John M. Valadez, Brooklyn and Soto, from the East Los Angeles Urban Portrait Portfolio, ca. 1978
In the years following World War II, America’s Latinx communities were becoming increasingly marginalised and misrepresented. The Latinx immigrants joined African Americans who fled the South during the Great Migration, one of the largest, most rapid movements in history. Cities became the point of arrival for millions of migrants, who entered into established communities where their cultures took root, such as Spanish Harlem, the South Bronx, and East Los Angeles.
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Many of their stories have largely gone untold, and E. Carmen Ramos, Smithsonian American Art Museum’s deputy chief curator and curator of Latino art, aims to correct this. In Down These Mean Streets: Community and Place in Urban Photography, Ramos has organised the work of 10 Latinx photographers – Manuel Acevedo, Oscar Castillo, Frank Espada, Anthony Hernandez, Perla de Leon, Hiram Maristany, Ruben Ochoa, John Valadez, Winston Vargas, and Camilo José Vergara – who documented their communities as insiders.
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John M. Valadez, Couple Balam, from the East Los Angeles Urban Portrait Portfolio, ca. 1978
Camilo José Vergara, 65 East 125th Street, Harlem, 1977
