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Posts by Miss Rosen

Teresa Engle: An Afternoon in Arles with Robert Mapplethorpe and Sam Wagstaff

Posted on January 10, 2018

Photography Teresa Engle, courtesy of Daniel Cooney Fine Art

When you think of Robert Mapplethorpe, powerful images come to mind: the purity of his nudes and flowers, the precise lighting and printing of his work and, perhaps most recognisably, the transgression of boundaries that he boldly took. You may remember Mapplethorpe as a beautiful young man whose brief existence on Earth forever changed the way we think about the spaces where art, photography, and pornography intersect and unfold.

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While many know his work, few knew the man himself, the person behind the bullwhip. Teresa Engle is one of those who had the chance to spend private time with Mapplethorpe as his career reached stratospheric heights in the art world. In July 1981, Engle was fresh out of college, just getting her bearings in the world, completing a year-long darkroom internship with Lucien Clergue in Arles, France. Although she had studied photography, was coming to realise her true calling was that of a printer.

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Mapplethorpe has come to town to show his work at the annual Rencontres d’Arles photography festival. Engle first met him when he dropped by the Clergue studio, but the forces of fate had them cross paths once more, while Mapplethorpe was lunching at Place du Forum. This chance encounter led to an unexpected connection of a most profound kind, one that resulted in the opportunity for Engle to photograph Mapplethorpe and Sam Wagstaff, his benefactor, before they left Arles.

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Engle’s portraits from this encounter will be on view in An Afternoon in Arles: Photographs of Robert Mapplethorpe and Sam Wagstaff at Daniel Cooney Fine Art, New York, (January 11 – February 24, 2018). Here, she remembers the hope and inspiration that Mapplethorpe provided her in the formative years of her career, and what it’s like to photograph one of the world’s top photographers.

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Read the Full Story at Dazed

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Photography Teresa Engle, courtesy of Daniel Cooney Fine Art

Categories: 1980s, Art, Photography

Celebrating the Latinx Women of LA’s Punk Scene

Posted on January 9, 2018

Ronnie in Anaheim (January 2016). Photography © Angela Boatwright

When the first wave of punk hit Los Angeles in the mid-1970s, it was a predominantly male scene – but women quickly brought their voice to bear. While many musical trends have come and gone over the past 40 years, punk continues to speak to a new generation of teens.

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Punk’s DIY ethos empowers people to be the change they want to see in the world, giving them an outlet for their rage at injustice, hypocrisy, and fraudulence. The artists do not need formal training – just guts to get up on the stage and expose themselves.

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While making the documentary Los Punks: We Are All We Have over a four-year period, photographer and filmmaker Angela Boatwright connected with a group of young women in East LA’s backyard punk scene, a DIY movement led by the city’s Latinx youth, and created an incredible collection of never-before-seen photographs – presented here for the first time.

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Boatwright’s work inspired us to delve deeper into the culture’s history. Here, we spotlight five women in the LA punk scene who share their thoughts on the women who inspired them to join the cause.

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Read the Full Story at Dazed

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Moshpit during South Central Riot Squad in a tow truck parking lot in Watts, Los Angeles (September 2016). Photography © Angela Boatwright

Janet practicing with her band Paradocks in Watts, Los Angeles (October 2015). Photography © Angela Boatwright

Categories: 1970s, Dazed, Music, Women

Marc H. Miller and Bettie Ringma: Amsterdam Polaroids

Posted on January 9, 2018

Bar girl Nettie at Cafe Mascotte. Photography © Marc H. Miller and Bettie Ringma.

Fifi, the French bar girl at the Mexican Saloon. Photography © Marc H. Miller and Bettie Ringma.

In spring 1979, Bettie Ringma and Marc H. Miller moved from New York’s Lower East Side to Amsterdam. The newly arrived couple had already become known on New York’s downtown art scene, taking “Paparazzi Self-Portraits” with the new Polaroid SX-70 instamatic camera, and giving the world a taste for instant gratification.

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In search of a way to support themselves in a new city, they remembered a photographer hustling Polaroid portraits at Coney Island and decided to test the waters. “We tried first at Zandvoort Beach but it was too much work,” Miller recalls. “The sand was potentially deadly for the camera so we moved to the nightclubs and it clicked right away.

