judge Harold Haley.” *

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Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave, Exhibitions

Walter Robinson: A Retrospective

Posted on September 28, 2016

Artwork: Picture Perfect Kill, Acrylic on canvas 2012, Mima and César Reyes Collection, Puerto Rico

American artist Walter Robinson (b. 1950) moved to Manhattan in 1968 to study art history and psychology at Columbia University, and quickly became a fixture on the art scene. He wrote for Art in America, co-published Art-Rite, was arts editor of The East Village Eye, and editor of artnet, as well as a prolific painter in his own right.

In celebration of his work, curator Barry Blinderman has organized Walter Robinson: A Retrospective, the inaugural exhibition at Jeffrey Deitch, New York, currently on view through October 22, 2016, which is accompanied by a monograph published by the University Galleries at Illinois State University. Featuring 714 paintings made between 1979-2014, Robinson’s work explores the relentless America desire to commodify everything. Blinderman speaks with Crave about Robinson’s work.

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Categories: 1970s, 1980s, 1990s, Art, Crave, Exhibitions, Manhattan, Painting

Danny Lyon: Journey

Posted on September 27, 2016

Photo: Danny Lyon, Mary, Santa Marta, Colombia, 1972, Gelatin silver enlargement print © Danny Lyon. Courtesy of the artist and Edwynn Houk Gallery, New York and Zurich

“Opinion is really the lowest form of human knowledge. It requires no accountability, no understanding. The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another’s world. It requires profound purpose larger than the self kind of understanding,” Plato wrote in The Republic circa 380 B.C.

Empathy is both an emotional response, as well as a cognitive one. We can both feel what another experiences, as well as perceive it through rational thought. To be empathetic is a challenge some refuse to accept, but for those willing to open themselves, it is a two-fold process. First there is simply the ability to understand that which is not our own, and to refrain from manipulations that would adulterate its truth. Once we are able to do this, the next step comes: to share this truth in a responsible way, one that allows us to use our personal gifts in the service of the cause, while maintaining integrity and authenticity above all.

American photographer and filmmaker Danny Lyon (b. 1942) understand this, and has dedicated his life to the pursuit of truth. Working in the style of New Journalism, in which the photographer fully immersed himself in the milieu in which he worked, Lyon uses emotional and cognitive empathy to delve beyond the surface of the world and capture something much deeper and far more profound, something so visceral it goes beyond words and cuts straight to the soul.

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Photo: Danny Lyon, The Haitian Women, Port Au Prince, 1986, Gelatin silver enlargement print © Danny Lyon. Courtesy of the artist and Edwynn Houk Gallery, New York and Zurich

Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave, Exhibitions, Photography

A People’s Journey Across American Finally Arrives on the Washington Mall

Posted on September 24, 2016

Created by: Arthur Rothstein, published by Hyperion Press Ltd. Girl at Gee’s Bend, Alabama 1937; printed 1981, silver and photographic gelatin on photographic paper H x W (Image): 8 15/16 x 12 in. (22.7 x 30.5 cm) H x W (Image and Sheet): 10 7/8 x 14 in. (27.6 x 35.6 cm) Collection of the Smithsonian National Museum of African American History and Culture.

The Smithsonian National Museum of African American History & Culture (NMAAHC) holds its grand opening today—just one week after Terence Crutcher, 40, was extrajudicially killed by Tulsa Police Officer Betty Shelby. The father of four, who was on his way home from community college when his car broke down, was unarmed and had his hands in his air when Shelby fired the fatal shot without warning. Then, just four days later, Keith Lamont Scott, 43, was shot dead by Charlotte Police Officer Brentley Vinson while waiting for his son to be dropped off after school by the bus, sparking the on-going Charlotte Uprising, which has left a second man dead.

The tragedy is that Crutcher’s story is not unique; it is the very foundation upon which the United States was built. The men who wrote, “All men are created equal” are the same ones who determined African Americans only amounted to 3/5ths of a person. It has been said that, “The more things change, the more they remain the same,” and with every police killing, we are reminded of this—just as we are reminded that the United States government was found guilty of the assassination of Dr. Martin Luther King, Jr. in a 1999 trial, which the mainstream media did not cover at the time.

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Brotherhood Records, Dr. Martin Luther King Jr. Funeral Services, 1968 vinyl , ink on cardboard H x W (2011.17.37a disc): 12 × 12 in. (30.5 × 30.5 cm) H x W (2011.17.37b album jacket): 12 3/8 × 12 3/8 in. (31.4 × 31.4 cm). Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elmer J. Whiting, III.

Categories: 1960s, 1970s, 1980s, 1990s, Art, Crave, Exhibitions

It’s All True: The East Village Eye Show

Posted on September 19, 2016

Artwork: May 1979. Courtesy of The East Village Eye/Howl! Happening: An Arturo Vega Project.

Picture It: The East Village, May 1979. A new scene is emerging within the burned-out buildings and abandoned lots. It had been a decade since Daniel Patrick Moynihan urged then-President Richard Nixon to adopt the devastating policy of “benign neglect,” effectively cutting off major cities from federal, state, and local services in response to the race riots of the 1960s. At the same time, the Nixon White House initiated a phony war on drugs, as the cover story for flooding African-American and Latino neighborhoods with heroin.

Yet, despite the United States’ government’s best efforts to destroy its own citizens, like the phoenix they rose from the ashes and gave birth to the greatest cultural movements of the late twentieth century. Up in the Bronx, Hip Hop was born. Over in Washington Heights, graffiti took hold. And down in the East Village, punk rock emerged. It’s very telling that when people were pushed to the edge, they came back stronger than ever before.

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Artwork: June 1980 Courtesy of The East Village Eye/Howl! Happening: An Arturo Vega Project.

Categories: 1970s, 1980s, Art, Crave, Exhibitions, Manhattan