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”For next two years, they made the rounds five or six nights a week, shooting anywhere from 30 to 100 portraits a night of locals at old-school bruin cafés, Turkish cafés, soccer bars, gay bars, discos, red-light district bars, and tourist traps. They describe the portraits as “tronies,” comparing them to 17th-century tavern paintings by artists like Adriaen Brouwer who painted typological portraits very similar in spirit.

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Read the Full Story at Huck Online

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At the Turkish bar Cascade. Photography © Marc H. Miller and Bettie Ringma.

Bar girl with live snake at Chez Tony. Photography © Marc H. Miller and Bettie Ringma.

Categories: 1970s, 1980s, Art, Huck, Photography

Grant Ellis: Bless Your Heart

Posted on January 5, 2018

Photo: © Grant Ellis from Bless Your Heart, Kris Graves Projects

Formed over thousands of years of river flooding, the Mississippi Delta is an alluvial plain filled with dense, swampy jungles of cane, gum, and cypress. Early imperialists recognised the value of the land and began to clear it, draining the swamps, razing the forests, and building communities using slave labour.

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Today, the region is one of the poorest, most undereducated and malnourished areas of the nation – yet it is also a place where creativity has flourished despite (or perhaps because of) rough conditions. The Blues was born in the Delta, and from its humble beginnings it went on to become of the most influential genres of contemporary music, giving birth to both rock and soul music. Add to this the literary legends hailing from the region, including William Faulkner, Walker Perry, and Tennessee Williams.

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Hailing from the town of Cleveland, Mississippi, local photographer Grant Ellis spent the summer of 2014 creating a portrait of the Delta for Bless Your Heart, a limited edition from Kris Graves Projects. “I wanted to document what I saw in a place that reminded me of home,” Ellis explains.

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Read the Full Story at Huck Online

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Photo: © Grant Ellis from Bless Your Heart, Kris Graves Projects

Photo: © Grant Ellis from Bless Your Heart, Kris Graves Projects

Categories: Art, Books, Huck, Photography

Andres Serrano: Torture

Posted on January 3, 2018

Photo: “Fatima”, was Imprisoned and Tortured in Sudan, 2015. 60 x 50 inches. © Andres Serrano, courtesy of Jack Shainman Gallery.

Last August, the unthinkable occurred. Just as the very first civil case involving CIA torture was about to go to trial, American Civil Liberties Union (ACLU) announced a settlement in the lawsuit against two psychologists, James Mitchell and John “Bruce” Jessen, who designed and implemented the agency’s brutal program.

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The ACLU brought the lawsuit on behalf of Suleiman Abdullah Salim, Mohamed Ahmed Ben Soud, and the family of Gul Rahman, who froze to death in a secret CIA prison. The three men were tortured and experimented on using methods developed by Mitchell and Jessen. Although the full terms of the settlement agreement are confidential, the outcome shows that those who engage in torture on behalf of the United States government can and will be held responsible.

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Mitchell and Jessen have a sordid history in government-sponsored torture. In 2005, they founded a company that the CIA contracted to run its entire torture program and were paid $81 million for their services over several years. The psychologists tortured prisoners themselves, trained CIA personnel in their methods, and supplied interrogators to the agency’s secret “black site” prisons.

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Until this historic win, every lawsuit against the CIA torture program had been dismissed at initial stages because lawyers for the government argued that letting the cases proceed would reveal state secrets. But not this time. Not only was the CIA forced to release secret records, but the doctors and high-ranking CIA officials Jose Rodriguez and John Rizzo had to testify about torture during depositions.

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Read the Full Story at Feature Shoot

Categories: Art, Feature Shoot, Photography

Lilla Szasz: Daughters

Posted on January 3, 2018

Photography © Lilla Szasz

When we think of juvenile delinquency, we usually imagine teenage boys taking out their rage on the world. But what of the girls who have turned to crime: the teen who stabs her father to death? The thief, the prostitute, or the burglar? Hungarian photographer Lilla Szasz sought them out for her series, Daughters, a portrait of teens aged 14-18 living in one of Budapest’s oldest correctional institutions.

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“I was working on a larger project on women living in public shelters observing how they live together as a community in different stages of their lives,” Szasz recalls. “In 2005 I was invited to participate in a group exhibition examining the female identity, exploring issues, and bringing to bring to light questions that are as yet unanswered. The organisers asked me to make new work for the show, so I paged through the phone register looking for an idea. This is how I discovered the correctional facility. I was curious and contacted them.”

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Read the Full Story at Huck

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Photography © Lilla Szasz

Categories: Art, Huck, Photography, Women

Huck Chooses the Most Popular Photo Stories of 2017

Posted on January 1, 2018

Ft. Lauderdale. © Costa Manos/Magnum Photos

Constantine Manos: American Color

From the ’90s through to the ’00s, Magnum photographer Constantine Manos travelled across the sunshine state, capturing the life, love and surreal, sun-soaked style of its local residents. Read the full story.

Ft. Lauderdale. © Costa Manos/Magnum Photos

Categories: Art, Huck, Photography

Dazed Selects the Best Photo Stories of 2017

Posted on December 27, 2017

Arlene Gottfried with Midnight, courtesy of powerHouse Books

The Photos That We Needed to See This Year

 

I am thrilled to announce that Dazed has chosen three features I wrote for their top 10 list of the best photo stories of 2017. The stories include my tribute to Arlene Gottfried, a tribute to the victims of the Grenfell Tower fire as photographed by Brian David Stevens, and my conversation with Ryan McGinley that was easily two decades in the making. Each feature I’ve written for the site has been a true labor of love, and I’m delighted to have had so many amazing conversations this year. As I always say, the best part of writing is listening.

La Ventana. Photography Arlene Gottfried, courtesy of powerHouse Books.

How Arlene Gottfried Photographed NYC’s Truest Self

Arlene Gottfried was fascinated with New York and turned it into her life’s work to capture its true character. More focused on the person on the street corner than someone on a stage, Gottfried documented her adopted home up until her death at 66 from complications from breast cancer. In a touching tribute, her friends and art family paid tribute to her spirit. Read the full story at Dazed.

Red Mirror”, 1999. Courtesy Ryan McGinley and team (gallery, inc.) © Ryan McGinley.

Ryan McGinley Talks Coming Full Circle

Ryan McGinley’s polaroids are notorious, having captured the hedonistic essence of New York’s Downtown scene in the early 90s. Two decades on, with the release of a book and an exhibition which showed the seminal photographs that made him famous in 2003, we caught up with the photographer to reflect on his early works and gauge some advice. Read the full story at Dazed.

Photo: Copyright Brian David Stevens

A Touching Photo Tribute to Ensure We Don’t forget Grenfell

On 14 June 2017, fire engulfed Grenfell Tower, a 24-storey tower in London. It would take over 60 hours to fully extinguish it, within which 71 people would have lost their lives and many more their homes. The government’s response was shambolic and to this day, Grenfell victims and families, alongside Londoners, don’t have the answers they need. In the days following the fire, photographer Brian David Stevens took his camera to the streets to capture the many memorials that appeared in the hopes that we will never forget this terrible, tragic moment. Read the full story at Dazed.

Categories: Art, Dazed, Photography

Michael Lavine: Nirvana

Posted on December 26, 2017

New York City, January 11, 1992. © Michael Lavine

During the summer of 1990, an unknown band flew from Seattle to New York to gig in the underground punk scene. While they were in town they dropped by photographer Michael Lavine’s Bleecker Street studio for a session arranged by Sub Pop Records owner Bruce Pavitt. Going by the name Nirvana, the group featured singer and guitarist Kurt Cobain, bassist Krist Novoselic, and drummer Chad Channing. They had been playing together for a few years but hadn’t yet broken through. As Lavine’s photos from that fateful day reveal, they were just a couple of kids living life on their terms.

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Lavine would shoot the band a total of four times, including for cover of their seminal Nevermind album, which they released the following year. The album blew up, selling over 30 million copies worldwide and bringing grunge to a mainstream audience. But for Nirvana, success had a tumultuous effect, and as their star rose, the band began to plummet into the abyss. By the time Lavine photographed the final studio sessions on a weekend in 1992, the group was reaching breaking point.

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Lavine’s photographs tell the story of a rise and fall, of paradise and perdition. To celebrate what would have been Cobain’s 50th year on earth, Ono Arte Contemporanea in Bologna, Italy presents Kurt Cobain 50: The Grunge Photographs of Michael Lavine, a selection of iconic and never-before-seen images from his archive, which runs from now through to January 31, 2018. Lavine shares his memories of this historic chapter of music history.

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Read the Full Story at Dazed

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Photo: Nevermind session, Los Angeles, May 23, 1991. © Michael Lavine

 

Categories: 1990s, Art, Dazed, Exhibitions, Music, Photography

The Best Feature Stories of 2017

Posted on December 24, 2017

Omar Victor Diop, Dom Nicolau (Circa. 1830-1860) From the series: Project Diaspora 2014

2017 has been an incredible year as I dove head first into the deep end of the world of media. It has been filled with all kinds of high and lows, challenges and triumphs – but I wouldn’t have it any other way as it has strengthened my resolve, clarified my purpose, and given me the most extraordinary sense of self-reliance, personal responsibility, and determination.

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At a time when just reading the headlines can feel like getting slapped in the face, where the future seems hopeless and life feels bleak, I’ve come to understand that I am not here to shadowbox with lies, to argue with the irrational, or sell out for popularity. Instead, I am here to provide a space for knowledge, wisdom, and understanding garnered by some of the most incredible minds of our times, those who have dedicated their lives to questioning the status quo, to exploring new paths to freedom and liberation. I am here to share these stories so that you may find a place for inspiration, enlightenment, and positive vibes.

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Rather than look away from the difficulties of life, I am attracted to those who have faced them head on, surmounted them, and lived to tell the tale. They speak for so many who we have lost, who have been silenced or disappeared, or simply are not in a position to tell the story for themselves. I find beauty in truth, integrity, authenticity, originality, and courage in whatever form it comes. Though justice may be non-linear, it is inevitable.

Photo: Copyright Jamel Shabazz

Photographer Jamel Shabazz Reflects on the Memories That Shaped His Vision of New York Street Style (Vogue)

When Jamel Shabazz took up photography back in the 1980s, he gave voice to a new generation of young black men who were redefining the look of street-level New York City with their colorful Kangol caps, Adidas shell-toe sneakers, and graphic Cazal glasses. A former corrections officer, Shabazz would wander neighborhoods like Harlem, Brownsville, and the Lower East Side with his camera, approaching strangers who caught his eye, engaging them in conversation, and concluding with a portrait. Read the full story at Vogue.

Charlie Ahearn, DJ AJ 2 from the series Scratch Ecstasy, 1980 © the artist and courtesy P.P.O.W.

Picturing the Early Days of Hip-Hop (Aperture)

Hip Hop came of age inside the cinderblock walls of the Ecstasy Garage Disco in the Boogie Down Bronx. By 1980, it was the place to be as the flyest DJs and MCs honed their skills among their peers. In tribute, filmmaker Charlie Ahearn has teamed up with Grand Wizzard Theodore, inventor of the scratch, to recreate their weekly slide show as the centerpiece of Ahearn’s exhibition Scratch Ecstasy, currently on view at P.P.O.W. Gallery. Miss Rosen, who worked with Ahearn on his 2007 book, Wild Style: The Sampler, speaks with Ahearn and Theodore about the interplay between sight and sound in the development of Hip-Hop culture during its formative years. Read the full story at Aperture.

Photography Ricky Flores

How Hip Hop Rose From the Ashes of the Bronx (Dazed)

The South Bronx became infamous during Game 2 of the 1977 World Series, when newscaster Howard Cosell noticed a nearby abandoned school engulfed in flames and not a fire truck in sight, uttering his legendary phrase, “There it is, ladies and gentlemen, the Bronx is burning.”

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The Bronx had been burning throughout the 70s, in a massive series of fires set by arsonists working on behalf of landlords who knew they could collect more money from insurance fraud than they could from rent. From 1970 to 1980, more than 97 per cent of seven census tracts in the South Bronx had been lost to fire and abandonment, turning the once majestic neighborhood into blocks of rubble resembling a war zone. Yet, through it all, the people of the Bronx persevered. Read the full story at Dazed.

Brothers with Their Vines, Coney Island, NY, 1976 Photography Arlene Gottfried, courtesy of Daniel Cooney Fine Art

How Arlene Gottfried Photographed NYC’s Truest Self (Dazed)

“Only in New York, kids, only in New York.”

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American columnist Cindy Adams’ famed bon mot could easily caption any number of photographs in the archive of Arlene Gottfried. Whether partying in legendary 1970s sex club Plato’s Retreat, hanging out at the Nuyorican Poet’s Café with Miguel Piñero, or singing gospel with the Eternal Light Community Singers on the Lower East Side, Arlene was there and has the pictures to prove it. It was in her beloved city that Arlene Gottfried drew her final breath. She died the morning of August 8, after a long illness that may have taken from her body but never from her heart. Read the full story at Dazed.

At dawn, the Manhattan skyline shows no lights due to a power blackout, New York, New York, July 14, 1977. The photo was taken from Jersey City, New Jersey. (Photo by Allan Tannenbaum/Getty Images).

How the Blackout of 1977 Helped Hip Hop Blow Up (Crave)

 

On the evening of July 13, 1977, DJ Disco Wiz and his partner Casanova Fly (later Grandmaster Caz) were in the park on Valentine and 183rd Street in the Bronx with their sound system set up for a battle with a local cat they had regularly been blowing off. But DJ Eddie wouldn’t take no for an answer, so they relented and gave him a chance to make a name for himself.

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The city had been going through a ten-day heat wave with temperatures above 100. Wiz was concerned if their small portable fans would keep the amps cool, as they didn’t have internal cooling systems. Although it was hot and humid, people were having a good time. Around 9:30 p.m., Caz got on the turntables. Then the record slowly spun to a stop. Read the full story at Crave.

Jamila Woods

Black Women Poets You Need to Know (Dazed)

 

2017 has been a watershed year for Black women speaking truth to power while reclaiming their time, transforming the conversation and controlling the narrative. We have reached the tipping point, wherein new voices burst forth on the global scene, in every field from business to politics, science to sports, photography to poetry.

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On September 3, Pulitzer Prize-wining poet Tracy K. Smith signed in for duty as the United States Poet Laureate – the highest position a poet is given by the government, with the express purpose of raising the national consciousness of reading and writing poetry.

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Smith is in tremendous company, as a bevy of Black women are publishing new books of poetry, sharing their art, wisdom, and vision of life with the world. We spotlight seven poets whose work shows us the way that verse can transform the way we understand ourselves, each other, and life itself. Read the full story at Dazed.

Omar Victor Diop, Don Miguel de Castro, Emissary of Congo (c. 1643-50). From the series: Project Diaspora 2014.

Self Portraits by Senegalese Photographer Omar Victor Diop Recreate Historic Portraits (Feature Shoot)

The great African proverb wisely observes, “Until the lions have their historians, tales of the hunt shall always glorify the hunter.”

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The lion has arrived in the form of Omar Victor Diop, a rising star in the photography world. Born 1980, in Dakar, Senegal, Diop has inherited the great traditions of African studio photography and takes them to the next level in his new exhibition, Project Diaspora, currently on view at SCAD FASH Museum of Fashion + Film in Atlanta, GA, through August 18, 2017.

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In Project Diaspora, Diop tells the story of the lions of African history through the recreation of historic portrait paintings of key figures in art, politics, theology, and trade living between the 15th and the 19th centuries. This particular period reveals the complex relationship between African and the rest of the world, as European imperialist forces ransacked the continent, enslaving its people, occupying its lands, and looting its natural resources. Read the full story at Feature Shoot.

Shedding Light on the Suffering of Animals in Captivity
(Feature Shoot)

The path to truth is a long and arduous road, traveled by the few who can withstand the slings of arrows and bows. It takes courage and strength to allow the myths to fall away and stand face to face with the cold heart of reality. Photographer Colleen Plumb set for on this path many years ago, looking to understand the relationship between wo/man and animal that we have inherited from our ancestors.

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“Then God said: Let us make* human beings in our image, after our likeness. Let them have dominion over the fish of the sea, the birds of the air, the tame animals, all the wild animals, and all the creatures that crawl on the earth,” Genesis 1:26 decreed, creating a divide that would come to result in an oppressive hierarchy. Read the full story at Feature Shoot.

“Portrait of Wangechi Mutu, Mamiwata”, 2017 oil on canvas painting: 94 7/16 x 120 1/8 inches (239.9 x 305.1 cm)framed: 104 7/8 x 130 1/2 x 4 1/2 inches (266.4 x 331.5 x 11.4 cm) © Kehinde Wiley, courtesy Sean Kelly, New York

View a Series of Portraits of Extraordinary Black Artists (Dazed)

The Trickster exists in different cultures around the globe: the wily shapeshifter with the power to transform the way we see the world. As an archetype, The Trickster can be found in any walk of life where people must operate according to more than one set of rules, moving seamlessly between the appearance of things and the underlying truth.

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Artists know this realm well for they are consigned to delve deep below the surface and manifest what they find. Yet their discoveries are not necessarily in line with the status quo; more often than not, they will upset polite society and upend respectability politics by speaking truth to power – quite literally.

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In the United States, African Americans know this well. Throughout the course of the nation’s history, they have been forced to deal with systemic oppression and abuse in a culture filled with double speak that began with the words “All men are created equal,” penned in the Declaration of Independence by Thomas Jefferson, a man who kept his own children as slaves until his death. Read the full story at Dazed.

Copyright Sean Maung

A Night on the Town with LA’s Queer Vaqueros (Huck)

Santa Monica Boulevard is one of Los Angeles’ most fabled thoroughfares, running West from Silver Lake, through Hollywood and Beverly Hills all the way to Ocean Avenue, just off the Pacific. “There are different areas on Santa Monica that have different flavours,” photographer Sean Maung, an LA native, explains. “When you say ‘Santa Monica Boulevard,’ most people think of West Hollywood, which has a very strong gay and lesbian scene. But I’ve always been really attracted to Santa Monica Boulevard in East Hollywood.”

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The random mix of people from local Russian, Thai, and Latino communities appealed to Maung, who has been documenting the street culture of his hometown for over a decade. While photographing transgender prostitutes working the street late at night, Maung saw the words “Club Tempo” on an orange sign in front of a mall and thought to himself, “What’s Club Tempo? And why is it in the back of a strip mall in East Hollywood?’” Read the full story at Huck.

Michael Lavine for Bad Boy Records

The Story behind The Notorious B.I.G.’s spooky ‘Life After Death’ Album Cover (The Undefeated)

Twenty years have passed, but the shock is still fresh — and still incomprehensible. On March 9, 1997, Christopher Wallace, aka The Notorious B.I.G., was gunned down in a drive-by shooting. It remains unsolved.

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At 12:30 a.m., Wallace left a Vibe magazine Soul Train Music Awards after-party at Los Angeles’ Petersen Automotive Museum. The SUV in which he was traveling stopped at a red light just 50 yards from the venue. A dark Chevrolet Impala SS pulled up along the passenger side. The driver rolled down his window, drew his weapon and fired. Four bullets struck Wallace. He was rushed to nearby Cedars-Sinai Medical Center and was pronounced dead at 1:15 a.m.

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Not long afterward, The Notorious B.I.G. rose again. Read the full story at The Undefeated.

Stare, 2008. © 2017 Roger Ballen

A Road Map Through the Life of Roger Ballen (Feature Shoot)

When Roger Ballen graduated from high school in 1968, his parents gave him a Nikon FTn camera. It was flown over from Hong Kong by a friend and lost in customs for several weeks before it finally arrived. The day that Ballen received it, he headed to the outskirts of Sing Sing prison to take photographs, a prescient moment to launch a journey in photography like no other before or since.

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His name alone conjures up curious and disturbing visions of an uncanny world, one that recalls the spaces of the dreamscape, theaters of the unconscious. Here reality is a construction, but it is also something else: it is the space where our minds are released from rational sensibilities. To describe the work as unnerving would be polite. It is as though the non-linear spaces of the mind are given full flight. Read the full story at Feature Shoot.

Gordon Parks: Red Jackson, Harlem, New York, 1948; gelatin silver print; 19 1/2 x 15 3/4 in. Courtesy of and copyright The Gordon Parks Foundation.

A Fresh Look at Gordon Parks’ Photo Essay “Harlem Gang Leader” (Feature Shoot)

1948 was a watershed year in the career of American photographer Gordon Parks. An established fashion photographer who had been working on assignment for LIFE magazine, Parks was also an accomplished author, publishing his second book, Camera Portraits, a collection of his work accompanied by professional observations about posing, lighting, and printing. At the same, time, Parks longed for something deeper and more essential to his soul.

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“Photographing fashion was rewarding but for me somewhat rarefied,” he revealed in his memoir, Half Past Autumn. “Documentary urgings were still gnawing at me, still waiting for fulfillment.”

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He met with his editors to make his very first pitch: the story of Leonard “Red” Jackson, the 17-year-old leader of the Midtowners, a Harlem gang that had been caught up in the turf warfare that had been plaguing the neighborhood throughout the decade. He showed them 21 pictured edited from a body of hundreds photographs made over a period of four weeks made shadowing Red as he went about his business. The work tells the story of survival in its most poignant form, caught in the space where poverty, oppression, and violence foment and froth. Read the full story at Feature Shoot.

‘Untitled’ Photo by Michael A. McCoy. Baltimore Uprising, Baltimore, MD, 2015

Six Tips for Aspiring Protest Photographers (Huck)

After completing two tours of duty in Iraq in 2008, U.S. Army combat veteran Michael A. McCoy turned to turned to photography as a therapeutic tool to deal with the horrors of Post Traumatic Stress Disorder. With a camera in his hands, McCoy could escape from the memories of being inside a war zone as photography enabled him to be full present in the moment, bare witness, and share his story with the world.

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The 2014 death of Mike Brown at the hands of Ferguson police officer Darren Wilson changed everything. The protests that raged across the city sparked a movement against police brutality and the killing of black men, women, and children at the hands of law enforcement officials. For McCoy, Ferguson was the moment of truth.

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“I started photographing protests because I wanted to start documenting history,” he explains. “I realized that I could use my camera as a tool and amplify the issues affecting myself and my community that need to be heard. I could have been Mike Brown, Freddie Gray, Trayvon Martin, or Eric Garner.” Read the full story at Huck.

Kissing Doesn’t Kill, Gran Fury, 1989–1990, four-color bus-side poster, ink on PVC, 30 × 140 in. For Art Against AIDS On The Road.

How to Spark Serious Social Change, Using Art (Huck)

During the early years of the AIDS crisis, when an HIV positive diagnosis meant certain and gruesome death, Avram Finkelstein became a pivotal figure in ACT UP, the direct action advocacy group that worked tirelessly to combat U.S. government silence around the disease.

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“Power structures count on our silence, but that doesn’t mean we’re obliged to give it to them,” Finkelstein remembers. “Raising your voice is a tremendous threat, and it’s the only threat you ever have to make.”

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As co-founder of the collective Silence = Death and member of the art group Gran Fury, Finkelstein worked tirelessly to raise awareness and fight the power through a powerful combination of art and activism. “When words and images are combined, their power increases exponentially,” Finkelstein explains. “We thought: Why not just sell political agency the same way everything else is sold to us?” Read the full story at Huck.

‘The Rumble in the Jungle’ — and the Poster That Sold It (The Undefeated)

In the darkest night part of morning they came 60,000 strong — to watch undefeated world heavyweight champion George Foreman take on challenger Muhammad Ali. It was another time. The 20th of May Stadium in Kinshasa, Zaire, is now the Stade Tata Raphaël in the Democratic Republic of the Congo, and The Rumble in the Jungle, as it was known, was scheduled to begin at 4 a.m. local time on Wednesday, Oct. 30, 1974. This was so the match originally titled From Slave Ship to Championship would air live on closed-circuit television in U.S. theaters at 10 p.m. EST.

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From backstage, journalist Norman Mailer described the scene. Although his entourage was somber, Ali appeared relaxed as he addressed himself in a mellifluous tone: “I been up and I been down. You know, I been around. It must be dark when you get knocked out. Why, I’ve never been knocked out. I’ve been knocked down, but never out.” Read the full story at The Undefeated.

Dissecting the Political Impact of Acid House (Dazed)

Back in 1979, in a Chicago nightclub called The Warehouse, DJ Frankie Knuckles helped incubate the nascent genre of house music. Taking its name from The Warehouse, house music spread through the US underground and around the globe, and in London, it transformed into something entirely new. The acid house movement combined the hippie spirit found on the island of Ibiza with the sensation of taking a trip, be an ecstasy pill, a hit of acid, or a plane ticket to a faraway land.

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By 1987, acid house had taken UK by storm with an irrepressible, revolutionary energy that evoked the utopian vibes of the Summer of Love. Peace, love, respect, and unity were the order of the day, albeit within the confines of illegal parties that were cropping up across the country, drawing thousands of revelers from all walks of life who wanted nothing more than to dance through the dawn. But the acid house scene was more than a cosmic display of hedonism. It was a movement that subverted the racial and class boundaries of Margaret Thatcher’s seemingly endless premiership. Although its political impact is often overlooked, acid house united a deeply segregated society, and what’s more, it empowered those who have been written out of history to rise and come to the fore. Read the full story at Dazed.

© Lilla Szász: Mother Michael Goes to Heaven, part from series (2008-2010)

Intimate Photos of a ‘Family’ of Sex Workers in Budapest (Dazed)

Lilla Szasz fell into the underworld when she began documenting teen girls living in a detention home in Budapest. Here, she met girls who had turned to sex work to survive. While they were locked up, pimps waited outside the gates for their release, with ample supplies of drugs to keep them caught in a cycle of addiction and debt.

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Their tragic stories spoke to Szasz. She yearned to know more about the people living on the edge, on the margins of society. In 2008, she travelled to downtown Budapest, where she met Monica and Michael, young sex workers who shared a flat. Their neighbours had been extorting them, threatening to call the police, so they moved to a larger place in the slums, where no one cared what they did. Read the full story at Dazed.

Meat Joy, 1964. Courtesy of Carolee Schneemann

Art Pioneer Carolee Schneemann Looks Back On 50 Years Of Work (Bust)

Artist. Feminist. Revolutionary. Carolee Schneemann, now 77 years old, has been traversing the sacred spaces of female sexuality and gender in the name of truth, liberation, and freedom from the patriarchy for more than half a century. Raised on a farm in rural Pennsylvania, Schneemann learned not to fear viscera, injury, or death. Instead, she embraced the creative and destructive forces of Mother Nature and fused them into work that challenged every assumption about women in the art world.

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A multidisciplinary artist, Schneemann has created groundbreaking paintings, photographs, performance-art pieces, and installations that expose deep female secrets, pleasures, fears, and taboos. Using her body as a starting point, Schneemann also challenges cultural norms that discourage female artists from using their own nude bodies as the subjects of their work. Most memorably, in her landmark piece, Interior Scroll (1975), Schneemann stood on a table, assumed “action poses,” then slowly extracted and read from a scroll tucked neatly inside her vagina. Read the full story at Bust.

Copyright Thierry Mugler

A Brief History of Thierry Mugler’s High-Voltage Fashion (Dazed)

The legendary house of Thierry Mugler occupies the space between fashion and myth, manned by a designer so visionary that no less than Beyoncé, David Bowie and Lady Gaga have called upon him to create couture so haute your body temperature rises just looking at pictures of it. In celebration of his iconoclastic career, the Montreal Museum of Fine Arts has announced plans for Thierry Mugler: Creatures of Haute Couture, slated to open in February 2019. It will be the first solo exhibition of the designer’s work.

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For over two decades, Mugler was a reigning force in fashion, an enfant terrible who defied bourgeois sensibilities with his spectacular looks and magnificent, sometimes almost hour-long runway shows. “I have always been fascinated by the most beautiful animal on the Earth: the human being,” Mugler revealed on the occasion of the exhibition’s announcement. That fascination led him to create clothes which transformed the wearers into futuristic femme fatales, whose superpowers were seduction and self-assurance. Read the full story at Dazed.

Categories: Aperture, Art, Dazed, Feature Shoot, Huck

The 10 Best Art Exhibitions of 2017

Posted on December 22, 2017

Artwork Emma Amos (America, born 1938). Sandy and Her Husband, 1973. Oil on canvas. Courtesy of Emma Amos. © Emma Amos; courtesy of the artist and RYAN LEE, New York. Licensed by VAGA, New York.

The beauty of an exhibition is that you must go to it. You must be in its presence for a personal encounter in real time and space. You cannot scroll, swipe, or post your way through it: you must be there, in the moment, to experience it in the flesh and receive its understanding, knowledge, and wisdom though perhaps never a word will be said.

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In celebration, Crave has compiled a list of the 10 best art exhibitions of 2017 that take us from the turn of the twentieth century right up to the present moment, with historic exhibitions of African American art on both sides of the pond, as well as long-awaited retrospectives from the likes of Rene Magritte and Raymond Pettibon.

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Read the Full Story at Crave Online

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Artwork: Betye Saar, Rainbow Mojo, 1972. Paul Michael diMeglio, New York.From Soul of a Nation: Art in the Age of Black Power at Tate, London.

 

Categories: Art, Crave, Exhibitions, Painting, Photography

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